Interdisciplinary Graduate Student Conference: ‘Age of Distraction’

Age of Distraction

Graduate Conference

8 + 9 June 2018

This conference explores distraction and all its meanings and implications. Distraction is commonly thought of as a growing concern or even a sickness of modern society and digital culture. From mindless scrolling to heavy consumerism, the pursuit for entertainment and satisfaction is insatiable, leaving us vulnerable to ruling corporations. Does our lack of control transform us into a conformed mass that is susceptible to tabloid media and the rise of populism? On the other hand, distraction is not necessarily steeped in negativity. In fact, it has had a long and fascinating history. Its German equivalent, ‘Zerstreuung’, comes from the idea of dispersion. At the start of the twentieth-century, Walter Benjamin defined the term as ‘floating attention’, where experience is caused by chance rather than concentration. Does lack of focus in fact allow a sense of freedom and inspiration?

Confirmed speakers include:

Food and refreshments will be available.

Call for papers (extended deadline 7 May)

Please send a 200 word abstract for papers of 15 minutes and a 50 word biography to bisr@bbk.ac.uk

Topics may include:

  • History of distraction
  • Distraction and its oppositions
  • Distraction and/in Education
  • Distraction and madness
  • Modes of Extremism: online or in reality?
  • Democracy, populism, and online social networking
  • Freedom of speech v. government and/or regulatory control
  • Misinformation and fake news
  • Dystopia/ an Orwellian society
  • Distraction and creativity
  • Escapism, dream and day-dream
  • Feigned ignorance or ‘Turning a blind eye’
  • Emotional responses
  • Procrastination, boredom and solitude
  • Wandering and ‘killing time’
  • Inspiration, chance and serendipity

Free tickets for Birkbeck Arts and Humanities PhD students: Frames of Representation 2018 @ The ICA, 20-28th April

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CHASE is delighted to be academic partner with The ICA for Frames of Representation 2018, a global documentary cinema festival. As part of this partnership, we have arranged two exciting seminars featuring CHASE academics in conversation with film-makers whose work is showing at the festival.

We also have tickets for a one day symposium on April 28th featuring, amongst others, Oscar winning sound editor Walter Murch (Apocalypse Now).

CHASE has been given a number of free tickets for the week of events and screenings. These tickets are open to all arts and humanities PhD students at CHASE institutions and will allocated on a first come, first served basis. Have a look at the programme here and request your free tickets here.

Now in its third year, FoR is a global documentary cinema festival. The theme this year is landscape and the festival features a number of UK and European premieres, as well as masterclasses with film-makers. We have also arranged two CHASE seminars that will feature CHASE academics in conversation with film-makers whose work is screening at the festival.

Free tickets are available for ALL film screenings and masterclasses throughout the festival as well, of course, as the CHASE seminars and a half day symposium on the theme of landscape on the closing weekend of the festival. Regardless of your research interests, you are bound to find something, if not many things, of interest.

Any queries, please email enquiries@chase.ac.uk

Close Reading + Digital Humanities: A Dialogue (20 April)

Close Reading and Digital Humanities: a dialogue

20 April, 2-5pm

Erik Ketzan

Digital practices in literary studies have been at the forefront of recent debates about what it means to ‘read’ at scale. Meanwhile, conventional literary studies has followed the modernist paradigm of ‘close reading’, insisting on close textual attention.

On April 20, 2-5pm, Birkbeck School of Arts will host an afternoon event, Close Reading + Digital Humanities: A Dialogue. Space is limited — please register to attend.

This afternoon brings together scholars of close reading and digital humanities to investigate how one can inform the other, chart common goals and navigate potential tensions and anxieties. By discussing the tradition of close reading in literary studies alongside emerging digital approaches to text — such as corpus-based analysis (analysis based on electronic collections of text), detecting text re-use (automatic detection of text that appears in two texts, or multiple times within one text), semantic analysis (automatic classification of the meaning of words), automatic collation (comparison of texts, for instance variants of fiction)  — we hope to identify new research topics and find new ways to tackle old problems.

Each speaker will present for 25 minutes with Q+A, followed by a panel discussion.

Professor Martin Paul Eve

Professor of Literature, Technology and Publishing
Birkbeck, University of London

Erik Ketzan

PhD Candidate: Digital Humanities
Birkbeck, University of London

Dr. Richard Robinson

Associate Professor, English Literature & Creative Writing
Swansea University

Dr. Gabriele Salciute Civiliene

Teaching Fellow in Digital Humanities Technologies,
Department of Digital Humanities
King’s College London

Erik Ketzan is a PhD Candidate in Digital Humanities, Birkbeck.

Thesis Boot Camp experience

Thesis Boot Camp experience

Mara Arts

Over the course of three days early April, a group of Birkbeck PhD students were able to participate in a ‘thesis boot camp’, organised by the CHASE consortium. Thesis boot camps originated in Australia and are designed to give PhD candidates a concentrated period of time to focus on their writing, and produce as many words as possible.

The boot camp was hosted by the University of Sussex on the Feltham campus, and the event was expertly facilitated by writing skills trainer Dr Catherine Pope. Around 30 doctoral students attended the whole weekend, hailing from seven different institutions.

We started at 4pm on a Friday afternoon, with introductions and a few words from Catherine to display some persistent writing myths. We were reminded that the aim of the weekend was to produce as many words as possible, and not to craft perfect prose or fully edited chapters. Catherine also taught us the ‘Pomodoro technique’ of doing 25 minutes of concentrated writing, followed by a short break. This was going to prove very useful over the course of the weekend!

Then it was time to get writing. We started with telling another student what we were hoping to achieve that session, which was followed by five minutes of ‘freewriting’ on the topic ‘What do I want to achieve this weekend?’ Freewriting is writing whatever comes into your head, non-stop, without any regard for spelling, grammar or punctuation. It helps to get the writing juices flowing. The rest of the evening, until 8pm, was spent writing.

We had two big classrooms at our disposal: one ‘writing room’ where each student had a desk, and where we were asked not to talk to create a good working environment. The room next door was the break room, which had a constant supply of drinks and snacks, and which we could use whenever we wanted to chat, relax, or play games. Lunches and dinners were also served in the breakroom. Having all meals catered for, and being away from the demands of your domestic environment, really helped to stay focused on the research. As most participants were staying in the same hotel (also generously funded by CHASE) it was easy to unwind together over a drink in the evenings.

On Saturday and Sunday the schedule was much the same. We started at 10am each day with telling our ‘accountability partner’ what that day’s goal was, and then did a bit of freewriting to get going. The rest of the days were split up in sizeable chunks of writing time. Participants could also request a one-to-one session with Catherine to discuss a particular issue they had with their research. On Saturday there was a guided walk in the fields adjacent to the campus, to get some much-needed fresh air. We also spent some time in group discussions each day, to share common PhD student problems such as tricky supervisors or managing work-related stress; and to swap writing tips.

When we finished at 4pm on Sunday, Catherine gave us some tips on how to keep our writing momentum going. Although everyone was pretty worn out after so much hard work, many participants were hoping to attend another boot camp session soon. They are a great way to get over tricky writing hurdles and start good writing habits.

Mara Arts is a PhD student in the Department of Film, Media and Cultural Studies at Birkbeck.