Tag Archives: Pride

Rainbow washing: what should we think when every brand seems to support Pride Month?

With Pride Month becoming increasingly commercialised, Dr Olivier Sibai, Lecturer in Marketing at Birkbeck, University of London, Dr Mimoun, Lecturer in Marketing at the Business School (formerly Cass), and Dr Achilleas Boukis, Lecturer in Marketing at the University of Sussex discuss how brands are engaging with the month of celebration.

A close-up of the rainbow pride-flag

It’s June again, the first heatwave has arrived, flowers are blooming, and more and more rainbow avatars appear on your social media feeds! Yes, it’s Pride Month again and brands won’t let you forget it! As everyone celebrates Pride, brands won’t stop showing their surface-level love and support to position themselves as socially progressive and increase their resonance with their younger audience.  From brands’ rainbow LinkedIn profile picture to Google Doodles, every brand and its neighbor are jumping on the occasion to demonstrate their virtue. Yet, people are not so easily fooled and criticism abounds! Between accusations of rainbow-washing, blog posts wondering whether we can escape the commercialisation of Pride, and lists of brand’s “Pride fails,” consumers show their disapproval vocally.

Our research recently published in Psychology and Marketing uncovers how consumers interpret brands’ LGBTQ+-related support and decide on whether to condemn or to approve them. We show that consumers are more likely to condemn brands as ‘woke-washers’ if they are unable to prove morally competent. Specifically, media and consumers make up their minds on the biggest corporates by assessing such performative acts of allyship through three moral criteria: sensitivity, vision, and integration.

Moral sensitivity — a brand must recognize the moral content of a situation as failure to do so is likely to damage customer satisfaction, customer-brand relations, and brand equity. For example, by posting straight characters walking over the rainbow flag, Disney has proved morally insensitive to the stigma and discrimination that LGBTQ+ individuals are still experiencing in many instances.

Moral vision — a brand must show a clear moral vision when outlining challenges to free speech that help solve problems for markets and society as failure to do so results in brands being dubbed as ‘conformists’ — those who reproduce the dominant moral judgments about what is acceptable to say publicly. While Mattel still shows a lack of moral vision by mostly reproducing mainstream discourses around gender and diversity, it at least shows some moral integration with the launch of gender-neutral Barbie dolls in 2019 followed by the launch of the UNO Play with Pride edition this year (alongside $50,000 donated to the It Gets Better Project).

Moral integration — a brand must have the ability to pursue their moral beliefs in all situations as failure to do so results in brands being dubbed as ‘opportunists’ and ‘fame-seekers’ — manipulating the boundaries of free speech to serve personal interest rather than reform morality. For example, despite sharing the positive experience of its LGBTQ+ staff members, Pfizer demonstrates a lack of moral integration by simultaneously funding anti-gay politicians.

But let’s not despair, some brands have understood the point of Pride Month and, in doing so, further the fight for LGBTQ equity and inclusivity. For example, over the last few year (moral integration), Skittles celebrates Pride Month with a limited-edition Skittles Pride Packs (gray packaging and all gray candies) to emphasize the rainbow visual as a symbol of the LGBTQ+ community (moral sensitivity), alongside donation of $1 from each pack to GLAAD.

So has Pride Month just become another branded holiday? Well, it’s not for us to settle. But what we can tell you is how to judge the genuineness of branded communication: evaluate the brand’s moral sensitivity, vision, and integration. While we can condemn the over-commercialisation of Pride Month, the good news is that these branded discourses, whatever their values and intent, still raise awareness of the LGBTQ+ cause and normalize and legitimize its presence in public discourse.

Want to know more? ‘Authenticating Brand Activism: Negotiating the Boundaries of Free Speech to Make a Change’ by Dr Olivier Sibai, Lecturer in Marketing at Birkbeck, University of London, Dr Mimoun, Lecturer in Marketing at the Business School (formerly Cass), and Dr Achilleas Boukis, Lecturer in Marketing at the University of Sussex, is published in Psychology & Marketing.

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What are the origins of the Pride March?

In June we celebrate the lives of lesbian, gay, bisexual and transgender communities around the world as part of Pride Month. In this blog, Rebekah Bonaparte, Communications Officer at Birkbeck, explores the radical roots of the annual Pride March.

June usually marks Pride Month. The streets of London and many UK towns and cities are adorned with the infamous Pride rainbow, as thousands would usually turn out in celebration of the lesbian, gay, bisexual, transgender and queer (LGBTQ) community.

Many will now be familiar with the rainbow flag that has become increasingly visible throughout the month of June. The Pride logo can be seen on the websites of corporations and organisations as the internationally recognised event has become increasingly mainstream. But what are the origins of the Pride march?

The Stonewall Inn

Although there had been groups campaigning for the rights of the LGBTQ community to be recognised before the 1960s, the Stonewall Uprising is thought of as an important moment in the fight for gay rights in the US and beyond.

The uprising began when New York police officers raided the Stonewall Inn bar on 28 June 1969. Police raids of gay and lesbian bars were commonplace at this time and this instance proved to be the catalyst for an outpouring of fury amongst the LGBTQ+ community who were continually targeted by the police. A lesbian woman, Stormé DeLarverie, who is thought to be one of the first to fight back at Stonewall insisted that the often labelled ‘riots’ was “a rebellion.”

Six days of protests followed the raid on the Stonewall Inn and figures such as Marsha P. Johnson and Sylvia Rivera emerged as leaders of the revitalised movement.

The following year, Christopher Street Liberation Day Umbrella Committee held its first march, initially called ‘The Christopher Street Liberation Day Committee’ to commemorate the Stonewall uprisings and promote cohesion amongst the LGBTQ community. Today, the Stonewall Inn is considered a national landmark and the LGTBQ+ Pride March is held across the world in June.

Pride in London

In 1970 two British activists, Aubrey Walter and Bob Mellor, founded the Gay Liberation Front in a basement of the London School of Economics. Walter and Mellor were said to have been inspired by the Black Panthers as that year they attended the Black Panther’s Revolutionary Peoples’ Convention, but also the various liberation movements that were taking place all over the world. At the time in the UK homosexuality had been partially decriminalised and homophobia was largely accepted.

The Gay Liberation Front in London held its first Pride rally in 1972 on 2 July (the closest Saturday to the Stonewall anniversary) and continued to host annual rallies until it became more of a carnival event in the 1990s. In 1996 it was renamed Lesbian, Gay, Bisexual and Transgender Pride. The march was thought of as a display of solidarity and self-acceptance, but also a vehicle to drive social change and challenge injustice.

The Pride March has been held in London and across the UK since. It is characterised by its carnival spirit, and a safe space for members of the LGBTQ community to assert their identities and achievements. In recent years it has become increasingly mainstream, with corporations and organisations capitalising on the annual celebration and some believe it is has become far removed from its radical roots.

The organisation Pride in London was set up in 2004, and has been arranging the march since. Due to the ongoing pandemic, this month’s march in London was cancelled, but Pride in London have announced that it will be held on 11 September with the theme being, Visibility, Unity and Equality.

Pride remains a visual reminder for the continued struggle for LGBTQ+ rights across the world, a source of hope and jubilation for many.

Further information:

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Queerantine Bookshelf

While the usual Pride parade may not be possible this year, we’re still keen to amplify LGBTQ experiences and lives. Golnoosh Nour, a Creative Writing Alumna, teacher and author of her most recent short story collection, ‘The Ministry of Guidanceshares her essential LGBTQ reading list.

Fiction: Three Queer Novels

Hot Milk by Deborah Levy: This is a book that beautifully depicts the fluidity of sexuality and desire. This novel was published in 2016, my prediction is that this book will become a classic for its mastery of plot, characterisation, and language, but also for its unapologetic portrayals of female desire, motherhood, and the nuclear family. Levy’s descriptions of lesbian desire and female bisexual desire are beatific. Also, Sofia Irina is one of my favourite protagonists. She is curious, clever, and bold – even though she thinks she is not bold, and she really is ‘pulsating with shifting sexualities’.

Guapa by Saleem Haddad: Another unputdownable novel with an adorable protagonist, Rasa. An Arab gay man who describes his beautiful but forbidden love for the closeted Taymour with the utmost sensitivity both in an imaginary Arab country and the United States. The book subtly debunks the myth that the West is a sanctuary for gay people. The novel also does so much more; it is an extremely nuanced account of being a Middle Eastern queer. While this book made me laugh out loud and cry several times, on the whole, I cherish it for its warmth and compassion. If books had hearts, I’d say Guapa has a heart of gold.

The Sluts by Dennis Cooper: I love this book for the exact opposite reason that I love Guapa; I’m intrigued by its depiction of brutality, cruelty, and hollowness that can accompany uninhibited sexual desires – in this case, homosexual men who enjoy being extremely violent and at times murderous to one another. But apart from these compelling depictions, this book is a work of literary genius in terms of narrative structure. It is a mystery that at the end of the day the reader needs to solve on their own – if they believe it needs to be solved at all. I did and I didn’t. I felt so overwhelmed by the ethereal and yet pungent quality of the prose that during the two days that it took me to finish it, I felt I was on some strange drugs. This was a drug that made me unable to read any other books for several weeks apart from the ones by Dennis Cooper.

(There are so many more amazing queer novels, including the enticing classic: The Line of Beauty by Alan Hollinghurst, My Education by Susan Choi, Rainbow Milk by Paul Mendez, London Triptych by Jonathan Kemp, and many more that the limitations of space don’t allow me to mention. The three I elaborated upon are the ones I discovered fairly recently in queerantine.)

Poetry

There is so much breathtaking contemporary poetry exploring queer desire: these are some of the collections I have been rereading during the lockdown: English Breakfast by Jay Bernard (a literary masterpiece that boldly explores race, gender, and sexuality, not often talked about as it’s probably ‘too queer’ for the UK poetry scene) Soho by Richard Scott (a queer bible), I Must Be Living Twice by Eileen Myles (funny and canocial), Rabbit by Sophie Robinson (deliciously readable, yet deep and sapphic), Selah by Keith Jarrett (a star Birkbeck alumni!), Muses and Bruises by Fran Lock (especially the poem Rag Town Girls do Poetry, also, Fran is another Birkbeck star…), and last but not least Insert [Boy] by Danez Smith (their first and in my not very humble opinion, strongest collection).

 

 

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