CFP: Representing Gender in the North: 1945 to the present day – Deadline 3 April 2018

The University of Sheffield 23.5.18

Call for Papers

“When he saw this Tom was so full of himself that he had to share the pleasure with somebody, so he turned to a woman sitting across the aisle.

“There it is, missus.”

Surprised, the woman looked across him at him.

“You what, love?”

Tom nodded towards the panorama through the front window.

“The North.”

The woman looked, saw nothing, then observing that they were alone

thought it best to humour him.

“Yes, love. Very nice.”

And she stood up and went downstairs.”

Barry Hines, First Signs, (London: Michael Joseph, 1972), p.89

“Representing Gender in the North: 1945 to the present day” is a one-day conference which is to be held at the Humanities Research Institute, University of Sheffield on 23 May 2018.  The conference focuses on prose, poetry, film, theatre, and television.   Contributions are warmly welcomed from established scholars and post-graduate students alike.  We invite abstracts of 300 words (please send to rlhughes@shef.ac.uk)  by 3 April 2018. Topics for discussion include but are not limited to the following:

Representations of gender in the town or in the country

Ethnicity in the North

Northern authorship

LGBTQ representations

The post-industrial

Displacement and/or the returning native

Class

The teenager or the Bildungsroman

Stereotypes/stereotyping

Dialect and gender

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Call for Papers: Othello’s Island 2017, deadline 1 January 2017

Othello’s Island 2017

The 5th annual multidisciplinary conference
on medieval and renaissance studies
and their later legacies

Venue: Centre for Visual Arts and Research (CVAR)
Nicosia, Cyprus, 6 to 8 April 2017
with optional historic-site visits on 9 April

Advance Notice CALL FOR PAPERS

a collaborative event organised by academics from
Sheffield Hallam University, SOAS University of London
University of Kent, University of Sheffield and the University of Leeds

www.tiny.cc/othello2017

Convenors

  • Emeritus Professor James Fitzmaurice, Northern Arizona University (USA)
  • Professor Lisa Hopkins, Sheffield Hallam University (UK)
  • Dr Sarah James, University of Kent at Canterbury (UK)
  • Dr Michael Paraskos, SOAS University of London (UK)
  • Benedict Read FSA, University of Leeds (UK)
  • Dr Rita Severis, CVAR (Cyprus)

We welcome applications from researchers to present papers at the 2017 edition of Othello’s Island.

First held in 2013, Othello’s Island now a well established annual meeting of academics, students and members of the public interested in medieval and renaissance art, literature, history and culture.

Othello’s Island is growing in size and stature every year. In 2016 over seventy academics from across the world presented papers at the conference, whilst also experiencing the medieval and renaissance art, architecture and historical sites of Cyprus.

This experience ranged from the island’s material culture, such as the French gothic cathedral of Nicosia, through to the remarkable living culture of the island that is still deeply affected by its medieval and renaissance past.

In 2017 we are interested in hearing papers on diverse aspects of medieval and renaissance literature, art, history, society and other culture.

Papers do not have to be specifically related to Cyprus or the Mediterranean region and do not have to be connected to Shakespeare.

It is worth looking at the range of papers from past conferences to see that previous speakers have covered topics ranging from slavery in medieval Cyprus and Malta, to the impact of Italian Renaissance art on Cypriot Byzantine painting, to the Anglo-Saxon epic Beowulf and Margaret Cavendish.

That said, given our location, Cyprus, the Levant and the Mediterranean do impact on the conference, not least because for anyone interested in medieval and renaissance history Cyprus is real gem, full of architectural and other material culture relating to the period. This includes museums filled with historic artefacts, gothic and Byzantine cathedrals and churches and a living culture that has direct links to this period.

Othello’s Island has developed a reputation as one of the friendliest medieval and renaissance studies conferences in the world today, and it is also genuinely interdisciplinary. In part this is due to the relatively small size of the event, which generates a true sense of community during the conference.

For more informaton and submission deadlines please visit

www.tiny.cc/othello2017

All information here is subject to confirmation and possible modification

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