CFP: The third culture? // Literature and Sociology – Deadline 22 April 2019

The third culture? // Literature and Sociology

University of Warwick (Coventry) – 14 June 2019

In 1985 Wolf Lepenies argued that sociology should be considered a ‘third culture’ arising between science and literature. Contemporary discourses and research, however, show us that sociology and literature have a long history of peculiar relatedness.

In 19th century Europe, sociology was considered both a competitor to and counterpart of literary study since consensus held that the two disciplines were best placed to analyse and depict the emerging industrial society. Figures like Balzac, Flaubert, Zola and Simmel hoped to merge literature and social science; while others (like Marx, Durkheim and Weber) drew inspiration from literary work in developing their early sociological masterpieces. Despite this history, the developing pan-European structure of knowledge with its prioritisation of empirical analysis prevented any extensive integration between the two fields (Longo 2015; Jacobsen, Drake et al. 2014; Wallerstein 2007).

 

This conference seeks to renew collaboration between sociology and literature by addressing their disciplinary intersections and coalescences.

 

From this starting point three inter-related dimensions emerge:

 

Firstly, that literature may serve as a heuristic tool for sociological analyses, providing, if not a simplistic ‘reflection’ of social reality, then at least a plausible description or anticipation of human actions and social contexts. In this way some fiction can be understood as social theory (as with Balzac, Dickens, Houellebecq and Saramago); while some sociological accounts can be understood as pieces of literature, with a ‘literary imagination’ underpinning many sociological works (as with Denzin and Richardson).

 

In terms of cross-fertilisations, literary study has a long history of mining sociological theories and methodologies for the analysis of literary texts (as with Marxist literary studies and World Literature). More recently this has led to a rich sub-discipline that correlates literary forms and socio-economic processes via the work of Bourdieu and others. Literary theory, for its own part, has had a distinct impact on contemporary sociology, with the work of Said, Spivak and Jameson featuring prominently in sociology’s global or postcolonial turn.

 

And finally, literary works have historically worked as agents to foster reflection and political action on contemporary social issues (as with the work of Sinclair, Roy and El Saadawi). In this way, the intersection between sociology and literature can be used to focus and reflect on social issues like migration, racism and exploitation, serving activist projects and stimulating interventions into public life.

By reflecting on the productivity of these strands, we aim also to trace the difficulties and erasures which inhere as disciplinary objects are shifted and reconstituted, while bridging disciplinary parochialisms and reframing social and cultural issues beyond the confines of the university.

 

Thematic sessions and presentation topics for this conference may include, but are not limited to:

  1. Theories of the intersections between sociology and literature
  2. Historical perspectives on the intersections between sociology and literature
  3. Sociological fiction
  4. Marxism and literature: contemporary perspectives
  5. Bourdieusian approaches to literary analysis
  • Uses of literature and sociology that stimulate interventions into public life.

 

Keynote speakers will be:

  • Professor Mariano Longo (Università del Salento – Italy)
  • Second keynote TBC

 

We welcome both proposals for individual papers (20 minutes) and panels (1 hour/ 3–4 papers) that encourage a reflection on these intersections. Please send either a 250-word abstract for an individual paper proposal or a panel proposal of 900 words and a short biography to thirdcultureconference@gmail.com by 22 April 2019. Panel proposals should contain a brief description of the topic of the panel as well as the 3–4 abstracts that constitute the panel. Individual abstracts will be allocated a panel after review. Applicants will be notified by 26 April 2019.

 

Delegates to the conference will be expected to fund their own travel and accommodation. Thanks to our sponsors – the ESRC-DTC (University of Warwick) and the Social Theory Centre (University of Warwick) – the registration to the conference is free.

 

More information on https://warwick.ac.uk/fac/cross_fac/esrcdtc/news/literaturesociology

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CFP: Literature and Surveillance in the Age of Globalization – Deadline 31 March 2019

Call for Papers
Literature and Surveillance in the Age of Globalization
Durham University, 24 May 2019

Department of English Studies at Durham University is convening an annual postgraduate conference which will be held in 24 May 2019.

We invite doctoral candidates and postdoctoral researchers from all disciplines to submit abstracts for consideration. The aim of the conference is to explore how mechanisms of surveillance have changed since the Cold War and how literature has responded to new forms of surveillance in the age of globalization. As some argue, we have moved away from Foucauldian notion of discipline society to control society. This new control society – an intensification of the postmodern surveillance which best manifests itself in the life and fiction of the cold war – no longer functions based on exclusion (as in a disciplinary society that would exclude minorities such as lepers, women, mad people, etc.). Rather, to guarantee the flow of capital, it celebrates multiplicity and difference in contrast to the postmodern discourse of the high period of cold war.
Proposals can be on any topic related to literature and surveillance in an era of increasing scrutiny. Suggested topics include, but are not limited to, the following:

Literature and transnational capitalism
Literature, trauma and risk society
Literature and controlling society
Literature and therapy culture
Literature, ethics and surveillance
Literature, paranoia and surveillance
Literature, technology and surveillance
Literature, totalitarianism and surveillance
Literature, feminism and surveillance

The standard length of a talk will be between 20 minutes. An important part of the conference is that successful candidates will be published in the online journal Postgraduate English. Information can be found at
http://community.dur.ac.uk/postgraduate.english/ojs/index.php/pgenglish/

To apply, please send your proposal not more than 300 words length to nadia.terki@durham.ac.uk, kashish.madan@dur.ac.uk or arya.aryan@durham.ac.uk

Please mention your full name, level of study and name of university and faculty. The deadline for submitting your proposals is midnight 31 March. We will respond to them by 15 April.

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Call for Papers: ‘Bridging the Divide: Literature and Science’, deadline 1 April 2016

Bridging the Divide: Literature and Science
3rd June 2016 hosted at the University of Kent
Organised by the Universities of Kent and Sussex
Keynote speaker: Dr Pamela Thurschwell – Sussex

Website: https://literatureandscience2016.wordpress.com


‘Science and literature are not two things, but two sides of one thing’ – Thomas Huxley

The relationship between literature and science has been a perennial subject of debate. Is there a divide between these two fields, or are they in fact two sides of one thing? The Universities of Kent and Sussex present a one-day conference on the 3rd June 2016, aimed at interrogating discourses around this subject.

Over the centuries, scientific inquiries have influenced writers, artists and theorists. Literary representations of science can record developments and changes, speculate as to future discoveries or challenge contemporary theories. Bridging the Divide welcomes submissions which span the range of literary studies from the classical to the medieval, from the early modern to the digital age, encompassing creative writing and interdisciplinary approaches.

Topics might include, but are not limited to:

Medical humanities and ethics / The environment and ecocriticism / Science fiction, speculative fiction and myth / Digital and computational humanities / Psychoanalysis, sexology and identity / Post-, trans- and antihumanism / Technologies of gender, cyber- and technofeminism / Evolutionary theory, social Darwinism, eugenics / Climate change, urbanisation and the anthropocene / Animal studies / Technologies of writing and material culture

This call is open to MA and PhD students from all institutions, including those who have completed PhDs in the last two years. We welcome abstracts for 20-minute papers, short creative pieces, and readings from postgraduate students by 1 April 2016 to be sent to kentconference2016@gmail.com. Abstracts should be no longer than 300 words. The conference will conclude with a wine reception.

Please include details of your current level of study and home institution. For creative readings, please send a short example of your work.

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Call for Papers: Othello’s Island 2017, deadline 1 January 2017

Othello’s Island 2017

The 5th annual multidisciplinary conference
on medieval and renaissance studies
and their later legacies

Venue: Centre for Visual Arts and Research (CVAR)
Nicosia, Cyprus, 6 to 8 April 2017
with optional historic-site visits on 9 April

Advance Notice CALL FOR PAPERS

a collaborative event organised by academics from
Sheffield Hallam University, SOAS University of London
University of Kent, University of Sheffield and the University of Leeds

www.tiny.cc/othello2017

Convenors

  • Emeritus Professor James Fitzmaurice, Northern Arizona University (USA)
  • Professor Lisa Hopkins, Sheffield Hallam University (UK)
  • Dr Sarah James, University of Kent at Canterbury (UK)
  • Dr Michael Paraskos, SOAS University of London (UK)
  • Benedict Read FSA, University of Leeds (UK)
  • Dr Rita Severis, CVAR (Cyprus)

We welcome applications from researchers to present papers at the 2017 edition of Othello’s Island.

First held in 2013, Othello’s Island now a well established annual meeting of academics, students and members of the public interested in medieval and renaissance art, literature, history and culture.

Othello’s Island is growing in size and stature every year. In 2016 over seventy academics from across the world presented papers at the conference, whilst also experiencing the medieval and renaissance art, architecture and historical sites of Cyprus.

This experience ranged from the island’s material culture, such as the French gothic cathedral of Nicosia, through to the remarkable living culture of the island that is still deeply affected by its medieval and renaissance past.

In 2017 we are interested in hearing papers on diverse aspects of medieval and renaissance literature, art, history, society and other culture.

Papers do not have to be specifically related to Cyprus or the Mediterranean region and do not have to be connected to Shakespeare.

It is worth looking at the range of papers from past conferences to see that previous speakers have covered topics ranging from slavery in medieval Cyprus and Malta, to the impact of Italian Renaissance art on Cypriot Byzantine painting, to the Anglo-Saxon epic Beowulf and Margaret Cavendish.

That said, given our location, Cyprus, the Levant and the Mediterranean do impact on the conference, not least because for anyone interested in medieval and renaissance history Cyprus is real gem, full of architectural and other material culture relating to the period. This includes museums filled with historic artefacts, gothic and Byzantine cathedrals and churches and a living culture that has direct links to this period.

Othello’s Island has developed a reputation as one of the friendliest medieval and renaissance studies conferences in the world today, and it is also genuinely interdisciplinary. In part this is due to the relatively small size of the event, which generates a true sense of community during the conference.

For more informaton and submission deadlines please visit

www.tiny.cc/othello2017

All information here is subject to confirmation and possible modification

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