Call for Papers – Crossing Borders: Negotiation, Provocation, and Transgression Deadline 7 Feb 2017

Birkbeck Institute for Social Research

in collaboration with

Birkbeck Institute for the Humanities

Call for Papers – Crossing Borders: Negotiation, Provocation, and Transgression

Birkbeck Institute Graduate Conference, Birkbeck, University of London, 5-6th May 2017

Supported by the Birkbeck Institute for the Humanities and the Birkbeck Institute for Social Research

Call for papers deadline: 7 February 2017

Across the globe, borders are once again being erected, entrenched, and enlarged in order to contain, as well as to subject to the perpetual surveillance apparatus, people considered threats to the integrity of the national and supra-national state. From Calais to Lesbos, the camp has returned with a vengeance in Europe, supported by dubious claims for security. The spectre of the Jihadist and economic migrant haunts the political imaginary of the ‘advanced’ nations of Western Europe, who now spare no mercy for those displaced by civil war, environmental disaster, or material immiseration. Areas of conflict are increasingly being captured by drones, which, crucial for security, are profoundly redefining the borders between state, civil society, and privacy. Yet the very instantiation of the border speaks to and raises the possibility of its being breached, of forms of traversal, of lines of flight. This could be the contested borderland, a zone of indiscernibility where state violence regulates the movement of capital and labour, as in the case of the Mexico-US border and the region of Kashmir. It could also be the borderless world of ubiquitous data collection, which, paradoxically is recorded and stored in obscurely located and highly centralised data centres. Or, the faltering border between the conscious and the unconscious, whereby libidinal drives perpetually upset any stable sense of the sovereign self. Finally, ‘crossing borders’ poses a temporal question, directed to conceptions of historical change, the unpredictable instant of revolution which in shattering the known retroactively constitutes a border.

This conference is a call to intellectual arms, then, a provocation to think geographical, political, bodily, technological, and environment borders. What constitutes a border, how are they stabilised, and how can they be crossed, negotiated or transgressed? How are borders enacted, defined and re-defined by surveillance, technology, regulations and resistance? Are borders necessarily the logic of a colonial structure of thought, predicated on capture, division, and domination? How else might difference be thought and engaged? What is the discourse, language, imagery of the border? How are human bodies reciprocally shaped by the social environment? What model of the psyche can help us understand the rich diversity of socio-political mechanisms? How can we cross the border of rationality in order to explore and release the unconscious factors in our sense-making? And, crucially, how can we as academics cross institutional and disciplinary borders? We welcome submissions from all disciplines, and especially encourage contributions from artists and activists.

Suggested topics, but by no means exclusive to:

  • Approaching the Fortress State: Migrants, Asylum Seekers, and Refugees.
  • Borderlands, Hinterlands, No-Man’s Land: Contested Borders.
  • Settlements of the Border: Walls, Camps, Gates, and Occupation.
  • Media Ecologies: Governance, Surveillance, and Hacking in the Anthropocene.
  • Geographies of Data: Drones, Data Centres, and The Digital Commons.
  • Borders and the Case of Psychoanalysis.
  • Psychosocial Methodologies.
  • Climate Change.
  • Transnational and Transcultural Aesthetic Forms.
  • Fictions of Passage.
  • Theorists of Flight, Movement, and Non-Transcendent Crossings.
  • Caste, Class, Gender, Race, Sexual Transgressions.
  • Borders of Time: Revolution, Reaction, Restoration.

Proposals are invited for twenty minute papers and panels of three papers. Abstract (300 words) should be submitted to crossingbordersgradconference@gmail.com by 7 February 2017.

Please also include a short bio (no more than 150 words), contact details, and institutional affiliation. Accepted proposals will be notified by 28 February 2017.

 

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Birkbeck Institute of Humanities Summer Term 2016 Programme

Birkbeck Institute for the Humanities

Masterclass: Heaven and Earth According to Breugel

1, 2 & 6 June 2016| 2-4pm | Birkbeck, University of London, Bloomsbury, London WC1E 7HX. Malet Street main building, Room 421, Torrington Square main entrance.

Speaker: T. J. Clark, University of California, Berkeley

This Masterclass – which is spread over three sessions – will revolve around a painting by Bruegel, The Land of Cockaigne (Munich, Alte Pinakothek), done in 1567, the year the Duke of Alva brought a Spanish army to the Netherlands to try to end Protestant revolt in the colony. Bruegel’s painting is a vision of the hereafter, building on materials drawn from peasant culture, launched at a moment of bitter religious strife. An account of Bruegel’s imagining of heaven on earth, and of his wider treatment of Christian and other eschatologies, will form the first chapter of a book in preparation, Heaven on Earth: Bruegel, Giotto, Poussin, Veronese. The Masterclass will outline the preoccupations of the book, and its possible relevance in a time like the present, of renewed apocalyptic politics and wars of religion. Thinking about Bruegel and the other artists in the book is, among other things, my way of pursuing issues – of political temporality, and reform versus revolution – broached in an essay, ‘For A Left With No Future,’ published in New Left Review in 2012, and as a booklet in Brazil the following year.

Full details

This event is free and open to all and you can book your place using the links below.
You are welcome to join us for one or all of the sessions.

Session 1: Wednesday 1 June, 2-4pm.

Chair: Jacqueline Rose, Birkbeck Institute for the Humanities, University of London

Free event open to all: Book your place

Session 2: Thursday 2 June, 2-4pm.
Chair: Lynda Nead, Birkbeck, University of London

Free event open to all: Book your place

Session 3: Monday 6 June, 2-4pm.
Chair: Fiona Candlin, Birkbeck, University of London

Free event open to all: Book your place

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Conventions of Proximity in Art, Theatre and Performance. 5 & 6 May 2016

Thursday 5 May 1-6pm & Friday 6 May, 10am-6pm
School of Arts, Birkbeck College, 43 Gordon Square, London WC1H 0PD
Booking: http://bit.ly/1YiQzYJ

Immersive and curatorial strategies are highly current in contemporary theatre, visual art and exhibition culture – bringing audiences into close and often interactive relationships with artistic work. But how else do art, theatre and performance engage ideas of proximity, and how have they done so in the past?

 

Conventions of Proximity in Art, Theatre and Performance investigates forms of nearness and distance from numerous perspectives: dramaturgical, curatorial, affective, social, conceptual, virtual, geographical. Over a day and a half, artists and writers will share their work on proximity as an idea and as a practice. From the early modern to the contemporary, in examples drawn from southeast Asia to the global north, the symposium explores proximity in relation to a diverse range of topics, including digital networks, architectural design, home, public space, cinema, loneliness, friendship, listening, darkness, museum display, and music.

Conventions of Proximity combines papers, workshops from guest artists in the School of Arts’ studio space, film screenings in Birkbeck Cinema, performance installation, and an exhibition of contemporary art in the Peltz Gallery.

On Thursday 5 May, researchers and practitioners will share their work in parallel panel presentations, from which attenders can make a selection.

On Friday 6 May, film screenings, panel presentations, workshops and a performance installation will run in parallel, from which attenders can make a selection.

Contributors include:
Silke Arnold-de Simine (Birkbeck, University of London)
Maaike Bleeker (University of Utrecht)
Fiona Candlin (Birkbeck, University of London)
Fourthland
Sheila Ghelani
Alison Green (Central Saint Martins)
Peader Kirk & Teoma Jackson Naccarato
Nicholas Ridout (Queen Mary, University of London)
Victoria Walsh (Royal College of Art)

Conventions of Proximity takes place on Thursday 5 May, 1-6pm and Friday 6 May, 10am-6pm. It is free of charge to attend but places are very limited, and booking is essential. The schedule can be seen here.

Booking: http://bit.ly/1YiQzYJ

Co-hosted by Birkbeck Centre for Contemporary Theatre and Birkbeck Interdisciplinary Research in Media and Culture, and supported by Birkbeck Institute for the Humanities and Birkbeck Institute for the Moving Image.

Birkbeck Centre for Contemporary Theatre

http://www.bbk.ac.uk/english/our-research/bcct/events

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Call for Papers: Birkbeck Insitute ‘Space, Identities and Memory’, deadline 11 March 2016

Space, Identities and Memory: Call for Papers

We invite postgraduate researchers, academics, activists, artists, and practitioners from across disciplines to contribute to the Birkbeck Institutes’ (BIH/BISR) annual two-day conference held from the 13th to the 14th May 2016.

This year’s conference theme seeks to examine the interplay between identity, space and memory, exploring the ways in which identities may be created, formed and informed by spatial and temporal contexts. In particular, we seek to examine to what extent identities are performed in response to political, social and cultural pressures, including historical circumstances leading to the construction of acceptable and unacceptable identities.

The conference aims to capture the complex overlaying of identities in time and space, and the agency of individuals and communities as they address their own complex understandings of the temporality of identity. Conversely, we hope the conference will highlight how space and time are influenced and shaped by everyday life, sociabilities, mobilisations and processes of subjectivation. In particular, we are seeking papers that engage with topics such as:

  • The built environment: how are housing, architecture, urbanity and concepts of public and private space harnessed in the self-fashioning of individual and communal identity?
  • Gender, sexuality and race, the politics of becoming and the deterritorialisation of the body;
  • ’Home’, domesticity and concepts of solitude and isolation across time and space;
  • Spaces of dissent and resistance: how is memory imbricated in public spaces as sites of encounters, direct action and creative practices?
  • Displacements and borders: constructing or disassembling boundaries from local to global;
  • Explorations in the use of maps, social cartography and critical geography;
  • Exclusion and inclusion in institutional spaces: how have institutionalised spaces cemented or challenged contemporary and past perspectives on identity?
  • Narrating the past: memorialisation, contestation and re-enactment
  • Innovative methods and approaches in the investigation of the intersections between space, identity and memory

Our first confirmed keynote speaker is Andy Merrifield. The conference will conclude with a round table bringing together activists, practitioners and academics.

 

This is an interdisciplinary conference, designed to foster creative thinking and new research agendas. To this end, we encourage papers from a diversity of disciplinary backgrounds that explore the interconnections of space, identity and memory.

We are particularly interested in receiving contributions from artists and practitioners in education, the heritage sector or related fields to participate in this interdisciplinary conference.

 

Proposals

We warmly welcome abstracts for 20-minute panel papers. Abstracts should be between 200-300 words in length. Please include a short biography with your submission.  The deadline for submission of abstracts is the 11/03/2016. Authors will be notified regarding the acceptance of their paper after submissions have been reviewed and no later than 31/03/2016.

Contact Details

Please send enquiries and proposals to bihbisrconference@gmail.com

For further information please visit the conference website at https://bihbisrconference.wordpress.com/

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History and Theory of Photography Research Centre – Forthcoming Events 2015-16

History and Theory of Photography Research Centre – Forthcoming Events

Free and open to all, at 43 Gordon Square, London WC1H 0PD

Friday 27 November 2015 – 6-7:30

Room 112

Thomas Galifot (Musèe d’Orsay)

About (Some) Women Photographers 1839-1919

Detail from Julia Margaret Cameron Mrs Herbert Duckworth April 12, 1867 (Paris, Bibliothèque nationale de France)

Relying on the histories of photography that have been re-evaluating, over the last forty years, women’s role in the development of the medium, the exhibition now on view at the musée de l’Orangerie is the first, in France, to approach the first eighty years of this phenomenon. Based on new research, it is also the first extensive study of French women photographers of the 19th and beginning of the 20th Centuries. Forgotten or unknown talents are brought to the light of the exhibition walls next to their counterparts from Britain, where amateur and professional women’s camera work attained unparalleled levels of achievement and variety. This talk will give some keys to understand the disparities in the development of women’s photography in the different countries. It will also highlight previously unpublished or little-known photographs that help appreciate how a practice that has long borne the hall-mark of femininity actually revealed itself to be a potential vehicle for subversion and emancipation.

Tuesday 26 January 2016 – 6-8

Marta Weiss (Victoria and Albert Museum)

Julia Margaret Cameron: New Discoveries

Responding: Colin Ford (Founding Head, National Museum of Photography, Film and Television [now National Media Museum] Bradford)

Wednesday 17 February 2016 – 6-7:30

Linda Mulcahy (London School of Economics)

Docile Suffragettes? Resistance to Police Photography

Wednesday 9 March 2016 – 6-7:30

Jennifer Tucker (Wesleyan University & Birkbeck Institute for Humanities Visiting Fellow)

Picturing Modernization: Vision, Modernity and the Technological Image in Humphrey Jenning’s Pandaemonium

Saturday 2 July 2016 times and location TBC

Workshop

Law and Photography

In collaboration with London School of Economics

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