CILAVS: The destruction of images in the medieval and early modern world: Jews, Muslims, Protestants and Catholics in Iberia 20 November 2020 6pm

CILAVS warmly invites you to the seminar:
The destruction of images in the medieval and early modern world: Jews, Muslims, Protestants and Catholics in Iberia
Professor Borja Franco
 
Friday, 20 November 2020 from 6 to 7.30pm Live Online 
 
In this paper, Prof Borja Franco presents the main written and visual sources that captured trials for iconoclastic behaviour in medieval and early modern Iberia. He shall explore the reasons for these actions and their political and religious repercussions. A comparative study of the various socio-religious groups reveals that the theological discourse behind each iconoclastic action varied with each case study. Furthermore, it will be shown that iconoclastic attitudes were not the exclusive territory of ‘heretics’ or ‘infidels’ and that even Catholics were persecuted for their hostile attitudes to images.
 
Borja Franco Llopis is a Professor at the Department of Art History in the UNED (Spain). His research is devoted to the visual and literary representation of the otherness in Southern Europe. He has been a visiting scholar in several prestigious institutions such as the School of History and Archaeology in Rome, the Instituto Storico per el Medievo (Rome), the Warburg Institute (London), Johns Hopkins University, University of California (Berkeley), Harvard University, Columbia University, Universidade Nova of Lisbon and NYU; and Visiting Professor at the University of Genoa. He is Associate Professor at the Department of Art History in the UNED (Spain), the PI of the research group “Before Orientalism. Images of the Muslim Other in Iberia (15-17th Centuries) and their Mediterranean connections” and working Group Leader of the Cost Action 18129: Islamic Legacy: Narratives East, West, South, North of the Mediterranean. He has recently published the monographs titled: Pintando al converso: la imagen del morisco en la peninsula ibérica (1492-1614) (Cátedra, 2019), and Etnicità e conversione. Immagini di moriscos nella cultural visuale dell’età moderna (Affinità Elettive, 2020). He has also co-edited the book: Muslim and Jews made Visible in Christian Iberia and beyond (14-18th centuries) (Brill 2019).
The event is free, although you will need to book.
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Birkbeck Eighteenth-Century Research Group events: Autumn 2019

Lecture: Thursday 17th October, 6-8pm

Professor Colin Jones, Queen Mary, University of London

‘The Duchesse d’Elbeuf and the Arts of Resistance in Paris under the Terror’

The Cinema, School of Arts, 43 Gordon Square, WC1H 0PD

The recent discovery of a series of private letters to a friend (1788-94) from the wealthy dowager duchess of Elbeuf in the course of the French Revolution is the starting point for a broader discussion of how, in the period of censorship and surveillance under the Terror, individuals strove to maintain freedom of expression and develop a critique of government. The lecture will be followed by questions, and a glass of wine.

Colin Jones is Professor of History at Queen Mary, University of London. He has published widely on French cultural history, particularly on the eighteenth century, the French Revolution, and the history of medicine. His many books include The Medical World of Early Modern France (with Lawrence Brockliss, 1997), The Great Nation: France from Louis XV to Napoleon (2002), Paris: Biography of a City (2004: winner of the Enid MacLeod Prize) and The Smile Revolution in Eighteenth-Century Paris (2014).

All welcome! For more information, please contact Ann Lewis: a.lewis@bbk.ac.uk

Reading Group: Wednesday 13th November, 12-2pm

Hannah Lyons, Birkbeck, University of London, and the Victoria & Albert Museum

‘Some trifling performances’: Women Printmakers in the Long Eighteenth Century. Artists or Amateurs?

Room 106, School of Arts, 43 Gordon Square, WC1H 0PD

Hannah Lyons is a Collaborative Doctoral Student, working on the role, status and output of amateur and professional women printmakers in Britain during the long eighteenth century. In this reading group, she will consider the problematic categories of the ‘amateur’ and ‘professional’ in the context of her research.

For more information, please contact Kate Retford: k.retford@bbk.ac.uk

Thursday 12th December, 3-5pm

English Country House symposium

co-organised with the Birkbeck Architecture, Space and Society Research Centre 

Keynes Library, School of Arts, 43 Gordon Square, WC1H 0PD

  • Professor Jon Stobart, Manchester Metropolitan University: ‘Home Comforts: Objects and Memories in the English country house, c.1750-1820’
  • Professor Abby van Slyck, Connecticut College, US: ‘Raising Royals: The Architecture of Childhood at Victoria and Albert’s Osborne House’
  • Professor Kate Retford, Birkbeck: ‘”A Family Home…not a Museum”: Marketing the English country house’

For more information, please contact Kate Retford: k.retford@bbk.ac.uk

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BRAKC presents Michaël Ferrier at Birkbeck: Mémoires d’outre-mer, or Over Seas of Memory – 18th September 2019

Based loosely on the author’s life, Mémoires d’outre-mer recounts the life of Ferrier’s Mauritius-born grandfather, Maxime, who in 1922 abruptly boarded a boat bound for Madagascar and never returned. Maxime’s adventurous and romantic life in Madagascar, which included a stint as a diver, an artist, and an acrobat in a travelling circus, is bound up with the island’s history, including its period as a Vichy-governed territory at the centre of what was called ‘Project Madagascar’, the Nazi plan to relocate Europe’s Jewish population to the island. This story in turn is interwoven with the larger story of colonialism and its lasting and complicated impact on French national and cultural identity today. Join us at Birkbeck on 18th September 2019 for a discussion of this novel and its translation, as well as of Ferrier’s other works.

Michaël Ferrier is professor of French at Chuo University in Tokyo, Japan; he is also an essayist and the award-winning author of several novels. Mémoires d’outre-mer, his most recent work, has been translated into English as Over Seas of Memory by Martin Munro, Winthrop-King professor of French and Francophone Studies at Florida State University.

And here is the link: http://www.bbk.ac.uk/events/remote_event_view?id=6709

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CFP: BRAKC Research Centre 2018-19: Deadline 30 September 2018

Birkbeck Research in Aesthetics of Kinship and Community (BRAKC) is a research centre based in the School of Arts. We study the artistic representation of human belonging, of the human bond, in literature, film, photography, paintings, and other art forms. How is this bond presented across time and cultures, how is it analysed, deconstructed, reinvented? BRAKC was established ten years ago and since then we have organised many conferences, symposia, seminars, reading groups, exhibitions, interrogating the concepts of “family”, “kinship”, and “community”.

We would like to encourage interested research students in the School of Arts to play a prominent role in the activities of the centre. We invite proposals for research events in 2018-19. Some funding is available if needed for the organisation of these events. Although organisers will not be paid, they will have something to add to their CVs!

Please send proposals of no more than 300 words to Dr Nathalie Wourm, Director of BRAKC, by 30 September 2018. Selected proposals will be announced shortly after that, and the events will be organised in cooperation with BRAKC.

Email: n.wourm@bbk.ac.uk

Website: http://www.brakc.bbk.ac.uk/

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Free Training: Migrating Texts: Innovation and Technology in Subtitling, Translation and Adaptation

Migrating Texts: Innovation and Technology in Subtitling, Translation and Adaptation

Friday 4 May 2018 | IMLR, Room 243, Senate House, London WC1E 7HU

***Free training generously supported by LAHP (London Arts & Humanities Partnership), the European Commission and IMLR (The Institute of Modern Languages Research)***

Please join us for our next Migrating Texts event, aimed specifically at postgraduate students and ECRs researching in the Modern Languages and Arts and Humanities, and to practitioners in these fields. Migrating Texts brings together academic speakers with individuals from the subtitling, translation and cross-media industries, with the aim of fostering communication between the two and promoting opportunities for collaboration between academia and the cultural industries. Our forthcoming event will focus on innovation and technology.

In the last decades, advances in digital communications and innovative technologies have deeply transformed the way texts are created and travel across material, linguistic, spatial and temporal boundaries. This is particularly evident in the everchanging landscape of the audiovisual translation (AVT) sector, but translation practices in publishing and theatre, for example, have also been affected. What tools were available to translation practitioners before the digital revolution? What can we learn from the transition from analogue to digital production? How has online software reformed translators’ access to work and their modus operandi? How has the job market adapted to the demand for a new profile of translator who is at the same time a language-cultural expert and tech-savvy? What new forms of adaptation are available today?

The subtitling session will explore advances in subtitling practice from a diachronic perspective. It will first discuss the origins and nature of written language on screen and the key role played by early, often non-professional, translators in the international circulation of moving images. It will then observe more recent technical developments in both textual and professional practice, underlining issues surrounding quality standards and access to the job market.

The translation and adaptation session will explore changes to reading, writing and publishing occasioned by technological innovation, from the ways we do translation (e.g. computer-aided translation methods) to the ways translations and adaptations are disseminated (e.g. digital storytelling platforms). The session concludes with a practical exercise where attendees will adapt a text for a digital storytelling platform.

For more information on the speakers, please see the Migrating Texts website:

https://migratingtexts.wordpress.com/about-the-speakers/

Attendance is free. You may register your place through the IMLR website:

https://modernlanguages.sas.ac.uk/events/event/14045

We look forward to seeing you there!

The Migrating Texts team: Carla, Katie, Kit

Website: migratingtexts.wordpress.com

Twitter: @MigratingTexts | Facebook: migratingtexts | Email: migratingtexts@gmail.com

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CILAVS – Thinking Ibero-America: Modernity and Indigenism: 23 November 2017

CILAVS warmly invites you to

Thinking Ibero-America: Modernity and Indigenism – Ticio Escobar in conversation with John Kraniauskas

23 November, 2017

6:30-8:30

Clore Management Lecture Theatre, Clore Management Centre

Birkbeck, University of London

London WC1E 7JL

Organised by CILAVS, Instituto Cervantes and Canning House

Under the dominance of European and then Creole elites, the people of Latin America have historically looked to Europe and North America as referents for cultural modernity. Until recently, everything related to indigenous people and culture was associated with the idea of underdevelopment. However, with globalisation, contemporary cultural discourses have begun incorporating notions of diversity, difference, inclusion and cultural rights; this allows for the articulation of new critical visions such as that of Paraguayan Ticio Escobar.

A lawyer, curator, teacher, art critic and cultural promoter, Ticio Escobar was Minister of Culture of Paraguay (2008-2012). Prior to that, he was Director of Culture of the Municipality of Asuncion (1991-1996) and founder of the Museum of Indigenous Art. He is the author of the National Law of Culture of Paraguay and President of the Paraguayan Section of the International Association of Art Critics. He has published numerous books on Paraguayan and Latin American art. He currently directs the Centro de Artes Visuales / Museo del Barro in Asunción.

John Kraniauskas is Professor of Latin American Studies at Birkbeck, Univeristy of London. Expert in literature and cultural studies, he is the author of numerous essays and translations. His latest book is Capitalism and its Discontents: Power and Accumulation in Latin American Culture (University of Wales Press, 2017). He met Ticio Escobar on a trip to Paraguay during the days of Stroessner, as a member of the Parliamentary Group on Human Rights.

Click here to book.

This event opens the International Conference Border Subjects/Global Hispanisms that will take place on 24 and 25 November, 2017.

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CILAVS: International Conference Border Subjects/Global Hispanisms

CILAVS has the pleasure to invite you to the

International Conference

Border Subjects/Global Hispanisms

24-25 November 2017

Clore Management Lecture Theatre, Clore Management Centre

Birkbeck, University of London

London WC1E 7JL

Organised by the Centre for Iberian and Latin American Visual Studies, CILAVS, and the Birkbeck Institute for the Humanities, BIH

This conference brings together scholars, curators, filmmakers, writers and post-graduate students from Latin America and the Caribbean, the United States, Europe and the UK to explore the emergence, nature and redefinitions of Border Subjects in the globalized Hispanic world from the Early Modern period to our current situation.

Attendance free but booking essential. Click here for more information and to book.

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Academic Writing Sessions – Autumn Term 2017

Dear all,

You are invited to a new series of academic writing sessions, to be held twice weekly in the School of Arts. Inspired by/in unabashed mimicry of Alice Kelly’s academic writing group at Oxford, the sessions are designed to give researchers at all stages some time, space and peer support for focused work on extended writing projects.

 

 

 

 

 

The three-hour sessions will be held on Mondays and Thursdays from 10am to 1pm, starting on Monday 9th October. They will be structured as follows:

10.00-10.15: arrival, catching up and goal-sharing

10.15-11.30: first writing session

11.30-11.45: break

11.45-13.00: second writing session

There is a cap of 12 people per session due to the room size, so participants should sign up in advance. You don’t have to attend each session: if you think you would like to come at any point, email Sophie at sophie.jones@bbk.ac.uk to be added to the general mailing list. On Friday Sophie will send the email list a sign-up sheet for the next week’s sessions (first come, first served) and details of the room. If you would like to come to the first session next Monday 9th, please indicate that in your initial email.

Sophie is starting these sessions as a new postdoctoral researcher in the Department of English and Humanities and envisage that they will be particularly helpful for postdoctoral and PhD researchers, but they are very much open to all staff engaged in writing projects.

Note: The group isn’t designed as a space for sharing work, though it might well create opportunities for doing so.

Let Sophie know if you have any questions.

Dr Sophie A. Jones

ISSF Wellcome Postdoctoral Fellow

Department of English and Humanities

Birkbeck, University of London

43 Gordon Square

London WC1H 0PD

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CFP: Institute of Modern Languages Research Graduate Forum, Senate House 2017-18

With the new term approaching, we are glad to invite you to join the 2017-2018 Graduate Forum hosted by the Institute of Modern Languages Research, at Senate House, London.

Each session requires two speakers, who can be from any subject related to the study of modern languages and cultures. Graduate students from departments other than Modern Languages (e.g. Anthropology, History, History of Art, Film and Media, etc.) and students working on comparative projects involving one or more Germanic or Romance language are particularly welcome to join the group to develop interdisciplinary links.

Each presentation should last roughly 20 minutes followed by a Q&A session with free wine and nibbles. The Graduate Forum is a friendly and informal space for postgraduates to present work-in-progress, or practice for that big upcoming conference, and get constructive feedback from peers across languages and institutions.

The dates for 2017-2018 are as follows (all 6-7:30pm in Senate House):

  • 12 October 2017
  • 16 Nov 2017
  • 7 Dec 2017
  • 11 Jan 2018
  • 8 Feb 2018
  • 8 March 2018
  • 12 April 2018
  • 10 May 2018

Please contact forum.igrs@sas.ac.uk if you are interested in presenting a paper. Please include a working title/brief outline of the subject of your presentation, as well as an institutional affiliation and a short bio. Please also state whether any dates are preferable (we will try to be accommodating but cannot guarantee first choice for everyone).

We look forward to hearing from you soon.

Best wishes,

 

Guido, Thomas and Yejun

IMLR Grad Forum Co-ordinator

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Birkbeck School of Arts Research Student Collective – 11 October 2017

Looking for a place to discuss your research?

Join our informal researchers’ forum, run by research students.

Meeting monthly, the Collective gives PGR students across the school a friendly space in which to practice, present, explore and question your work in progress.

 

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