The Essay Film Festival

25 March to 3 April 2021

The Essay Film Festival returns 25 March to 3 April for its 2021 edition, which this year will be held entirely online. The Essay Film Festival is supported by AHRC funded CHASE Doctoral Training Partnership.

How will the festival work online?

All the films will be free and open to anyone in the UK. To watch the films, visit our online screening room, where you will be able to view all the films at a time that suits you. The screening room does not require any sign-ups or downloads. While most of this material will be made available for the entire festival window (25 March to 3 April), one or two items will be up for a more limited period, so you should check the window of availability for each film. 

What about live events?

Our programme of live events – open to audiences globally – includes artists’ and curators’ talks, conversations with filmmakers and discussions with critics and researchers. These will take place online, via a platform called Collaborate, which is very simple to use. Book your place on our website (http://www.essayfilmfestival.com), and we will send you a link to join us on the day: again, you do not need to create an account or download any software.

What is in the programme this year?

For us the essay film is a critical intervention in the world, combining a passion for investigating reality and for asking tough questions about society with an open, inventive and even playful approach to film language and forms of representation.

This year’s programme reflects that dynamic ambition for the essay film, with a wide range of contemporary and archival works from different parts of the world, accompanied by live talks and conversations featuring artists and researchers.

Madeleine Hunt-Ehrlich will give a talk about her forthcoming project on Suzanne Césaire, alongside a selection of her short films exploring alternative voices and narratives from African-American history.

Cauleen Smith will be joining us to discuss a programme of her experimental works reflecting her longstanding interest in Afro-futurism and jazz, especially Alice Coltrane and Sun Ra.

Two programmes of short films by Kevin Jerome Everson focus on themes of labour and place, which the artist will further develop in an illustrated talk and conversation.

From the Asian Film Archive we share Monographs, a series of video essays responding to the uncertainties of the pandemic from ten contemporary Asian artists, some of whom will be speaking at the festival with critic and essayist Kevin B. Lee.

John Gianvito will be in conversation about his latest film, Her Socialist Smile, an historical essay about Helen Keller that foregrounds her radical politics and commitment to social justice.

Nuria Giménez’s My Mexican Bretzel uses found footage and literary invention to play with the conventions of film portraiture and highlight the invisibility of women’s histories – themes that the artist will discuss in a live conversation.

An extended programme around the work of Jenny Brady features three of her own films and three films curated by the artist, alongside a talk about her current research into musical performance and the sonic practice of Alvin Lucier.

Our archival section showcases films by Med Hondo and Sidney Sokhona, both representing critically the lives of African workers in France in the 1970s; writer Assia Djebar’s filmic reinterpretation of colonial travelogues and newsreels shot in Algeria; and the collaborative films of Yugantar, India’s first feminist film collective.

This year’s programme closes with a study day devoted to Brazilian filmmaker Eduardo Coutinho, specifically his films Man Marked for Death, Last Conversations and the unfinished A Day in Life.

Come and join us!

On behalf of the Essay Film Festival: Matthew Barrington, Lauren Collee, Kieron Corless, Catherine Grant, Ricardo Matos Cabo, Janet McCabe, Raquel Morais, Laura Mulvey, Michael Temple

Full programme and practical information: http://www.essayfilmfestival.com

The Essay Film Festival is supported by CHASE Doctoral Training Partnership

Highlighted AHRC CHASE Training Opportunities

The following training opportunities are open to all Arts and Humanities PhD students at Birkbeck.

Coming up in CHASE Essentials

Copyright and Creative Reuse
Thursday 17 November | 1100-1215

Finding and Using Audiovisual resources in your research
Training is over 3 days – 8, 9 & 15 December | 1000-1230

See full CHASE Essentials programme

Working With Marginalised Communities: Towards an Ethical Practice for PhD

This webinar takes place over two dates – 12 & 13 November 1500-1700 each day

A growing number of PhD students and Early Career Researchers have shown interest in pursuing research with and for communities who have traditionally been viewed from an abstract distance if, indeed, they have been viewed at all. The scope of these projects is wide and includes researchers working with women in domestic violence refuges, teenagers in socio-economically deprived areas of London and Afghani refugee communities caught in the limbo of the Aegean islands.

What these projects all have in common is that they bring academic scholars into contact with individuals and communities that are likely to have experienced trauma as well as disempowering if not explicitly violent interactions with institutional and state authorities. High levels of professional and personal sensitivity and ethics are essential if the researcher is to avoid replicating the participants’ experiences of marginalisation and creating an abstract rather than rich, nuanced picture of their lives and experiences.

This is a two part webinar series delivered by Fred Ehresmann, Senior Lecturer in Mental Health at the University of the West of England and Dr Jade Lee, director of Aurora Learning and UK Programme Lead of School Bus Project, an NGO that supports educational programmes for young refugees in Europe.

Register here

The Liquidity Cohort

A group of researchers who work with various notions of liquidity from the body (in the broadest sense, human and otherwise) to material infrastructures. We are interested in “liquidity” as an immersive experience of being-in-the-world and its implications for practice; questions of how to write from states of immersion, how to work from the body immersed in experience. We are also interested in hydrological and technological infrastructures and their impacts on the body and its worlds.

Current workshop dates below:

Session 1: Saturation Epistemologies and Oceanic Media


Wednesday 18 November | 1700-1900 | Online

In this session, Melody Jue will discuss saturation epistemologies in her book Wild Blue Media: Thinking Through Seawater and the forthcoming collection Saturation: An Elemental Politics (co-edited with Rafico Ruiz).

Register here

Session 2: Liquid Gold

Wednesday 25 November | 1500-1700 | Online

For this session Melanie Jackson and Esther Leslie will present a performance reading that draws on thematics from their recent collaborative works Deeper in the Pyramid (2018) and The Inextinguishable (2020).

Register here

Session 3: Bodies that Weather: Hurricane Katrina and ‘Viscous Porosity’


Wednesday 2 December | 1500-1700 | Online

Christina Sharpe writes in ‘In the Wake: On Blackness and Being’ (2016) of the climate of anti-blackness that black bodies continue to weather.

Register here

Session 4: Liquifying Selves: Toxicity, Tales and Transindividuation

Wednesday 9 December | 1500-1700 | Online

As the pandemic forces us to adopt new hydro-hermetic praxes, we will examine some other ways in which liquid has already presented counter-ontologies to those of the Cartesian self.

Register here

The Liquidity Cohort was initiated by Dr. Bridget Crone (Visual Cultures, Goldsmiths) in 2018, and is open to researchers from CHASE institutions.

Material Witness

Fake! The role of watch forgery in the making of the modern world

27 November 2020 | 14:00 – 16:00 | Zoom

This talk will explore how the objects history leaves behind can be used to explore the world they existed in. Using forensic analysis to look for hidden clues inside early C18th mass-manufactured watches – practising-watchmaker Rebecca Struthers will reveal the moment access to portable time started its journey towards democratisation. By weaving the physical evidence in with archival sources, this talk will explore the transformative social impact watches had in the UK during the Industrial Revolution.

Register here

Screen Studies Research in a Pandemic

Annual Postgraduate Training Event by the UoL Screen Studies Group, co-funded by CHASE and LAHP

23rd and 24th October & 20th November

Day 1: Friday 23 October, 14:00-20:00

Day 2: Saturday 24 October, 10:00-13:00

Day 3: Friday 20 November 14:00-17:00

Register on Eventbrite

Teaching Creative Writing

Image by Fred Merchán, taken from Flikr and used under Creative Commons licence

Creative writers teach in schools, universities and the community, on retreats, in theatres and in workshops. Teaching is often a key part of a writer’s career, and there are rich possibilities creative arts education across a huge range of contexts. But how do you teach creative writing? Can you? This series offers anyone considering teaching creative writing as part of their career development the opportunity to look in detail at the theory and practice of creative writing pedagogy in a variety of institutional and community settings.

The series will address the historical principles and contemporary critiques of creative writing pedagogy, and how these are responding to wider institutional and societal developments. It will consider in detail the theory and practice of employing these pedagogical skills both within and outside higher education. Attendees will be invited to reflect on future possibilities and challenges for the development of creative writing teaching, enabling a deeper awareness and knowledge of creative writing as a subject of study, a future career, and a creative practice.

Students are not expected to attend all the sessions, but the series has been designed to allow for an arc of learning from theoretical principles to practical engagement.

The sessions will take place online via Microsoft Teams, once a month for the 2020/21 academic year.

You can sign up for individual sessions using the links below:

13 October | 1100-1200 | Creative writing pedagogy: past, present and future

25 November | 1430-1745 | Pedagogy in practice: fiction, non-fiction, poetry, screenwriting

3 December | 1100-1230 | Can you teach creative writing? Theory and practice of the creative writing workshop

19 January 2021 | 1100-1230 | Decolonisation and inclusivity in creative writing

9 February 2021 | 1100-1230 | Show don’t tell: feminist pedagogy in the creative writing classroom

9 March 2021 | 1100-1230 | Writing in the Community

HS2 Student Placement in the Colne Valley

Photo Credit: Samantha Brummage

A blog post by Samantha Brummage (PhD Archaeology)

In 2018/19 Birkbeck PhD student Samantha Brummage was successful in gaining access to a placement supported by the AHRC funded CHASE DTP. In the piece below you can read about Samantha’s experience on the placement and the skills she acquired through it.

Solace in the Cracks: Drawing Weeds Ecology, Art History, Practice – a Material Witness Zoom Webinar

Friday 19 June 2020, 3-5pm

Scourges of gardeners, foes of council workers armed with tanks of glyphosate, trampled, neglected, ignored: weeds are despised, yet they flourish, succeeding where other plants fail. Tracing its etymology from Old through Middle to Modern English, the OED defines a weed as ‘Any herbaceous plant not valued for its usefulness or beauty, or regarded as a nuisance in the place where it is growing.’ Gardeners generally consider plants that grow where they are unwanted to be weeds, however much they are appreciated by the insect community.

Material Witness normally focuses on material things made by people, and how we interpret them by practical, theoretical, and historical means. This session switches emphasis, beginning with nature: the ecology of the pavement cracks, the roadside verge, the railway tracks. How have artists recognised the usefulness and beauty of weeds? How can we make the most of their vigour, tenacity, and ubiquity during this unprecedented lockdown?

This two hour webinar will begin by exploring the deep art history of weeds through medieval herbals, the plant-filled borders of books of hours, and Dürer’s extraordinary ‘Great Piece of Turf’, and some interconnections with contemporary artists’ practice. Our focus will then turn to drawing weeds, using a variety of strategies and with a view to creating expressive observational drawings.

This workshop will focus on using materials that you have ready to hand. You can use any paper, and any mark-making implements that you have to hand.

Find more and register here

CHASE Training opportunities for all Arts and Humanities PhD Students at Birkbeck

The following events and opportunities are available via the AHRC funded CHASE Doctoral Training Programme. All of the opportunities below are open to all Arts and Humanities PhD students at Birkbeck, regardless of whether they are funded or self-funded.

Future Pathways in Medieval and Early Modern Studies: Academia and Beyond

Friday, 6 March and Friday 27 March

The aim of these two workshops is to explore the possible pathways that medieval and early modern studies can open up for future careers. Both workshops will host a group of speakers with PhDs in various aspects of medieval and early modern studies that have since pursued a wide array of careers. Their personal knowledge and experiences will provide the springboard for informal roundtable discussions and exercises. These events will encourage current postgraduate students to reflect critically on the ways in which one can communicate and curate research and teaching expertise, while they will also offer opportunities for new connections to be made with a variety of individuals, institutions and sectors.


Frames and Transitions

20 & 21 March | Birkbeck, University of London

FRAMES – Friday 20 March
The annual TRANSITIONS symposium has been extended with FRAMES, a day of workshops for CHASE researchers. The workshops are Graphic Medicine with Ian Williams and Comics as Research Practice with Nick Sousanis.

The workshops are focussed on comics and arts as part of the research process, but are open to all research students affiliated with CHASE institutions.

The day is divided into two workshop sessions, one in the morning and one in the afternoon. The morning session is Graphic Medicine with Ian Williams. The afternoon session is Comics as Research Practice with Nick Sousanis.

TRANSITIONS – Saturday 22 March

Transitions: New Directions in Comics Studies is an annual one-day symposium promoting new research and multi-disciplinary academic study  of comics / comix / bande dessinée / manga / and other forms of sequential art. The Transitions symposia have been a fixture on the UK comics scholarship landscape, with a focus on new voices and novel approaches in comics research. The programme emphasises a range of approaches in research, and especially invites participation from research students and early career researchers.



Critical Race Studies and the Premodern: Archive and Seminar

8 & 9 June | University of Sussex

Decolonising the Curriculum (Practical Funded by the CHASE Consortium, the Universities of East Anglia and Sussex are hosting two postgraduate training workshops on critical race studies and the pre-modern. This, the second of two events, will be held at The University of Sussex, 8-9 June 2020, and will focus on research. The event is designed to develop students’ professional skills. We invite expressions of interest from all postgraduates working in the Humanities (giving papers, designing and chairing sessions, attending).

CHASE Training opportunities for all Arts and Humanities PhD Students at Birkbeck

Auraldiversities series

Auraldiversities is a series of lectures, workshops and in-situ training sessions seeking to encourage creative and critical attention towards aural diversity within the arts and humanities, with particular focus on an ecology of the ear, designed for all those researching within the Arts and Humanities, especially those with an interest in the creative, social and political dimensions of sound and listening.

These sessions specifically address the need for further study and practice inspired by, and concerning, this specific turn in research and focus on a particular theme led by an academic/practitioner with invited guests selected to represent a range of approaches. A CHASE PhD candidate with associated research interests will also give a presentation.

Sessions are purposefully multifaceted, practical, intuitive and experimental in approach and encourage collaborative work and collective activities:

Session One – Thursday 13 February | 1000-1800 | Goldsmiths, University of London

Session Two: Thursday 27 February | 1000-1800 | Venue TBC

Session Three: Thursday 12 March | 100-1800 | Venue TBC

Plenary: Thursday 26 March | 1500-1800 | Keynes Library, Birkbeck School of Arts

Ethnography and Film. Exploring Labour, Technology and Mediation in the Egyptian Film Industry

Wednesday 19 February | University of Kent

The workshop will offer participants advanced training in ethnography, applied to the context of the Egyptian Film industry. Dr El Khachab’s workshop will outline how researchers can successfully apply ethnographic methodologies, developed in Anthropology, to research issues about arts and media, especially film. Dr El Khachab will outline the strategies he developed during his PhD research to gather observations, interviews and documentary data from creatives and technicians working in the largest and most influential media industry in the Arab world. He will also provide participants an insight into how he adapted the presentation of his findings from his PhD thesis into his forthcoming monograph, The Egyptian Film Industry: Labor, Technology, Mediation.

This workshop is aimed at CHASE students from a variety of backgrounds and developed with an interdisciplinary audience in mind. Hence, attending the training does not require any specialised prior knowledge or skills, apart from an interest in the topic of the workshop.

Find out more and register here

Translation x Creative Writing – Daniel Hahn

Monday 24 February  | UEA | 2-4pm

Daniel Hahn is a writer, editor and translator with over sixty books to his name. His work has won him the International Dublin Literary Award, the Independent Foreign Fiction Prize and the Blue Peter Book Award, and been shortlisted for the Man Booker International Prize, among others. He is a past chair of the Society of Authors, and on the board of a number of organisations that work with literature and free speech.

Concept: Translation for Non-Translators

Find out more and register here

Future Pathways in Medieval and Early Modern Studies: Academia and Beyond

Friday 6 & Friday 27 March | University of Kent

The intended audience for both workshops is first and foremost students currently undertaking PhDs in any aspect of medieval or early modern studies (including Archaeology, History, History of Art and Literary Studies). Students will be able to register for one or both of the workshops, both of which will be hosted at the University of Kent’s Canterbury campus. The first workshop (‘Beyond Academia’) will take place on Friday 6 March 2020. The second workshop (‘Early Career Academia’) will take place on Friday 27 March 2020.

Beyond Academia | Fri 6 March | Find out more and register here

Early Career Academia | Friday 27 March | Find out more and register

Embodied Approaches to Performing Experimental Music

This training explores embodied approaches to performing experimental music, and methods of observing and reporting on research observations that arise as a result of such performance. It employs an approach to methodological training through practical, hands-on workshops.

Event 4: 16th March 2020 14.00-18.00 with Dr Sean Williams

Event 5: Event 5: 24th April 2020 14.00-17.00 with Dr Lauren Redhead

Essay Film Festival, 2020

The Essay Film Festival, now in its sixth edition, presents a global range of contemporary and restored essayistic works, each exploring the creative zone of possibilities between experimental and documentary modes of filmmaking. 

View full programme

This year’s programme features several key themes and strands:

Image from short film: Idhi Katha Matramena (Is This Just a Story?) (India, 1983)

New work by the Otolith Group and restored essay films by Ruchir Joshi and the Yugantar Collective engage with the cultural history and politics of India, providing imaginative and insightful perspectives on the educational projects of Rabindranath Tagore, the wandering Baal musicians, the changing cities of Ahmedabad and Kolkata, and the political struggles of Indian women. A symposium on the work of author and filmmaker Joshi will take place during the festival with guests from India, France and the USA, while Yugantar member Deepa Dhanraj will join researchers from Berlin Arsenal and Goldsmiths to discuss the restoration of the collective’s films.

Image of a collapsing structure

From Argentina, France, UK and the Philippines come challenging found footage experiments by Leandro Listorti, Frank Beauvais, Sarah Wood and John Torres, which critically examine the status and uses of images today while transforming them into moving and fascinating new creations. A student-led research workshop with guest filmmakers will analyse the theory and practice of found footage in the digital age.

Still from short film: America (Garrett Bradley, USA, 2019)

US artists Garrett Bradley and Cauleen Smith investigate and celebrate the depth and diversity of African-American lives, past and present, with works that, like all good essays, both question the viewer and invite us into an ongoing conversation. Both Bradley and Smith will give lecture-workshops about their practice alongside the screenings of their films. 

Image of filmmaker Jocelyne Saab

Developing the theme of ‘the living archive’, a series of events will address the cultural politics of film restoration, featuring works by Jocelyne Saab, Mostafa Derkaoui, Ingemo Engström and Gerhard Theuring, in addition to the restored films of Ruchir Joshi and the Yugantar Collective. 

Still from short film: Home in E Major, Tamar Rachkovsky, USA, 2019

Finally, Israeli filmmaker Tamar Rachovsky will join the festival to present and discuss Home in E Major, which looks at complex questions of identity and belonging through the deceptively simple lens of the diary film.

Simple and complex, contingent and reflective, hybrid and critical, the essay film that we celebrate at our festival is a constantly renewed invitation to engage with the world and to see it in new ways.

Michael Temple (Director), on behalf of the Essay Film Festival group: Matthew Barrington (Manager), Kieron Corless, Nicolas Freeman (CHASE intern), Catherine Grant, Ricardo Matos Cabo, Janet McCabe, Raquel Morais, and Laura Mulvey.

The Essay Film Festival is a collaboration between Birkbeck Institute for the Moving Image and the ICA, with support from the CHASE Doctoral Training Partnership. 

Highlighted CHASE training opportunities and calls

The following events and opportunities are available via the AHRC funded CHASE Doctoral Training Programme. All of the opportunities below are open to all Arts and Humanities PhD students at Birkbeck, regardless of whether they are funded or self-funded. If I could also draw your attention to a couple of calls for papers/participation that are currently open.

Journal recruiting members for next Editorial Board

Brief Encounters is currently recruiting the next Editorial Board to oversee the creation of issue 5 – see below press release:

Seaside, Ruin and De-Industrialisation on the Cleveland Coast

Friday 10th to sunday 12th of January

Redcar/Cleveland

Following the critical excursion Beyond the Heartlands and building on themes of de-industrialisation, landscape and ruin, the ‘Space Place Time’ research collective are calling for participants for a two-day critical excursion to Redcar and Cleveland. Completed in 1846, the Middlesbrough and Redcar Railway hoped to attract tourism, but like much of the region, Redcar’s expansion came with the 1850 discovery of iron ore in the Eston area of the Cleveland Hills. The engine of Britain’s Industrial Revolution, Redcar was simultaneously home to a Victorian pleasure pier. The pier’s demolition in 1981 can be seen as an allegory of the decade’s slum, which saw the simultaneous decline of both industries.

Find out more here

The Frankfurt Exotic: broken objects and porous walls in Naples

Beginning of April (deadline to apply 15 Jan)

Naples, Italy

Following the critical excursion Re-mapping the Arcades Project in Glasgow, and building on the field engagement with the work and cities of Walter Benjamin, we are calling for participants in a critical excursion in Naples: The Frankfurt Exotic: broken objects and porous walls in Naples. This critical excursion will take place over 4 nights at the beginning of April 2020 and will involve a series of workshops, walking tours and screenings with the anticipated outcome of a publication recording conversations, presentations, works in progress, creative responses and translation work.

Find out more and apply here

Bookscapes

Friday 17th of January (from 12:00) – Norfolk Heritage Centre

Saturday 18th January – Blickling Estate

The second of the CHASE DTP-funded Bookscapes workshops, offering PhD students advanced training in palaeographical, codicological and bibliographical skills, will take place on 17th-18th January 2020, hosted by the University of East Anglia and led by Tom Roebuck and Sophie Butler. At the Norfolk Heritage Centre, on day one of the workshop, attending students will have the opportunity to engage with the collections of the original Norwich City Library (founded in 1618). The workshop will move to Blickling Estate on the second day, where the students will focus on the techniques and history of bookbinding and the history of the book. The second day’s workshop will be led by Nicholas Pickwoad, one of the leading experts on bookbinding and an adviser to the National Trust on book conservation.

Numbers for the workshops are strictly limited. We encourage all interested PhD students to contact bookscapes@kent.ac.uk as soon as possible. You can also follow us on twitter at https://twitter.com/bookscapes.

CHASE Essentials – Thesis Boot Camp

Saturday 1st and Sunday 2nd of February

University of Sussex

Are you a mid- or late-stage doctoral researcher, struggling to make progress with your thesis? Do you keep putting off your writing? If so, Thesis Boot Camp could be the solution. Deadline to apply – 17 January.

Find out more and register here

Aural Diversity

Various dates and venues, please see below

Aural Diversity is a series of lectures, workshops and in-situ training sessions seeking to encourage creative and critical attention towards aural diversity within the arts and humanities, with particular focus on an ecology of the ear, designed for all those researching within the Arts and Humanities, especially those with an interest in the creative, social and political dimensions of sound and listening.

These sessions specifically address the need for further study and practice inspired by, and concerning, this specific turn in research and focus on a particular theme led by an academic/practitioner with invited guests selected to represent a range of approaches. 

Session #1 | Thursday 13 February | 1000-1800 | Goldsmiths, University of London – Register here

Session # 2 | Thursday 27 February | 1000-1800 | Room 264, Senate House, London – Register here

Session #3 | Thursday 12 March | 1000-1800 | Goldsmiths, University of London – Register here

Plenary | Thursday 26 March | 1500-1800 | Keynes Library, Birkbeck, University of London – Register here

Ethnography and Film. Exploring Labour, Technology and Mediation in the Egyptian Film Industry

19 Feb (14:00-20:30)

University of Kent

The workshop will offer participants advanced training in ethnography, applied to the context of the Egyptian Film industry. Dr El Khachab’s workshop will outline how researchers can successfully apply ethnographic methodologies, developed in Anthropology, to research issues about arts and media, especially film. Dr El Khachab will outline the strategies he developed during his PhD research to gather observations, interviews and documentary data from creatives and technicians working in the largest and most influential media industry in the Arab world. He will also provide participants an insight into how he adapted the presentation of his findings from his PhD thesis into his forthcoming monograph, The Egyptian Film Industry: Labor, Technology, Mediation.

Find out more and register here

Call for proposals | The Essay Film Festival: Research, Critique, Practice

As part of its new collaborative partnership with CHASE, the Essay Film Festival is inviting proposals from doctoral students for a student-led symposium exploring essayistic forms and their relationship to academic research, social critique and artistic practice.

The conference will combine research presentations and film screenings, including examples of practice-led researchers talking through, questioning and “essaying” their own work. This event will follow the sixth edition of the Essay Film Festival, which will take place at Birkbeck Cinema, ICA, Goethe-Institut and Institut Français, from 26 March to 4 April 2020.

The symposium will be held at Birkbeck Cinema in May 2020 (exact date to be confirmed), more than a month after the end of the festival. The idea of the conference is, therefore, to provide a space for critical reflection and debate, with a certain detachment from the EFF programme itself, as well as to propose and discuss new directions for the festival in the future.

Deadline – Friday 14 February

Full details here

Call for Papers | Critical Race Studies and the Premodern: Archive and Seminar

23rd to 24th March – University of East Anglia
8th to 9th June – University of Sussex

Universities of East Anglia and Sussex are hosting two postgraduate training workshops on critical race studies and the pre-modern. The first of these will be held at the University of East Anglia, 23-24 March 2020, and will focus on teaching and pedagogy; the second will be held at The University of Sussex, 8-9 June 2020, and will focus on research. Both events are designed to develop students’ professional skills. We invite expressions of interest from all postgraduates working in the Humanities (giving papers, designing and chairing sessions, attending).

Deadline – Friday 24 January

Find out more here