Artists call out: RELAPSE Collective exhibition at the Peltz Gallery Birkbeck

RELAPSE Collective will be hosting its first exhibition at the Peltz Gallery at Birkbeck School of Arts around the theme of identity on April 28th until May 19th. Artists are invited to submit their work. Please see bellow for guidelines.

Artists for RELAPSE Collective

Artists who wish to be part of RELAPSE Collective, can submit work for consideration at submissions@relapse-collective.com with the subject “submission”.

Please include:

– Your work (2 pieces max): images, sound, photography, video, text

– Brief description/statement: 350 words max, medium and year

– Biography: 150 words max, include country of residence

– Website

For video and sound pieces provide links only. All required information should be sent in the following format: ArtistName_Title.jpg/doc

New artists are added to the collective every four months.

The subjects explored at the annual exhibitions develop from the work submitted on the website and for that reason there are no restrictions on submission subjects/themes. Works published online are subject to a second selection process where artists are chosen for the annual exhibitions or accompanying publication depending on the subject, consequently forming the new ‘theme’. For this reason submissions remain open.

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Dandelion Journal – Call for Papers: Deadline 20th April 2016

The Dandelion editors seek submissions on the theme of NOSTALGIA for their forthcoming issue.

Nostalgia is a ubiquitous presence in contemporary culture. Images and fantasies of the past permeate cultural and political discourses: from the mediated recycling of retro culture and popular history, to nostalgia as a method of political renewal (for example, Donald Trump’s campaign slogan ‘Make America Great Again!’ and Ken Loach’s The Spirit of ‘45).

Nostalgia is readily apparent in the current popularity of culture that celebrates our national past, while self-styled ‘progressive’ cultural institutions are increasingly turning to the past in order to better understand the contemporary: for instance, the reproduction of Richard Hamilton’s installations ‘Man, Machine and Motion’ (1955) and ‘an Exhibit’ (1957) at the ICA, London, in 2014. As the RetroDada manifesto declares ‘why shouldn’t a .gif run backwards as well as forwards?’

To this end we ask: why the resurgence of nostalgia? Is it merely a displacement strategy for a world convulsed by social, political, economic, and environmental crisis, or is there something salvageable in its longing for a prior wholeness, in its desire to seek out a moment when the new was still possible? Should nostalgia be condemned as an ethical and aesthetic failure? Is nostalgia a hindrance to making it new; a symptom of lateness, of a loss of the future? Or can nostalgia be a productive force that provides, both for the self and society, insights into our present?

This journal invites submissions that address the theme of nostalgia across the spectrum of Arts and Humanities research.

Topics may include, but are not limited to:

  • Genealogies of nostalgia: from its earliest expositions in medical science through its Romantic and now latest twenty-first century phase
  • Homesickness, exile and diaspora
  • Nostalgia, nationalism and the nation
  • Postcolonial nostalgia
  • Institutionalised nostalgia: heritage, memorials and/or museums
  • Life writing and memoirs
  • The restaging of exhibitions and past live art events
  • Nostalgia and film: remakes, mediating history through dramatic reconstruction, retro-soundtracks
  • Nostalgia and digital technologies
  • Genres of nostalgia: ranging from the Romantics to the return of the long novel and to science-fiction, steampunk, and retro-futurism
  • Nostalgia for the avant-garde and avant-garde nostalgia
  • Communist and fascist nostalgia: utopia
  • Temporalities of nostalgia: late time and belatedness
  • Scenes of nostalgia: the ruin, the country house, reconciliation with nature

We welcome short articles of 3000-5000 words, long articles of 5000-8000 words and critical reviews of books, film, and exhibitions. We also strongly encourage submissions of artwork including visual art; creative writing; podcasts and video footage (up to 10 minutes). We would be happy to discuss ideas for submissions with interested authors prior to the submissions deadline.

Please send all submissions to mail@dandelionjournal.org by 20th April 2016.

Please also include a 50-word author biography and a 200-300-word abstract alongside your submission. All referencing and style is required in full MHRA format as a condition of publication and submitted articles should be academically rigorous and ready for immediate publication.

Complete instructions for submissions can be found at www.dandelionjournal.org under ‘About’.

 

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Things, In Theory: 9th March and 16th March 2016

‘Things, In Theory’:

In the last two weeks of term we’ll think about strange indisciplined research objects in two sessions run from different periods and angle. Each session is run in reading group style using the reading as an opportunity to think about how to handle objects that perplex our disciplinary frames:

Wednesday 9, 8pm, Room 112 (this will be a one hour session from 8-9pm)

Lisa Mullen (Birkbeck-Wellcome ISSF Research Fellow)

Ian Hodder, ‘The Entanglements of Humans and Things: A Long-term View’, New Literary History, 45:1 (2014), 19-36, available online at http://newliteraryhistory.org/articles/45-1-hodder.pdf

Wednesday 16 March, 6.00-8.00, Room 112

Tabitha McIntosh (PhD candidate, English and Humanities)

Readings:

Bill Brown, ‘Reification, Reanimation, and the American Uncanny’, Critical Inquiry, 32:2 (2006), 175-207, available through JSTOR: http://www.jstor.org.ezproxy.lib.bbk.ac.uk/stable/pdf/10.1086/500700.pdf?acceptTC=true

Session Leaders:

Lisa Mullen has recently completed a PhD on ‘Midcentury Gothic: The agency and intimacy of uncanny objects in post-World War II British literature and culture’ and is currently an ISSF fellow working on medical objects. She will also bring in some case histories to explain how she’s using the metaphor of entanglement in her work on medical objects and the entanglements of interdisciplinarity.

Tabitha McIntosh is writing a PhD on ‘White Rascals, Black Mischief: Anecdotes in the Atlantic World, 1788-1865’. She will be talking about ways of theorising uncanny Haitian objects in early c20 America – imaginary silver bullets that emerged in purported non-fictional accounts of post-revolutionary Haiti and real buttons of the 1811-1820 Kingdom of Hayti that began rising from the earth across the Pacific Northwest.’

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Birkbeck Medical Humanities reading group: Medicine and care – cultures of harm, 16 March 2016

Medicine and care: cultures of harm.

The next session of the Birkbeck Medical Humanities reading group, relating to the theme of medicine and care, will be held on Wednesday 16 March, between 3.30-5pm in room 112, 43 Gordon Square<http://www.bbk.ac.uk/arts/contact-us>.

The reading for this session has been selected by the organisers of the forthcoming conference Cultures of Harm in Institutions of Care: Historical and Contemporary Perspectives, which will be held at Birkbeck on 15-16 April 2016.

The readings address undercover reporting to expose institutional abuse. One is by a young woman who got herself admitted to a New York asylum in 1877 to expose the cruelty that was taking place there; another has been written by Joe Plomin who was behind some of the recent Panorama programmes on institutional abuse.

Set texts for the reading group:

  • Nelly Bly, Ten Days in a Madhouse (1877). We suggest readers concentrate on the first seven or eight chapters, and the final one. Each is very short.
  • Joe Plomin, Hidden Cameras. Everything you need to know about covert recording, undercover cameras and secret filming (Jessica Kingsley, 2016), Introduction and Chapter 4
  • As an additional resource, you may also wish to read Jean Marie Lutes, ‘Into the Madhouse with Nellie Bly: Girl Stunt Reporting in Late Nineteenth-Century America’, American Quarterly, 54.2 (2002), 217-53.

Please contact Dr Heather Tilley if you need access to the readings. uble293@mail.bbk.ac.uk

More information on the reading group, including past events, is available on the website http://www.bbk.ac.uk/english/our-research/research_seminars/mhrg

A special workshop relating to this reading will be held in the afternoon of Saturday 16 April as part of the conference, contact Louise Hide, l.hide@bbk.ac.uk, for further information.

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Lecture: ‘Memory, Mothers and Mourning’, 10 March 2016

Centre for Catalan Studies (Queen Mary, University of London)

Memory, Mothers and Mourning in Mercè Rodoreda and Maria-Mercè Marçal
Speaker: Dr Montserrat Lunati (Cardiff University)

When: Thursday 10 March 2016
Time: 18.30 h.
Place: Arts One, Lecture Theatre, Centre for Catalan Studies

The lecture will be followed by a reception.

ALL WELCOME.

FREE registration: https://www.eventbrite.co.uk/e/5th-centre-for-catalan-studies-annual-lecture-by-dr-montserrat-lunati-memory-mothers-and-mourning-tickets-19858532405.

Download this pdf for more information

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London 18th-Century Postgraduate Reading Group: ‘Resentment & Regard in Low-Life’, 11 March 2016

London 18th-Century Postgraduate Reading Group, 11th March – Resentment & Regard in Low-Life (1750)

When: 12.30pm, Friday 11th March
Where: Room 112, School of Arts, Birkbeck, 43 Gordon Square, WC1H 0PD

The London 18th-Century Postgraduate Reading Group is a student-run reading group organised in collaboration with the Centre for Enlightenment Studies at King’s and Birkbeck Eighteenth-Century Research Group. Staff and students at all London universities are very welcome.

The reading group concentrates on a different theme each academic year, with an emphasis on primary texts and recent criticism. The theme for what’s left of this year will be ‘Resentment and Regard’. More about the theme can be found on the reading group’s blog here.

In this year’s first session we will be discussing excerpts from Low-Life: Or, One Half of the World Knows not how The Other Half Lives (London, ?1750, 1754, 1764) – a fictional hour-by-hour documentary account of a putatively specific day in London.  We will concentrate on hours I-III (pp. 1-19), VI-XI (pp. 27-51), and XIX-XX (pp. 80-87).

The 1764 ‘Third Edition’ of Low-Life has an engraved frontispiece depicting a relaxing Saint Monday. Low-Life’s writer announces in the prefatory address to Hogarth that the book is modelled on Hogarth’s Four Times of the Day series (1736, 1738).  So, for the first session, we will be looking closely at the frontispiece and Hogarth’s images along side the written text.

Topics for discussion might include: the relations between different modes of depiction and description that these materials signal; the affective loading of the point of view they indicate (or don’t); the ways of looking and accumulating knowledge that they model; how they encourage their readers and viewers to think about the lower classes, work, and holidays; and their differently oblique engagements with narrative in the service of enjoyment, social description, and moral correction.

For optional critical material which engages some of these questions in relation to Low-Life, see: Carolyn Steedman, ‘Cries Unheard, Sights Unseen: Writing the Eighteenth-Century Metropolis’, Representations, 118.1 (2012), 28-71.

The 1764 ‘3rd Edition’ of Low-Life  (including a poor-quality version of the frontispiece) is available on Historical Texts here.  A clearer image of a nineteenth-century copy of the 1764 frontispiece can be found on the National Library of Congress website here.  Lastly, images of Hogarth’s engravings after his Four Times of the Day paintings are available on the British Museum website: Morning, Noon, Evening, and Night.

On the 11th, we will also be talking about what we want to look at in further meetings of the reading group. So, if you have suggestions for primary materials in any format, or recent scholarship that has a bearing on the theme of the group, then please come along to the first session and share these ideas, or email suggestions to Robert Stearn and James Morland.

Ideas so far include: gender and resentment in 17th- and 18th-century engagements with translations of Lucretius and philosophical atomism; resentment and charlatanism in the 18th-century literary marketplaces; the mutual resentment of Swift and Pope and the suspiciousness of inauthentic resentment adopted as a literary persona; regarding ‘The Dark Side of the Landscape’.

For further information (and for copies of the readings if you cannot access them through your institution), please contact Robert Stearn (rstear01@mail.bbk.ac.uk) or James Morland (james.morland@kcl.ac.uk).

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Screening: ‘Pablo’s Winter’ with director Q&A, 7 March 2016

Frontline Club & Scottish Documentary Institute presents a screening of

Pablo’s Winter (El invierno de Pablo)

Dir. Chico Pereira. UK/Spain, 2012, 76 mins.
Followed by a Q&A with the director

Date: Monday 7 March 2016
Time: 7pm
Place: 13 Norfolk Place, London W21QJ

http://www.frontlineclub.com/new-scottish-documentary-season-pablos-winter/

PabloPablo needs to stop smoking. Why? Because his wife, family and doctor say he should. But Pablo is a stubborn man. He has worked in the mercury mines of Almadén, Spain, risking his life daily. He has had five severe heart attacks and smoked 20 Winston’s a day since he was 12. Now in his seventies, Pablo spends most of his day in front of the TV, surrounded by a cloud of smoke, with his back turned firmly towards a village that has lived through better times. Pablo represents the last generation of Almadén mercury miners, an age-old profession with over 2,000 years of history. Through a straightforward depiction of life’s everyday moments, Pablo’s Winter explores the decay of the local mining culture, but above all, pays homage to its real protagonists: the miners and their families.

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13th Annual Edward Said Memorial Lecture, 2 March 2016

Thirteenth Annual Edward Said Memorial Lecture

by Karima Bennoune

Your Fatwa Does Not Apply Here: Dissent and Solidarity after Said

 

(Karima Bennoune is Professor of Law at the University of California at Davis. She is the author of Your Fatwa Does Not Apply Here: Untold Stories from the Fight Against Muslim Fundamentalism (2013), which won the 2014 Dayton Literary Prize for Nonfiction. In November 2015, Bennoune was named the United Nations Special Rapporteur in the field of cultural rights.)

Wednesday, March 2nd, 2016 at 7 pm
Wine reception at 6 pm

MS0.1, Mathematics Institute, Zeeman Building
University of Warwick, Coventry CV4 7AL
http://www2.warwick.ac.uk/fac/sci/maths/general/gethere/
http://www2.warwick.ac.uk/about/visiting/maps/interactive/

The lecture is free and open to the public

For more information:
Department of English and Comparative Literary Studies
+44(0)24 7652 3323
Email: Rashmi.Varma@warwick.ac.uk

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School of Law book events at Birkbeck in March

Friday 4 March 6pm: Talking Books: With Dogs at the Edge of Life

Book discussion hosted by Elena Loizidou, Talking Books: With Dogs at the Edge of Life on 4 March (with reception).   A mixture of memoir, case law and film study, Professor Colin Dayan’s unconventional book examines the relationship between human and canine “the inexhaustible world, at once tender and fierce, of dogs and humans.”

Thursday 17 March 6pm: Crowds and Party book launch
The book launch for Jodi Dean’s new book Crowds and Party hosted by Maria Aristodemou on 17 March.   Professor Dean argues that we need to rethink the collective subject of politics, considering how to channel the possibilities of “riotous crowds”.

Both events are free, but registration is required.  Click through on the links above for more information and to register.

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Conference at the Warburg Institute: ‘The Afterlife of Apuleius’, 3-4 March 2016

The Afterlife of ApuleiusConference at the Warburg Institute

3 – 4 March 2016

Organised by the Warburg Institute and the Institute of Classical Studies the two-day conference will investigate the legacy of Apuleius’ literary and rhetorical works, focusing on the Ancient and Early Modern period. Lectures will be delivered by internationally renowned specialists in the fields of Classics, Renaissance studies and Comparative Literature, and a specific workshop will be devoted to discussions about Apuleianism in Renaissance rhetoric.

Organisers: Raphaële Mouren (Warburg Institute) and Greg Woolf (Institute of Classical Studies)

Speakers: Florence Bistagne (Avignon/Institut universitaire de France), Carole Boidin (Paris Ouest Nanterre La Defénse), Igor Candido (Freie Universität Berlin), Robert Carver (Durham), Julia Gaisser (Bryn Mawr), Stephen Harrison (Oxford), Ahuvia Kahane (Royal Holloway), Andrew Laird (Brown University/Warwick), Françoise Lavocat (Paris 3/Institut universitaire de France), Clementina Marsico (Ludwig Boltzmann Institute for Neo-Latin Studies, Innsbruck), Regine May (Leeds), Loreto Núñez (Lausanne), Olivier Pédeflous (Paris) and Andrea Severi (Bologna).

To view the full programme and to register please visit: http://warburg.sas.ac.uk/events/colloquia-2015-16/afterlife-of-apuleius/

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