CFP: Movable Type UCL Journal

Call for Papers Volume 12 : Nostalgia Summer 2020 UNIVERSITY COLLEGE LONDON ENGLISH JOURNAL

Marcel Proust closes the first volume of À la recherche du temps perdu with the assertion that ‘remembrance of a particular form is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years.’ To Proust, nostalgia for the past, no matter how powerful, can only ever be a pale imitation of previous lived experience.

Coined to describe feelings of homesickness experienced by soldiers abroad, the term nostalgia has since come to stand for sensations of loss with regards to the irretrievable nature of places, communities, and experiences that no longer exist as they once did. Indeed, as Svetlana Boym suggests, these may never even have existed in the first place. In her seminal work The Future of Nostalgia (2001), Boym describes the emotion ‘as a defense mechanism in a time of accelerated rhythms of life and historical upheaval.’ Nostalgia is often construed as a conservative force, one which seeks to revert to past certainties as a response to the mutability of the present. Nevertheless, the act of looking back can also lead to radical leaps forward. In certain circumstances, the retrieval of that which appears lost to the past has the potential to act as a catalyst for renewal.

As our current climate makes clear, the manipulation of nostalgia can have a significant impact on the social fabric, in terms of the way that we conceive of our place in history and our future trajectory.

Volume 12 of UCL English Department’s journal, Moveable Type, looks to explore the nostalgic impulse, broadly interpreted. In addition, we will consider artistic responses such as poetry, flash-fiction and short stories. Some potential topics may include, but are not limited to the following:

  • Lost time: memory and temporality in literature
  • Life-writing/auto-fiction
  • Nationalism and revivalist literature
  • Lateness and late-coming
  • Looking back in anger: the dangers of nostalgia
  • The nostalgia of history, myth and folklore
  • Editing: the search for the Ur-text
  • Postcolonialism, decolonialization, and exile
  • Amnesia and forgetting
  • Iconoclasm and nostalgia: policing the past
  • Solastalgia – nostalgia for a prior ecological state
  • The retro
  • Sensory nostalgia
  • The nostalgic impulse in canon formation
  • Hauntological readings of nostalgia

Please send submissions to editors.moveabletype@gmail.com by 1 February 2020 (doc/docx files only), with a short abstract and bio in the main body.

Academic articles are limited to 3000-5000 words and should subscribe to MHRA referencing guidelines. Authors are limited to only one submission. We ask that creative responses do not exceed 5000 words, though they can be an interlinked series of poems or prose pieces. All academic submissions will be double-blind peer reviewed, and feedback will be provided for all submissions.

In case of any queries, please contact Niall Ó Cuileagáin or Sam Caleb at niall.culligan.15@ucl.ac.uk and sam.caleb.18@ucl.ac.uk respectively.

Call for Reviews
We are also accepting pitches for reviews of academic works relevant to the theme of nostalgia, broadly interpreted. Upon the acceptance of a pitch, writers will submit 700 to 1000 word pieces that critically analyse a recent monograph or edition. Potential books could include:
§ Critical editions of authors and texts § Theoretical works that focus on new or developing critical methodologies § Novels, poetry collections, films or dramatic texts § Secondary material on authors that are relevant to the theme of nostalgia

Reviews of recent digital resources are also desired. Books for consideration must have been published since 2017. If this is of interest to you, please send pitches to editors.moveabletype@gmail.com with the full bibliographical information and a few sentences explaining why you want to review the book by 31 December 2019. We do not limit pitches to academic texts only, and welcome pitches for reviews of all genres and media

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Dandelion Journal: Call for Editors – deadline 20th April 2016

CALL for EDITORS

The Dandelion Journal seeks EDITORS to assist in the compiling and editing of the journal’s ‘NOSTALGIA’ issue.

We invite all Birkbeck School of Arts Postgraduate Students to join the Dandelion Journal Editorial Team. No prior experience of publishing or editorial is necessary: you will learn editorial skills as you go. We particularly require editors whose expertise lie in the fields of: History of Art, Screen Media, English and Humanities.

As a Dandelion Subeditor, you will be required to edit and copyedit two or three articles (between 3000 – 8000 words) between late-April 2016 and June 2016. We ask that you attend one or two editorial meetings with the rest of the team during this time. You will also be welcome to contribute to the team in any other ways you desire (e.g. events planning, design, typesetting etc).

We encourage you to send us an email explaining why and how you would like to be involved and detailing any relevant experience you have by 20th APRIL 2016:

mail@dandelionjournal.org

We look forward to hearing from you,

The editors:

Robyn Jakeman, Rebecca Sykes and Tom Travers

 

www.dandelionjournal.org

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Dandelion Journal – Call for Papers: Deadline 20th April 2016

The Dandelion editors seek submissions on the theme of NOSTALGIA for their forthcoming issue.

Nostalgia is a ubiquitous presence in contemporary culture. Images and fantasies of the past permeate cultural and political discourses: from the mediated recycling of retro culture and popular history, to nostalgia as a method of political renewal (for example, Donald Trump’s campaign slogan ‘Make America Great Again!’ and Ken Loach’s The Spirit of ‘45).

Nostalgia is readily apparent in the current popularity of culture that celebrates our national past, while self-styled ‘progressive’ cultural institutions are increasingly turning to the past in order to better understand the contemporary: for instance, the reproduction of Richard Hamilton’s installations ‘Man, Machine and Motion’ (1955) and ‘an Exhibit’ (1957) at the ICA, London, in 2014. As the RetroDada manifesto declares ‘why shouldn’t a .gif run backwards as well as forwards?’

To this end we ask: why the resurgence of nostalgia? Is it merely a displacement strategy for a world convulsed by social, political, economic, and environmental crisis, or is there something salvageable in its longing for a prior wholeness, in its desire to seek out a moment when the new was still possible? Should nostalgia be condemned as an ethical and aesthetic failure? Is nostalgia a hindrance to making it new; a symptom of lateness, of a loss of the future? Or can nostalgia be a productive force that provides, both for the self and society, insights into our present?

This journal invites submissions that address the theme of nostalgia across the spectrum of Arts and Humanities research.

Topics may include, but are not limited to:

  • Genealogies of nostalgia: from its earliest expositions in medical science through its Romantic and now latest twenty-first century phase
  • Homesickness, exile and diaspora
  • Nostalgia, nationalism and the nation
  • Postcolonial nostalgia
  • Institutionalised nostalgia: heritage, memorials and/or museums
  • Life writing and memoirs
  • The restaging of exhibitions and past live art events
  • Nostalgia and film: remakes, mediating history through dramatic reconstruction, retro-soundtracks
  • Nostalgia and digital technologies
  • Genres of nostalgia: ranging from the Romantics to the return of the long novel and to science-fiction, steampunk, and retro-futurism
  • Nostalgia for the avant-garde and avant-garde nostalgia
  • Communist and fascist nostalgia: utopia
  • Temporalities of nostalgia: late time and belatedness
  • Scenes of nostalgia: the ruin, the country house, reconciliation with nature

We welcome short articles of 3000-5000 words, long articles of 5000-8000 words and critical reviews of books, film, and exhibitions. We also strongly encourage submissions of artwork including visual art; creative writing; podcasts and video footage (up to 10 minutes). We would be happy to discuss ideas for submissions with interested authors prior to the submissions deadline.

Please send all submissions to mail@dandelionjournal.org by 20th April 2016.

Please also include a 50-word author biography and a 200-300-word abstract alongside your submission. All referencing and style is required in full MHRA format as a condition of publication and submitted articles should be academically rigorous and ready for immediate publication.

Complete instructions for submissions can be found at www.dandelionjournal.org under ‘About’.

 

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