New issue of 19: The Arts and Feeling

19: Interdisciplinary Studies in the Long Nineteenth Century, 23 (2016)

The Arts and Feeling – Issue 23

This issue of 19 on ‘The Arts and Feeling’ explores the ways in which Victorian writers, artists, composers, sculptors, and architects imagined, conceptualized, and represented emotion. Its diverse articles respond to and extend recent interdisciplinary work on emotions, sentimentality, and the senses, locating such work within wider debates about the physiology and psychology of aesthetic perception, the historicization of aesthetic response, and the role of media specificity in the production of affect. What were the expressive codes and conventions that resonated for the Victorians? And what of the terminology used today in academic discourse to locate, recognize, and describe feeling? ‘The Arts and Feeling’ interrogates such questions in relation to canonical artworks, like John Everett Millais’s Autumn Leaves or William Holman Hunt’s The Awakening Conscience. It investigates the role of feeling in religious visual and material culture, and in John Ruskin’s vision of architecture as an emotional art; it looks at Victorian exhibition culture and the ‘hurried’ nature of aesthetic response, and at women viewing art and the gendering of perception. Vernon Lee offers us ‘historic emotion’, while George Eliot’s The Mill of the Floss makes us think about feeling hungry. Richard Dadd’s Passions series stages interaction between madness, visual culture, and theatricality; and the Aesthetic Movement provides opportunity to reflect on the relationship between art and music and how, together, they both produce and repress emotion.

Victoria Mills

Introduction: Curating Feeling

Kate Flint

Feeling, Affect, Melancholy, Loss: Millais’s Autumn Leaves and the Siege of Sebastopol

Kate Nichols

Diana or Christ?: Seeing and Feeling Doubt in Late-Victorian Visual Culture

Sophie Ratcliffe

The Trouble with Feeling Now: Thomas Woolner, Robert Browning, and the Touching Case of Constance and Arthur

Lesa Scholl

‘For the cake was so pretty’: Tactile Interventions in Taste; or, Having One’s Cake and Eating It in The Mill on the Floss

Tim Barringer

Art, Music, and the Emotions in the Aesthetic Movement

Karen Lisa Burns

The Awakening Conscience: Christian Sentiment, Salvation, and Spectatorship in Mid-Victorian Britain

Karen Stock

Richard Dadd’s Passions and the Treatment of Insanity

Katherine Wheeler

‘They cannot choose but look’: Ruskin and Emotional Architecture

Sarah Barnette

Vernon Lee’s Composition of ‘The Virgin of the Seven Daggers’: Historic Emotion and the Aesthetic Life

Meaghan Clarke

On Tempera and Temperament: Women, Art, and Feeling at the Fin de Siècle

To download the articles, see: 19 – The Arts and Feeling

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Call for Papers: ‘Victorian Periodicals Through Glass’, deadline 29 February 2016

Victorian Periodicals Through Glass: Reflections on the Theory and Practice of Digitising Nineteenth-Century Newspapers and Magazines

The Athenaeum Club, Pall Mall, London.
Friday 15 July 2016

VPTG

When the flagship Journal of Victorian Culture announced its intention in 2008 to “act as a forum for digital research on the nineteenth century and for discussion of its relationship with traditional scholarship,” it was an acknowledgement that a wide range of nineteenth century research communities had become actively engaged with the imaginative and critical possibilities opened up by the digital world. Since then, its ‘Digital Forum’ section has included challenging work from a wide range of perspectives and chronicled the growth of this discipline over the past eight years.

Similarly, since Dickens Journals Online was launched publicly in 2012, the digital reception and exploration of Victorian periodicals and Dickens’s work has enjoyed an exponential growth; last year’s Being Human festival offered a showcase for some of the most interesting and innovative digital Dickens projects happening today, including The Drood Inquiry and the Our Mutual Friend reading project and Twitter group.

Most recently, Birkbeck’s online academic journal ‘19’ (itself an innovation in digital studies of the long nineteenth century) devoted its entire 10th anniversary edition for Winter 2015 to lengthier meditations on an array of exciting endeavours within the burgeoning nineteenth-century digital archive, including the digitization of Blake’s work and the cultivation of new research networks and discourses through digital projects.

Join us then for ‘Victorian Periodicals Through Glass’, a one-day conference running in conjunction with the Sally Ledger Memorial Lecture on Friday 15th July 2016 at The Athenaeum Club, Pall Mall. At this stunning and evocative venue, we are gathering together the leading thinkers and practitioners on the use of digital resources as research tools in 19th-century literary scholarship. We warmly encourage 19th-century scholars of all kinds to join us for a stimulating programme of theoretical discussions and practical expositions. We also encourage and call for proposals for both 20-minute spoken papers and 10- to 15-minute A2 poster presentations from

    • current or recent postgraduate students who use of digital resources in their research on Victorian periodicals or any other aspect of 19th-century literary studies
    • teams or solo practitioners working on digital editions or digital representations of nineteenth-century periodicals, whether Open Access or subscription-based

Topics may include, but are not confined to:

  • Research projects that are explicitly predicated on the use of digital material
  • The boons and methodological challenges of using such material
  • Comparisons between digital and older forms of resource
  • Creative uses of digital material in your work
  • How digital resources have shaped or will shape your research

Deadline for proposals: 29 February 2016. 500 words max; 1 page attachment; mail to djo@buckingham.ac.uk Successful proposals will be announced by 20 March 2016

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Special tenth anniversary issue of 19: Interdisciplinary Studies in the Long Nineteenth Century

19: Interdisciplinary Studies in the Long Nineteenth Century, 21 (2015)

19 marks and celebrates its tenth anniversary with a special issue guest edited by Luisa Calè and Ana Parejo Vadillo on the manifold possibilities of the nineteenth-century digital archive.

Happy Birthday 19!

 

The Nineteenth-Century Digital Archive

What old and new crafts shape the nineteenth-century digital archive? How is the nineteenth-century paper archive remediated and remixed in the twenty-first century digital archive? What kinds of authors, users, and citizens do nineteenth-century digital projects call for? And what shape do they take? These are some of the questions addressed in this tenth anniversary issue of 19: Interdisciplinary Studies in the Long Nineteenth Century dedicated to the Nineteenth-Century Digital Archive.

In ‘The Craft of the Archive’, Morris Eaves and the Blake Archive team address the digital palimpsesting of William Blake’s Four Zoas, whereas Jason Camlot discusses digital forensics, audio fossils, and analyses early voice archives.

The Our Mutual Friend Reading Project, Birkbeck’s durational interval reading experiment, is discussed by Ben Winyard, Emma Curry, and some of the project’s digital personae: Beatrice Bazell, Holly Furneaux, Pete Orford, and Melissa Symanczyk.

The ‘Experiments’ section features Nadia Valman’s Zangwill’s Spitalfields app, Bob Nicholson’s Victorian Meme Machine, and Rob Gallagher and Ana Parejo Vadillo’s remix of Michael Field’s Sight and Song.

Finally, in ‘Visions’ we explore the Internet Archive with Brewster Kahle; Gale Digital Collections with Ray Abruzzi; the Central Online Victorian Educator with Dino Franco Felluga; Citizen Science with Sally Shuttleworth, Gowan Dawson, and team; Lost Visions with Julia Thomas; nineteenth-century periodicals with Laurel Brake and James Mussell; and conclude with Hilary Fraser and Jerome McGann reflecting on digital nineteenth-century worlds past, present, and future.

To download the articles, visit: www.19.bbk.ac.uk/90/volume/2015/issue/21

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New Look for 19: Interdisciplinary Studies in the Long Nineteenth Century

We are delighted to announce that 19: Interdisciplinary Studies in the Long Nineteenth Century at http://www.19.bbk.ac.uk has had a makeover. We hope you’ll agree that the journal is looking very good as it prepares to celebrate its first ten years this autumn.

19 publishes two themed issues per year under the auspices of invited guest editors. It is part of Birkbeck’s Centre for Nineteenth-Century Studies and is under the general editorship of Dr Carolyn Burdett.

The journal is now proudly housed within the Open Library of Humanities (OLH), a platform for open access publishing also based at Birkbeck. The OLH has a unique model to fund open access journals in the humanities that doesn’t rely on author charges but instead receives support from a large number of libraries. Please do see their website at https://about.openlibhums.org for more on getting your libraries involved or to learn about moving other journals to their model.

Sincerely,

Birkbeck Centre for Nineteenth-Century Studies School of Arts Birkbeck, University of London

43 Gordon Square

London

WC1H 0PD

United Kingdom

c19@bbk.ac.uk

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New issue of 19: Interdisciplinary Studies in the Long Nineteenth Century Online Journal

19: Interdisciplinary Studies in the Long Nineteenth Century, 20 (2015) Charting the Crimean War: Contexts, Nationhood, Afterlives

The Crimean War (1853–56) is much more culturally significant than its popular mythologies suggest. Now remembered mainly for the Charge of the Light Brigade and the Lady with the Lamp, the war is a pivotal moment in the history of modern warfare seen as both the last of the old wars and first of the new. The first total war, it inaugurated new forms of weaponry, tactics, communication, war reporting, military medicine, and new attitudes towards soldiers. The issue provides a number of new perspectives on these features of the war as it played out in the British, French, and Russian imagination. Contributors mediate the vexed issue of medical provision for the British and Russian armies; sensitivities around Britain’s military alliance with France; royal and poetic interventions into the welfare of the British soldier; the religious, commercial, and emotional investment in soldier-heroes like Captain Hedley Vicars and the Light Brigade; the memorialization of the final action of the war, the fall of Sebastopol; and, finally, the war’s continuing cultural and geopolitical relevance. Incorporating statistical analysis, journalism, photography, objects, art, film, and literature, this issue of 19 makes a case for the conflict’s wide-ranging significance.

Contents:

‘Charting the Crimean War: Contexts, Nationhood, Afterlives’

Rachel Bates, Holly Furneaux, and Alastair Massie

‘Reporting the Crimean War: Misinformation and Misinterpretation’

Mike Hinton

‘Russian Medical Service During the Crimean War: New Perspectives’

Yulia Naumova

‘The French Army and British Army Crimean War Reforms’

Anthony Dawson

‘”All Touched my Hand”: Queenly Sentiment and Royal Prerogative’

Rachel Bates

‘The Afterlife of Thomas Campbell and “The Soldier’s Dream” in the Crimean War’

Tai-Chun Ho

‘Who Blew the Balaklava Bugle?: The Charge of the Light Brigade and the Afterlife of the Crimean War’

Lara Kriegel

‘The Life and Afterlives of Captain Hedley Vicars: Evangelical Biography and the Crimean War’

Trev Broughton

‘Sebastopol: On the Fall of a City’

Trudi Tate

‘Off the Chart: The Crimean War in British Public Consciousness’

  1. L. Berridge

To download the articles, see: http://www.19.bbk.ac.uk/

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