‘Trust Me’ Symposium, UCL Institute of Advanced Studies & Wellcome, Friday 25 May

‘Trust Me’: The Language of Medical Expertise and Imposture in Britain, 1400-1900

A Symposium at the UCL Institute of Advanced Studies and the Wellcome Collection

25 May, 9:30 AM – 6 PM


‘Trust Me’ is an interdisciplinary symposium on the long history of medical confidence and publicity. How did medical practitioners craft a language to cultivate confidence in their knowledge and abilities? We hope to trace how assurances (and overassurances) of expertise—as expressed in mountebanks’ medicine shows, print medical advertising, bedside manner, and training literature—adapted to new knowledge paradigms, media technologies, and regulatory regimes to win that trust of prospective patients and skeptical authorities. How did this language of medical publicity circulate? How was this language translated into social life and the popular imagination?


  1. A. Katritzky(Barbara Wilkes Research Fellow in Theatre Studies, Open University) will deliver the plenary lecture, ‘Performing medical harangues in early modern Britain and beyond’.


Participants will include:

  • Elma Brenner (Wellcome Collection)
  • Joe Stadolnik (UCL)
  • Sarah Mayo (University of Georgia/UCL)
  • Genice Ngg (Singapore University of Social Sciences)
  • Alannah Tomkins (Keele University)
  • Jeni Buckley (Warden Park Academy)
  • Emily Senior (Birkbeck)
  • Cara Dobbing (Leicester)

This symposium was organized as part of the ‘Lies’ research thread at the IAS by Joe Stadolnik, in partnership with Dr Elma Brenner and the Wellcome Collection. This conference is generously supported by the IAS and a conference grant from the Society for the Social History of Medicine.


All welcome. Please find the programme here and register here.

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CFP: Theatres of Contagion: Infectious Performance Deadline – 20 January 2017

Call for proposals

Theatres of Contagion: Infectious Performance

Birkbeck Centre for Contemporary Theatre, 11-12 May 2017

At least since Thebes was beset by plague, western theatre has incubated a fascination with its own contagious power. This has extended beyond investigating medical and psychological conditions on stage, to both exploring and protecting against performance’s capacity to transmit ideas, illnesses, feelings and behaviours. This two-day Wellcome funded symposium puts the relationship between theatre and contagion under the microscope, to assess it from a range of humanities, medical, psychological and scientific perspectives, and by looking to diverse forms including drama, theatre, live art, dance, musical and cultural performance.

Our central questions include:

  1. How have theatre and performance represented, examined or been implicated in the transmission and circulation of medical and psychological conditions?
  2. How has our understanding of these relationships and phenomena changed over time, across cultures, including via developments in interdisciplinary practice and inquiry?

Keynote speakers:

  • Bridget Escolme (Queen Mary University of London)
  • Kirsten Shepherd-Barr (University of Oxford)

With performances by Birkbeck Centre for Contemporary Theatre Fellows:

  • Dickie Beau
  • David Slater and Entelechy Arts

20 minute academic papers or performative presentations might address:

  • How theatre has represented contagious medical conditions: plague and its metaphors in Sophocles and Shakespeare; venereal disease in Ibsen; measles in Shaw; infections and neurological conditions in Beckett; HIV/AIDS in Kushner
  • How theatre has represented contagious psychological conditions: versions of melancholia or depression in Chekhov; hysteria in Miller; madness in Churchill; paranoia and anxiety in Letts
  • The ways in which theatre has been affected by public health epidemics (e.g. plague, sweating sickness, cholera, influenza, HIV/AIDS, ebola), and reacted (e.g. through banning assemblies, withdrawing funding) or been strategically deployed (e.g. to inform and educate)
  • Contagious group emotion and behaviour: yawning, coughing, crying, laughing, violence
  • Scientific, medical, historical and theoretical accounts of how ideas, illnesses, feelings and behaviours spread in theatre and performance
  • The relationship between contagion and affect theory
  • How performance site, architecture, technology and design are implicated in questions and processes of transmission
  • The relationship between immersive practices and histories and theories of contagious performance
  • Performance in digital cultural, and analogies of viral dramaturgies or effects
  • Health, safety and law

Abstracts of 300 words and a short bio (less than 100 words) should be sent to birkbeckcct@gmail.com by Friday 20 January 2017.

The symposium can also offer 4 x £50 bursaries to graduate students to help with attending from outside London. Please outline your situation briefly (less than 100 words) if applying one of these. The conference is free, although booking and registration will be required to attend once the schedule has been formalised and announced.

Funded by Wellcome (ISSF) with support from BiGS (Birkbeck Gender and Sexuality) and Birkbeck Institute for Social Research.

Enquires to Fintan Walsh f.walsh@bbk.ac.uk

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Fluid Physicalities – TEARS 21 October

The Wellcome ISSF Fluid Physicalities seminar series continues this term.

The next session is on Friday 21st October and we will be joined by the psychoanalyst Dr Eyal Rozmarin, who will talk about ‘tears’.

The title of his paper is ‘Father’s Don’t Cry’ and responses will be given by Carolyn Burdett and Lynne Segal. 

6pm, Keynes, Friday 21st. Fluid refreshments will be provided. All welcome.

In November the topic for discussion will be breastmilk, and in December, diarrhoea.

All very welcome.

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Things, In Theory: 9th March and 16th March 2016

‘Things, In Theory’:

In the last two weeks of term we’ll think about strange indisciplined research objects in two sessions run from different periods and angle. Each session is run in reading group style using the reading as an opportunity to think about how to handle objects that perplex our disciplinary frames:

Wednesday 9, 8pm, Room 112 (this will be a one hour session from 8-9pm)

Lisa Mullen (Birkbeck-Wellcome ISSF Research Fellow)

Ian Hodder, ‘The Entanglements of Humans and Things: A Long-term View’, New Literary History, 45:1 (2014), 19-36, available online at http://newliteraryhistory.org/articles/45-1-hodder.pdf

Wednesday 16 March, 6.00-8.00, Room 112

Tabitha McIntosh (PhD candidate, English and Humanities)


Bill Brown, ‘Reification, Reanimation, and the American Uncanny’, Critical Inquiry, 32:2 (2006), 175-207, available through JSTOR: http://www.jstor.org.ezproxy.lib.bbk.ac.uk/stable/pdf/10.1086/500700.pdf?acceptTC=true

Session Leaders:

Lisa Mullen has recently completed a PhD on ‘Midcentury Gothic: The agency and intimacy of uncanny objects in post-World War II British literature and culture’ and is currently an ISSF fellow working on medical objects. She will also bring in some case histories to explain how she’s using the metaphor of entanglement in her work on medical objects and the entanglements of interdisciplinarity.

Tabitha McIntosh is writing a PhD on ‘White Rascals, Black Mischief: Anecdotes in the Atlantic World, 1788-1865’. She will be talking about ways of theorising uncanny Haitian objects in early c20 America – imaginary silver bullets that emerged in purported non-fictional accounts of post-revolutionary Haiti and real buttons of the 1811-1820 Kingdom of Hayti that began rising from the earth across the Pacific Northwest.’

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Birkbeck Medical Humanities Reading Group Events 11 November and 9 December

Wednesday 11 November: Therapeutic Aims

Please note that this session will be held at the Wellcome Library, Euston Road, between 3-4.30. Please come to the Library entrance reception on level 2

In June 2015 the Birkbeck Centre for Medical Humanities hosted a screening of Abandoned Goods, a short essay film detailing the extraordinary collection of artworks created by patients detained in Netherne psychiatric hospital between 1946 and 1981. The artworks were created in a pioneering art studio in the hospital run by the artist Edward Adamson. Today around 5,500 pieces survive, assembled together as the Adamson Collection, one of the major bodies of British ‘asylum art’, now held at the Wellcome Trust and the Maudsley Charity. Adamson’s studio will be the springboard for our discussion.

Set texts:

  • Extracts from Edward Adamson, Art as Healing (London, Coventure, 1984);
  • David O’Flynn, ‘Art as Healing: Edward Adamson’
  • Susan Hogan, ‘British Art-therapy pioneer Edward Adamson: a non-interventionist approach’, History of Psychiatry (2000) 11.43, 259-271

Online link to images from the collection are on the Wellcome’s website: http://wellcomecollection.org/adamson-collection and South London and Maudsley Trust: http://www.slam.nhs.uk/about-us/art-and-history/the-adamson-collection

If you would like access to the film Abandoned Goods (approximately 37 minutes long) prior to the session please do get in touch.

More information is available on our webpage, along with details of past reading.

Please note the next session will be held at the Keynes Library, Birkbeck on Wednesday 9 December, between 3.30-5. We will send a reminder nearer the time.

The reading group aims to create a space in which academics, clinicians and students can come together to explore key readings, ideas and materials in the field of medical humanities. Our endeavour is to find ways of talking across the different disciplines of the humanities and medicine, and we welcome participation from colleagues interested and engaged in these areas.

For further details, and copies of the set texts, please contact Heather Tilley (h.tilley@bbk.ac.uk) and Suzannah Biernoff (s.biernoff@bbk.ac.uk)

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