Call for Papers: Are we Living in an Age of Distraction? – Deadline: 26 April 2018

Call for Papers: Are we Living in an Age of Distraction?

Graduate Student Conference
Organized by Birkbeck Institute of Humanities, Birkbeck Institute for Social Research and Birkbeck Gender and Sexuality

Birkbeck, University of London (Room, TBA)
Keynote Speakers TBA

8 & 9 June 2018

Deadline: 26 April 2018
Please send a 200 word abstract for papers of 15 minutes and a 50 word biography to bisr@bbk.ac.uk

This conference explores distraction and all its meanings and implications. Distraction is commonly thought of as a growing concern or even a sickness of modern society and digital culture. From mindless scrolling to heavy consumerism, the pursuit for entertainment and satisfaction is insatiable, leaving us vulnerable to ruling corporations. Does our lack of control transform us into a conformed mass that is susceptible to tabloid media and the rise of populism? On the other hand, distraction is not necessarily steeped in negativity. In fact, it has had a long and fascinating history. Its German equivalent, ‘Zerstreuung’, comes from the idea of dispersion. At the start of the twentieth-century, Walter Benjamin defined the term as ‘floating attention’, where experience is caused by chance rather than concentration. Does lack of focus in fact allow a sense of freedom and inspiration?

Age of Distraction is a chance for an enriching discussion between MA, PhD students and early career researchers from all disciplines.

Topics to include:

  • History of distraction
  • Distraction and its oppositions
  • Distraction and/in Education
  • Distraction and madness
  • Modes of Extremism: online or in reality?
  • Democracy, populism, and online social networking
  • Freedom of speech v. government and/or regulatory control
  • Misinformation and fake news
  • Dystopia/ an Orwellian society
  • Distraction and creativity
  • Escapism, dream and day-dream
  • Feigned ignorance or ‘Turning a blind eye’
  • Emotional responses
  • Procrastination, boredom and solitude
  • Wandering and ‘killing time’
  • Inspiration, chance and serendipity

Of course, distraction can be considered from numerous perspectives:

Arts and Humanities

Distraction as a literary theme can be found in many forms, from dystopia to escapist fiction. Reading itself has been thought to have a negative impact on cognitivity and morality, the development of the popular novel suspected as a dangerous commodity. After WW1, new cinema and photography brought a wave of anxiety about modern man’s splintered focus and new perceptions. Distraction could also be a curse and blessing to the creative process, especially in the pursuit of originality. Diderot wrote in his Encyclopédie that: ‘Distraction arises from an excellent quality of the understanding, which allows the ideas to strike against, or reawaken one another’. How does this statement apply to areas such as writing, painting or film-making? Is writer’s block and procrastination a suspended state in which ideas are waiting to ‘reawaken’ or simply a result of laziness and denial?

Social Sciences

Although social media has given a platform to previously unheard voices, it is also susceptible to manipulation, as recent scandals have made clear. In this context, to what extent can social media still be considered a progressive platform for political action?  Should social media be regulated, and if so how, by whom and on what criteria? Does today’s open platform really represent shared global perspectives, or does it magnify the voice of those who already have power and influence? How does use of social media relate to dominant economic ideologies, and the ‘neoliberalisation’ of leisure time and social relations?

There is widespread concern that social media can be a major source of ‘mass distraction from real life conditions. Today’s technological advances raise a number of concerns: In what ways do social media influence public opinion and political participation, and do they provide channels for public deliberation? Is scepticism becoming dominant in response to the rise of the concept of ‘fake news’? Are social scientists equipped with adequate theoretical tools to make sense of the sociopolitical changes accompanying unceasingly evolving communication technologies?

Law and Criminology  

Distraction is also relevant to our legal and criminal justice system. Last year, the English High Court in Monroe v Hopkins [2017] EWHC had to decide what constitutes ‘serious harm’ following a Twitter war between Jack Monroe and Katie Hopkins. Legislatures around the world are examining Facebook’s internal policies and procedures as they relate to the dissemination of extremist material, hate speech and bullying. Constitutionally protected rights to freedom of speech and expression are clashing with individual claims asking for respect for private and family life.  What is becoming clear is that traditional legal frameworks regulating twentieth century media are not adapt to a twenty first century world. From this perspective, the law now needs to consider both ‘the distracted’ and ‘the distractor’. Inevitably, topics that critically engage with privacy and surveillance, control society and fundamental human rights need to be discussed.

Food and refreshments will be available.

The annual Birkbeck Graduate Conference is organised by the the Birkbeck Institute for Social Research, the Birkbeck Institute for the Humanities and Birkbeck Gender and Sexuality. The Institutes’ interns for the current academic year take the lead on organising the conference.

Meet our interns for 2017-18: Azzam Al Kassir, Harooon Forde, Devin Frank, Pauline Suwanban.

We are currently recruiting PhD students to join the Working Party to help organise the conference. If you are a current Birkbeck PhD student and are interested in gaining the experience of organising an international conference please contact us on .

Previous conferences:

 

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CFP: The Literary Self: from Antiquity to the Digital Age – deadline 10 April 2018

CALL FOR PAPERS

The Literary Self: from Antiquity to the Digital Age

A postgraduate conference hosted by the University of Edinburgh on 4-5 June 2018.

Generously supported by the Institute for Academic Development, the Scottish Graduate School for Arts and Humanities and the School of Classics at the University of St Andrews.

Keynote: Professor Simon James, Durham University
Other confirmed speakers: Dr Roger Rees, University of St Andrews

Throughout history authors have grappled with how their texts are presented to their audience. Critics and theorists have responded to this in kind with a multitude of diverging approaches to the author in a text and the nature of the self generally. However, very few of these approaches have come to bear upon the literary nature of our online identities, whether it’s the lexical semantics and rhetoric of our online existences or indeed the literary value that such existences might produce. Our conference will examine approaches to authorship and selfhood through time and culminate in roundtable discussions of their applicability in our digital age.

We will have panels grounded in the Classical, Medieval and Early Modern, and Modern periods and invite papers from all disciplines.

As the conference is interdisciplinary we encourage papers that examine the literary self in a specific field or time period but also have applicability to a wide audience. Speakers who are successful will have the opportunity to publish their proceedings in FORUM: University of Edinburgh Postgraduate Journal of Culture and the Arts.

Paper topics might consider:
• Biographies, autobiographies, and the mythology of authorial persona
• The psychology of literary identity
• Digital humanities and the networks of reception
• Ontological philosophies of selfhood
• The media of self-presentation (e.g. papyri, codices, books, social media, or e-books)
• The linguistics of expression and repression

Thanks to the generosity of the Scottish Graduate School for Arts and Humanities, the Institute for Academic Development, and the School of Classics at the University of St Andrews, we can provide a limited amount of funding for travel from your home institution. Lunch and refreshments will also be provided.

Please submit abstracts of 250-300 words to literaryself2018@gmail.com by 10 April 2018.
You will be notified by email by mid to late-April of the submission outcomes.

Conference Organisers
Caitlan Smith (St. Andrews), Consuelo Martino (St. Andrews), Matthew Tibble (Edinburgh), Miles Beard (Strathclyde)

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Academic Writing Sessions – Autumn Term 2017

Dear all,

You are invited to a new series of academic writing sessions, to be held twice weekly in the School of Arts. Inspired by/in unabashed mimicry of Alice Kelly’s academic writing group at Oxford, the sessions are designed to give researchers at all stages some time, space and peer support for focused work on extended writing projects.

 

 

 

 

 

The three-hour sessions will be held on Mondays and Thursdays from 10am to 1pm, starting on Monday 9th October. They will be structured as follows:

10.00-10.15: arrival, catching up and goal-sharing

10.15-11.30: first writing session

11.30-11.45: break

11.45-13.00: second writing session

There is a cap of 12 people per session due to the room size, so participants should sign up in advance. You don’t have to attend each session: if you think you would like to come at any point, email Sophie at sophie.jones@bbk.ac.uk to be added to the general mailing list. On Friday Sophie will send the email list a sign-up sheet for the next week’s sessions (first come, first served) and details of the room. If you would like to come to the first session next Monday 9th, please indicate that in your initial email.

Sophie is starting these sessions as a new postdoctoral researcher in the Department of English and Humanities and envisage that they will be particularly helpful for postdoctoral and PhD researchers, but they are very much open to all staff engaged in writing projects.

Note: The group isn’t designed as a space for sharing work, though it might well create opportunities for doing so.

Let Sophie know if you have any questions.

Dr Sophie A. Jones

ISSF Wellcome Postdoctoral Fellow

Department of English and Humanities

Birkbeck, University of London

43 Gordon Square

London WC1H 0PD

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Medical Humanities Reading Group – 23 February 2017

The next session of the Birkbeck Medical Humanities Reading Group explores the theme of surgery.

Henry Marsh’s Do No Harm (2014) is an account of his work as a neurosurgeon in the NHS. We will also read a short extract from Samer Nashef’s The Naked Surgeon (2015), which details his experiences working as a heart surgeon.

Do No Harm is available for around £5-10 online (including postage); the extract from The Naked Surgeon is available via the Reading Group’s shared dropbox folder (for further details of how to access, please contact Heather on h.tilley@bbk.ac.uk).

We will meet on Thursday 23 February, 3-4.30pm, in Room B02, 43 Gordon Square .

Please note the date for our second reading session this term: Thursday 23 March, 3-4.30pm. It will focus on portraiture and illness and will be led by the artist Tim Wainwright, whose work is currently on exhibition as part of the Hunterian Museum’s show Transplant and Life (until Saturday 20 May 2017). More details of the reading will be circulated soon. Colleagues may also be interested in a forthcoming event at the Hunterian Museum that Tim and his collaborator John Wynne are participating in: ‘Transplant and Life – the artists in conversation’ (Thursday 23 February, 7-9pm). More information on this talk can be found on the Royal College of Surgeon’s website.

For more information please visit our website.

Please do circulate details of the group and readings to interested colleagues and postgraduate students.

Kind regards

Heather

Dr Heather Tilley

Birkbeck Wellcome Trust ISSF Fellow

Department of English and Humanities

 

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The Still Point Journal Issue 2 Launch Party – 25 Feb 2017

The Still Point Journal Issue 2 Launch Party, 25 Feb

We are excited to invite you to the launch party for the second issue of The Still Point Journal, The Researcher’s Notebook, featuring creative non-fiction, poetry and visual work, produced by researchers in London.

Join us for an evening of live readings and music at The Gallery Café, Bethnal Green, and pick up a free copy of the print edition. We have a limited number of copies to gift to our launch party attendees, so come along to adopt your own!

Date: Saturday 25th February

Time: 7:30-10:30pm

Place: The Gallery Cafe, 21 Old Ford Road, London, E2 9PJ

Join our Facebook event here for updates about the evening: https://www.facebook.com/events/1820911611520721/ 

For Issue 2 of The Still Point Journal, we asked contributors to imagine that their submissions are part of a collective Researcher’s Notebook in both a literal, and a broader, metaphorical sense. The issue explores the idea of the journal as a space for spontaneous discovery or self-creation.

The Researcher’s Notebook includes contributions from Bihter Almac, Isobel Atacus, Liz Bahs, Leonid Bilmes, Tianmei Chen, Chiara Raffaella Ciampa, George Clayton, Oline Eaton, Daniyal Farhani, Armenoui Kasparian Saraidari, Annegret Marten, Penny Newell, Charlotte Northall, Romy Nuttall, Jon Paterson, Stuart Ruel, Matthew Shaw, Lavinia Singer, and Ruth Tullis, and is designed by Becky Healey.

The Still Point is a literary journal for Arts and Humanities researchers from institutions across London: featuring poetry, prose and visual artwork, it is a space for storytelling about the research process. Generously supported by the London Arts and Humanities Partnership (LAHP)/ Arts and Humanities Research Council.

We hope to see you there,

The Still Point Editorial Team x

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CFP: Belonging and Transgression 2016 Deadline Friday 22nd April 2016

Call for Papers

Annual Post-Graduate Conference

‘Belonging and Transgression’ 23rd-24th June 2016

UCL Society for Comparative Cultural Inquiry

What is it?

  • UCL-based, open conference for Students in the Arts and Humanities
  • Submissions welcome from multiple Universities and research backgrounds
  • Aimed at Post-Graduate Researchers, Masters Students, or Undergraduates thinking of continuing with Post-graduate study.

Why submit?

  • Great conference experience in a friendly environment.
  • Meet researchers and students working in and around your field.
  • Gain support and feedback from peers and lecturers on your latest research project.
  • The best papers will be published in Tropos, the Society’s journal.

What will you present?

  • Deliver a 15-20 minute paper that connects your research to the conference themes (see attachment), followed by 10-15 minutes of questions from the audience for your panel (moderated by a panel chair).

How to submit?

If you have any queries please get in touch. Looking forward to seeing your submissions.

 

 

 

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