Call for Papers: Are we Living in an Age of Distraction? – Deadline: 26 April 2018

Call for Papers: Are we Living in an Age of Distraction?

Graduate Student Conference
Organized by Birkbeck Institute of Humanities, Birkbeck Institute for Social Research and Birkbeck Gender and Sexuality

Birkbeck, University of London (Room, TBA)
Keynote Speakers TBA

8 & 9 June 2018

Deadline: 26 April 2018
Please send a 200 word abstract for papers of 15 minutes and a 50 word biography to bisr@bbk.ac.uk

This conference explores distraction and all its meanings and implications. Distraction is commonly thought of as a growing concern or even a sickness of modern society and digital culture. From mindless scrolling to heavy consumerism, the pursuit for entertainment and satisfaction is insatiable, leaving us vulnerable to ruling corporations. Does our lack of control transform us into a conformed mass that is susceptible to tabloid media and the rise of populism? On the other hand, distraction is not necessarily steeped in negativity. In fact, it has had a long and fascinating history. Its German equivalent, ‘Zerstreuung’, comes from the idea of dispersion. At the start of the twentieth-century, Walter Benjamin defined the term as ‘floating attention’, where experience is caused by chance rather than concentration. Does lack of focus in fact allow a sense of freedom and inspiration?

Age of Distraction is a chance for an enriching discussion between MA, PhD students and early career researchers from all disciplines.

Topics to include:

  • History of distraction
  • Distraction and its oppositions
  • Distraction and/in Education
  • Distraction and madness
  • Modes of Extremism: online or in reality?
  • Democracy, populism, and online social networking
  • Freedom of speech v. government and/or regulatory control
  • Misinformation and fake news
  • Dystopia/ an Orwellian society
  • Distraction and creativity
  • Escapism, dream and day-dream
  • Feigned ignorance or ‘Turning a blind eye’
  • Emotional responses
  • Procrastination, boredom and solitude
  • Wandering and ‘killing time’
  • Inspiration, chance and serendipity

Of course, distraction can be considered from numerous perspectives:

Arts and Humanities

Distraction as a literary theme can be found in many forms, from dystopia to escapist fiction. Reading itself has been thought to have a negative impact on cognitivity and morality, the development of the popular novel suspected as a dangerous commodity. After WW1, new cinema and photography brought a wave of anxiety about modern man’s splintered focus and new perceptions. Distraction could also be a curse and blessing to the creative process, especially in the pursuit of originality. Diderot wrote in his Encyclopédie that: ‘Distraction arises from an excellent quality of the understanding, which allows the ideas to strike against, or reawaken one another’. How does this statement apply to areas such as writing, painting or film-making? Is writer’s block and procrastination a suspended state in which ideas are waiting to ‘reawaken’ or simply a result of laziness and denial?

Social Sciences

Although social media has given a platform to previously unheard voices, it is also susceptible to manipulation, as recent scandals have made clear. In this context, to what extent can social media still be considered a progressive platform for political action?  Should social media be regulated, and if so how, by whom and on what criteria? Does today’s open platform really represent shared global perspectives, or does it magnify the voice of those who already have power and influence? How does use of social media relate to dominant economic ideologies, and the ‘neoliberalisation’ of leisure time and social relations?

There is widespread concern that social media can be a major source of ‘mass distraction from real life conditions. Today’s technological advances raise a number of concerns: In what ways do social media influence public opinion and political participation, and do they provide channels for public deliberation? Is scepticism becoming dominant in response to the rise of the concept of ‘fake news’? Are social scientists equipped with adequate theoretical tools to make sense of the sociopolitical changes accompanying unceasingly evolving communication technologies?

Law and Criminology  

Distraction is also relevant to our legal and criminal justice system. Last year, the English High Court in Monroe v Hopkins [2017] EWHC had to decide what constitutes ‘serious harm’ following a Twitter war between Jack Monroe and Katie Hopkins. Legislatures around the world are examining Facebook’s internal policies and procedures as they relate to the dissemination of extremist material, hate speech and bullying. Constitutionally protected rights to freedom of speech and expression are clashing with individual claims asking for respect for private and family life.  What is becoming clear is that traditional legal frameworks regulating twentieth century media are not adapt to a twenty first century world. From this perspective, the law now needs to consider both ‘the distracted’ and ‘the distractor’. Inevitably, topics that critically engage with privacy and surveillance, control society and fundamental human rights need to be discussed.

Food and refreshments will be available.

The annual Birkbeck Graduate Conference is organised by the the Birkbeck Institute for Social Research, the Birkbeck Institute for the Humanities and Birkbeck Gender and Sexuality. The Institutes’ interns for the current academic year take the lead on organising the conference.

Meet our interns for 2017-18: Azzam Al Kassir, Harooon Forde, Devin Frank, Pauline Suwanban.

We are currently recruiting PhD students to join the Working Party to help organise the conference. If you are a current Birkbeck PhD student and are interested in gaining the experience of organising an international conference please contact us on .

Previous conferences:

 

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‘Sordid Ironies and the Short-Fingered Vulgarian: Alison Jackson’s Mental Images of Donald Trump’ – 22 June 2017

Birkbeck Theatre Conversation
Tony Perucci (University of North Carolina at Chapel Hill)

‘Sordid Ironies and the Short-Fingered Vulgarian: Alison Jackson’s Mental Images of Donald Trump’


Thursday 22 June, 2-4pm
Room G03, Birkbeck School of Arts, 43 Gordon Square, London WC1H 0PD (nearest tube: Euston & Euston Square)

From the beginning of his 2016 campaign for the US presidency, Donald Trump has employed the strategy of ‘gaslighting’ the American public – willfully challenging their sense of what is ‘fact’ and what is ‘fiction’. As part of her Mental Images series, British photographer Alison Jackson staged scenes with a Trump lookalike of then-candidate Trump in numerous compromising situations. Depicting images of behaviour that would be disqualifying of any other politician, Jackson utilizes the ‘seeming to be real’ to challenge the viewer’s voyeuristic desire to ‘expose’ Trump’s misogyny and racism. As the strategy of exposure continues to be politically ineffective, Jackson’s photographs of the ‘in fact a fiction’ creates an affective charge that performatively constructs a politics of ressentiment focused not merely towards Trump but towards the systemic problems of neoliberal capitalism.

Tony Perucci is a scholar-artist based in the US, where he is Associate Professor of Performance Studies at the University of North Carolina at Chapel Hill.  His publications include the books Paul Robeson and the Cold War Performance Complex (Michigan, 2012) and On the Horizontal: Mary Overlie and the Viewpoints (Michigan, forthcoming).

This Theatre Conversation is co-hosted by Birkbeck Centre for Contemporary Theatre and BiGS (Birkbeck Gender and Sexuality).

http://www.bbk.ac.uk/english/our-research/bcct
http://www.bbk.ac.uk/bisr/bigs
http://www.bbk.ac.uk/arts/

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CFP: Theatres of Contagion: Infectious Performance Deadline – 20 January 2017

Call for proposals

Theatres of Contagion: Infectious Performance

Birkbeck Centre for Contemporary Theatre, 11-12 May 2017

At least since Thebes was beset by plague, western theatre has incubated a fascination with its own contagious power. This has extended beyond investigating medical and psychological conditions on stage, to both exploring and protecting against performance’s capacity to transmit ideas, illnesses, feelings and behaviours. This two-day Wellcome funded symposium puts the relationship between theatre and contagion under the microscope, to assess it from a range of humanities, medical, psychological and scientific perspectives, and by looking to diverse forms including drama, theatre, live art, dance, musical and cultural performance.

Our central questions include:

  1. How have theatre and performance represented, examined or been implicated in the transmission and circulation of medical and psychological conditions?
  2. How has our understanding of these relationships and phenomena changed over time, across cultures, including via developments in interdisciplinary practice and inquiry?

Keynote speakers:

  • Bridget Escolme (Queen Mary University of London)
  • Kirsten Shepherd-Barr (University of Oxford)

With performances by Birkbeck Centre for Contemporary Theatre Fellows:

  • Dickie Beau
  • David Slater and Entelechy Arts

20 minute academic papers or performative presentations might address:

  • How theatre has represented contagious medical conditions: plague and its metaphors in Sophocles and Shakespeare; venereal disease in Ibsen; measles in Shaw; infections and neurological conditions in Beckett; HIV/AIDS in Kushner
  • How theatre has represented contagious psychological conditions: versions of melancholia or depression in Chekhov; hysteria in Miller; madness in Churchill; paranoia and anxiety in Letts
  • The ways in which theatre has been affected by public health epidemics (e.g. plague, sweating sickness, cholera, influenza, HIV/AIDS, ebola), and reacted (e.g. through banning assemblies, withdrawing funding) or been strategically deployed (e.g. to inform and educate)
  • Contagious group emotion and behaviour: yawning, coughing, crying, laughing, violence
  • Scientific, medical, historical and theoretical accounts of how ideas, illnesses, feelings and behaviours spread in theatre and performance
  • The relationship between contagion and affect theory
  • How performance site, architecture, technology and design are implicated in questions and processes of transmission
  • The relationship between immersive practices and histories and theories of contagious performance
  • Performance in digital cultural, and analogies of viral dramaturgies or effects
  • Health, safety and law

Abstracts of 300 words and a short bio (less than 100 words) should be sent to birkbeckcct@gmail.com by Friday 20 January 2017.

The symposium can also offer 4 x £50 bursaries to graduate students to help with attending from outside London. Please outline your situation briefly (less than 100 words) if applying one of these. The conference is free, although booking and registration will be required to attend once the schedule has been formalised and announced.

Funded by Wellcome (ISSF) with support from BiGS (Birkbeck Gender and Sexuality) and Birkbeck Institute for Social Research.

Enquires to Fintan Walsh f.walsh@bbk.ac.uk

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LOVE IS STILL POSSIBLE IN THIS JUNKIE WORLD – 27th November 2015

Birkbeck Centre for Contemporary Theatre, with support from BiGS (Birkbeck Gender and Sexuality), presents:

Room G10, 43 Gordon Square, WC1H 0PD, Friday 27th November 5-6.30 pm.

LOVE IS STILL POSSIBLE IN THIS JUNKIE WORLD

A conversation between Sheree Rose and Martin O’Brien on sexuality, love death, pain and art.

Sheree Rose was born in Los Angeles, CA. She obtained her Master’s degree in psychology in the late 70s, and was extremely involved in political activism and The Women’s Movement. She received a second Masters Degree in Studio Art from UCI. Rose and Bob Flanagan met at a Halloween party in 1980 and began collaborating in life and on artwork. Together they explored issues of pain/pleasure, illness and death though profound works involving sadomasochism. They performed and exhibited throughout the world over a 16-year period and became one of the most significant performance art collaborations in history. Flanagan died of cystic fibrosis in 1996. Since Flanagan’s death, she has exhibited new work ‘Bobaloon’ in Tokyo, Japan, as well as other works at The Tate in London. She created a performance piece entitled ‘Nailed Again’ at Arizona State University and Galapagos in New York. Rose continues to explore and collaborate with performance artists, particularly with the UK based artist Martin O’Brien with whom she has made several pieces of work in London and LA.

Martin O’Brien has been commissioned and funded by the Live Art Development Agency, Arts Council England, Arts Catalyst, Midlands Art Centre, and the British Council. He has presented work throughout the UK, Europe and the USA. He has often collaborated with the legendary performance artist Sheree Rose. He was artist in residence at ONE National Gay and Lesbian Archives, LA, in 2015. He curated the groundbreaking symposium ‘Illness and the Enduring Body’ in 2012. Martin received a PhD from the University of Reading and his work has received critical attention in publications such as Contemporary Theatre Review and the book ‘Access All Areas: Live Art and Disability’. He co-edited, with Gianna  Bouchard, a new edition of the journal Performance Research ‘On Medicine’ and is a lecturer at Queen Mary’s University of London.

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