Socially distanced networks – 5 Reasons PhD students should engage with social media now

Ema Talam

Jon Fairburn

March 2nd, 2021

1 comment | 57 shares

Estimated reading time: 7 minutes

Peer support, finding a place within academia, staying up to date with the latest research, communicating research to wider audiences and navigating life after PhD. Ema Talam and Jon Fairburn outline five ways in which social media, and in particular Twitter, can make all the difference to PhD research at a time when regular academic life has been severely disrupted.


Doing a PhD is hard: lack of work-life balance, uncertainty about the future, diminishing satisfaction with the PhD programme over time, isolation, harassment and discrimination are all too common experiences. COVID-19 has only exacerbated these challenges.

Whilst by no means a panacea, at a time when undertaking a PhD is even more of a fragmented and disjointed experience, social media provides an important space for connection. We – a PhD student and an experienced researcher with over 25 years of experience in academia – put forward the five following reasons why PhD researchers at any stage of the process can benefit from engaging with academic social media and why it is more important now than before COVID-19 pandemic.

Peer Support

Let’s start with the peer support. With universities in lockdown and many PhD students working from home, the informal support that comes from working as part of a research community has diminished. Despite its sometimes hostile reputation, peer support is strongly present on Twitter. Readers new to academic Twitter might consider following general academic hashtags, such as #AcademicTwitter#AcademicChatter and #AcademicMentalHealth, or specifically PhD centred discussions on #phdchat and #virtualnotviral. Whilst a hashtag is not a peer support network, in difficult times they provide pathways to resources and opportunities to meet likeminded people that can make all the difference.

You may even find your peer group is larger than you anticipated. The sudden shift to remote teaching and learning early last year, placed experienced professors and PhD researches running their first classes from all fields in the same position of learning to teach remotely for the first time. The hashtags above as well as being links to a wider research community have also been an invaluable resource for teaching tips and tricks, learning resources and even free training. Do not be afraid to ask questions related to teaching or any aspect of academic life.

Whilst a hashtag is not a peer support network, in difficult times they provide pathways to resources and opportunities to meet likeminded people that can make all the difference.

Finally, Twitter can also be used as a tool for co-ordinating and engaging with existing PhD communities, for instance through organising synchronous and a-synchronous events, such as remote writing retreats.

Navigating your academic discipline(s)

In a similar way hashtags can also be used to find academic communities, for economists #econtwitter is a good place to start as is RePEc’s list of economists on twitter. Learned societies and their social media accounts, e.g. in our fields the Royal Economic Society or Regional Studies Association, also provide useful points for finding the latest news from a particular discipline and often provide tailored advice for how certain disciplines approach social media.

For better or worse, social media is a surveillance network. By following academics whose work you are interested in, you can not only directly engage with them, but by simply following you can develop a sense of the research, networks and events they are interested in. These can help you orient your research towards academic communities and projects that may not be represented within your own institution.

While approaching people at conferences can be intimidating, it is almost impossible on Zoom events due to lack of time dedicated for informal networking or even any breaks at all

Social media can also be a source of inspiration for looking beyond your immediate discipline. The shift to digital as a result of the lockdown, has considerably lowered barriers to attending conferences and seminars. These events are regularly advertised via social media and are a great opportunity for you to attend new areas of research and expose yourself to new ideas and methods that can benefit your PhD.

While approaching people at conferences can be intimidating, it is almost impossible on Zoom events due to lack of time dedicated for informal networking or even any breaks at all. Fortunately, the back channel provided by social media, such as Twitter, can provide a means of keeping the conversation going. Look out for event hashtags, which can be used to preview your work, or just to signal your presence and highlight what you found interesting. Finally, in digital environments where genuine engagement can often be minimal, a considered question or engagement is invaluable and can even lead to future collaboration.

Keeping up to date with the latest research

Not all academic dialogue resides in published academic papers. Many academics post and discuss newly published papers on Twitter. Social media such as twitter, are also central to sharing non-standard research outputs like blogposts, infographics, or even datasets. As COVID-19 has demonstrated much influential research has circulated via social media in the form of preprints, long before final publication. These can all be very useful for PhD students to track new developments in their fields of study.

Communicating your research to wider audiences

COVID-19 has also demonstrated the importance of social media as part of the public sphere and having a profile has become increasingly important for making your work visible to important stakeholders, the media and the general public. Established organisations, such as NGOs, or even your university, are likely to have significant audiences on social media and present opportunities to share your research with non-academic audiences.

This could involve simply tagging potential interested stakeholders in posts or taking part in more structured engagements. Simply being on social media does not guarantee public engagement, but it is a platform that allows you to connect to potential research users, which can be invaluable at a time when social contact of any type is minimal.

Life after PhD

Institutions and academics often share information about the job openings on Twitter. Following academics in your field of study can ensure that you have information about new job openings. Twitter makes it easy for information about job openings to be shared – your network can either tag you in posts about job openings or send a direct message. By building your social networks around your research interests, you are more likely to find relevant information about job openings in the field(s) of interest, whether in or outside of the academia. Many government agencies, firms and universities also have their professional profiles on LinkedIn, where they share information about new job opportunities. Additionally, on LinkedIn, you can easily indicate your openness to work or share your CV should you wish to. Both platforms can be used to seek for advice regarding job applications and help write stronger applications.

PhD students (and their supervisors) are sometimes sceptical about the use of social media and the time that will be spent on social media. Engaging with academic social media does not have to involve huge time investments – it can involve only several minutes per day and directly depends on what you want to get out of it. We would argue the benefits of using academic social media far outweigh the costs.


Note: This article gives the views of the authors, and not the position of the Impact of Social Science blog, nor of the London School of Economics. Please review our Comments Policy if you have any concerns on posting a comment below.

Image Credit: Adapted from Jon Tyson, via Unsplash. 


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About the author

Ema Talam

Ema Talam is a final year PhD in Economics student at Staffordshire University. She is interested in the topics of firm-level productivity, innovation and exporting, as well as innovation policies. Follow Ema on Twitter on @ematalam.

Jon Fairburn

Jon Fairburn is Professor of Sustainable Development at Staffordshire University. He teaches on the MSc Digital Marketing Management amongst other courses. Follow him on Twitter @ProfJonFairburn.

The Essay Film Festival

25 March to 3 April 2021

The Essay Film Festival returns 25 March to 3 April for its 2021 edition, which this year will be held entirely online. The Essay Film Festival is supported by AHRC funded CHASE Doctoral Training Partnership.

How will the festival work online?

All the films will be free and open to anyone in the UK. To watch the films, visit our online screening room, where you will be able to view all the films at a time that suits you. The screening room does not require any sign-ups or downloads. While most of this material will be made available for the entire festival window (25 March to 3 April), one or two items will be up for a more limited period, so you should check the window of availability for each film. 

What about live events?

Our programme of live events – open to audiences globally – includes artists’ and curators’ talks, conversations with filmmakers and discussions with critics and researchers. These will take place online, via a platform called Collaborate, which is very simple to use. Book your place on our website (http://www.essayfilmfestival.com), and we will send you a link to join us on the day: again, you do not need to create an account or download any software.

What is in the programme this year?

For us the essay film is a critical intervention in the world, combining a passion for investigating reality and for asking tough questions about society with an open, inventive and even playful approach to film language and forms of representation.

This year’s programme reflects that dynamic ambition for the essay film, with a wide range of contemporary and archival works from different parts of the world, accompanied by live talks and conversations featuring artists and researchers.

Madeleine Hunt-Ehrlich will give a talk about her forthcoming project on Suzanne Césaire, alongside a selection of her short films exploring alternative voices and narratives from African-American history.

Cauleen Smith will be joining us to discuss a programme of her experimental works reflecting her longstanding interest in Afro-futurism and jazz, especially Alice Coltrane and Sun Ra.

Two programmes of short films by Kevin Jerome Everson focus on themes of labour and place, which the artist will further develop in an illustrated talk and conversation.

From the Asian Film Archive we share Monographs, a series of video essays responding to the uncertainties of the pandemic from ten contemporary Asian artists, some of whom will be speaking at the festival with critic and essayist Kevin B. Lee.

John Gianvito will be in conversation about his latest film, Her Socialist Smile, an historical essay about Helen Keller that foregrounds her radical politics and commitment to social justice.

Nuria Giménez’s My Mexican Bretzel uses found footage and literary invention to play with the conventions of film portraiture and highlight the invisibility of women’s histories – themes that the artist will discuss in a live conversation.

An extended programme around the work of Jenny Brady features three of her own films and three films curated by the artist, alongside a talk about her current research into musical performance and the sonic practice of Alvin Lucier.

Our archival section showcases films by Med Hondo and Sidney Sokhona, both representing critically the lives of African workers in France in the 1970s; writer Assia Djebar’s filmic reinterpretation of colonial travelogues and newsreels shot in Algeria; and the collaborative films of Yugantar, India’s first feminist film collective.

This year’s programme closes with a study day devoted to Brazilian filmmaker Eduardo Coutinho, specifically his films Man Marked for Death, Last Conversations and the unfinished A Day in Life.

Come and join us!

On behalf of the Essay Film Festival: Matthew Barrington, Lauren Collee, Kieron Corless, Catherine Grant, Ricardo Matos Cabo, Janet McCabe, Raquel Morais, Laura Mulvey, Michael Temple

Full programme and practical information: http://www.essayfilmfestival.com

The Essay Film Festival is supported by CHASE Doctoral Training Partnership

Cumberland Lodge Scholars 2021-23

Every year, the Cumberland Lodge Scholarships gives 10 doctoral students the opportunity to spend two years involved in our work; bringing people together, from different backgrounds, ages and perspectives, to address the causes and effects of social division and work towards more open and inclusive societies.

Scholars have the chance to network with senior figures in public life and to participate in, or help to lead discussions with people of all ages, backgrounds and perspectives that ultimately inform recommendations for practical action and policy change. Scholars also have opportunities to take part in Programme topics outside their own academic disciplines. In doing so, they will gain experience in: working collaboratively; engaging in cross-disciplinary discussion; public engagement and facilitation at events; networking; and writing for a range of different audiences.

The Scholarships fit around the demands of doctoral research. The Scholarships are open to students of any age who are enrolled on a doctoral programme within the UK.

There is no contribution towards tuition or maintenance costs. Scholars are, however, provided with meals, accommodation and standard economy return travel to Lodge events, amongst priority attendance at other digital events. A Personal Development Grant of up to £300 is also accessible.

Applicants must:

  • Have at least two years left to complete their PhD
  • Be studying at a UK university
  • Provide a CV and covering letter demonstrating a commitment to working for ‘the betterment of society’ through their academic research and/or other activities.

All types of doctoral candidates are eligible to apply, including full-time, part-time and those on non-traditional pathways and professional doctorate programmes. Since 2014, a total of 57 students have enjoyed, and are currently enjoying, the benefits of this programme.

Potential Scholars are welcome to apply between 1 March 2021 – 9 April 2021. For more information about Cumberland Lodge and the Scholarship scheme, please visit their website.