VACANCY: Art History Link Up – deadline is TOMORROW

Please find the attached call for teaching assistants on a terrific programme that is helping state school children study art history A level. The deadline is tomorrow, though there is some leeway on that – but if you are interested, you are urged to get in touch with the organiser as soon as possible.

Art History Link Up

AHLU teacher application form

AHLU teaching job pack

Job advertisement AHLU teacher 2018

 

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Anna Konik: A Screening and Artist’s Talk for Refugee Week – Wednesday 27 June 2018, 6-7.30pm

Anna Konik, In the Same City, under the Same Sky…: A Screening and Artist’s Talk for Refugee Week

Wednesday 27 June 2018, 6-7.30pm, followed by a reception
Cinema, School of Arts, Birkbeck

Internationally-recognised video artist Anna Konik is visiting Birkbeck from her bases in Berlin and Warsaw to speak to us about her work involving migrant and refugee stories and to develop a new project with students on Birkbeck’s award-winning Compass Project. Konik has exhibited in numerous Polish and European galleries and museums over the past two decades. In the Winter Semester of 2017-18 she was Rudolf Arnheim Associate Professor at the Department of Art and Visual History, Humboldt University, Berlin; she is currently a fellow at the Rockefeller Foundation Bellagio Center.

She will introduce and screen extracts from her project In the Same City, under the Same Sky…, which has been exhibited in Germany, Poland, Sweden and Romania.

In Anna’s words: ‘In the Same City, under the Same Sky… is a response to the reluctance shown towards immigrants and the tragedies that befall them on their way to Europe. These testimonies of immigrant women from Afghanistan, Syria, Iraq, Burma, Palestine, Turkey, Kurdistan, Congo, Romania, Chechnya, Ingushetia, Somalia, Nigeria, Cameroon, Ecuador, and Roma communities, form an authentic record of their plight. The first part was recorded in the Swedish capital, Stockholm, in 2011; the second in Białystok, near the eastern border of Poland in 2012; the third in Romania, mainly Bucharest, in 2013; the fourth part, recorded in Istanbul, started in parallel with part three and was completed in 2014, and the most recent one was created in Nantes in 2015. In each city where a new episode was filmed, I engage native local residents (Swedish, Polish, Romanian, Turkish and French women, respectively) as mediums. Sitting comfortably in their homes, they retell the immigrant women’s stories, always in the first person, as if they were recounting their own experiences. This important gesture sheds a new light on a seemingly distant problem. Women from ‘here’ identify themselves with the burden of memory and painful experiences of the Others. What is more, they not only lent them their faces and voices, but above all set in motion a mechanism of empathy that suggests a path towards understanding. Perhaps it leads through the crack that appears in the viewer’s perception when the contents of the stories are combined with the images shown on screen.’

Anna Konik’s visit has been made possible by support from the Polish Cultural Institute in London.

Link to event here. All welcome – no booking necessary.

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CFP: Frankenstein Unbound – deadline Monday 18th June 2018

CALL FOR PAPERS

Arts University Bournemouth

Frankenstein Unbound: An Interdisciplinary Conference Exploring Mary Shelley and Gothic Legacies

Dates: Wednesday 31 October and Thursday 1 November 2018

Venues: Conference – St Peter’s Church, Bournemouth

Keynote Speakers:

Sir Christopher Frayling, Chancellor, Arts University Bournemouth

Professor Elaine Graham, University of Chester

Professor Sir Peter Cook, CRAB Studios (TBC)

In 1849, Mary Shelley and Percy Shelley’s heart were brought to the graveyard of St. Peter’s Church in Bournemouth, where they were buried with the remains of Mary Shelley’s parents Mary Wollstonecraft and William Godwin.

In 2018, Arts University Bournemouth and St. Peter’s Church, in association with Bournemouth University, celebrate the bicentenary of the publication of Mary Shelley’s most famous work Frankenstein, or the Modern Prometheus (1818) as part of the Shelley Frankenstein Festival. The academic conference, located at this unique venue, will offer new and re-situated perspectives on Mary Shelley and her writings, her family and circle, and her most famous work.  We are pleased to acknowledge colleagues at Bournemouth University for their organisational support.

We invite papers and presentations themed around, but not limited to, the following:

  • Mary Shelley, Percy Shelley, and the Romantics
  • Mary Wollstonecraft and Mary Shelley
  • Mary Shelley beyond Frankenstein
  • The Shelley family: history and legacy
  • Monstrous Romantics
  • Frankenstein and the sea
  • Theology and Frankenstein
  • Frankenstein and philosophy
  • Frankenstein at home and abroad
  • Adaptations and afterlives
  • Frankenstein and medical humanities
  • The abject and the sublime
  • Frankenstein and emotion
  • Guilt and crime in Frankenstein
  • Interpretations of Frankenstein in the creative industries (Film, Art, Theatre, Dance, Writing etc)
  • Mary Shelley and Gothic legacies
  • Gothic architecture
  • The Gothic imagination

We welcome proposals for themed panel sessions (maximum three papers), individual twenty-minute presentations, or creative submissions from practitioners and scholars of all fields. We particularly encourage submissions from post-graduate students and Early Career Researchers. Please submit an abstract (300 words) and short biography (100 words) to frankensteinunboundconference@gmail.com by Monday 18th June 2018.

For more information and updates visit our website: https://frankensteinunbound.wordpress.com/

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