Tag Archives: teaching

Graduate launches a teaching career at 59

Nick Townsend graduates this week with a BA in History after returning to education in his 50s. We spoke to Nicholas about how he balanced his studies with work, and what he would say to someone considering a degree later in life. #BBKgrad

Before Nick embarked on his degree at Birkbeck he was an advocate for education, at every stage of life, and he put this into practice with his work with Unite, a British trade union organisation that seeks to serve the rights of workers. “I volunteered at the Heathrow branch where we have 300 members who are mainly London black cab drivers and Heathrow airport staff. We helped them with queries or issues, computer literacy, and ran Spanish classes members who were looking to move abroad.”

Driven by a lifelong love of history and access to a Unite union member’s discount of 10% off each semester, Nick decided to take the leap into higher education in 2017 to learn more on the topic. He recalls the first time he set foot into the marbled halls of Senate House, as like “a Hollywood film moment, when the camera zooms back in and I thought to myself, what have I got myself in to? It really was quite an intimidating process.”

Despite the initial adjustment to life as a student, father and volunteer with a day job, he was able to establish a whole new routine which meant that three months in he was used to his busy schedule. He cites his prior responsibilities as part of the reason why he chose Birkbeck in the first place, “I couldn’t study during the day and Birkbeck had an extensive evening learning programme that was perfect for me.”

As an avid reader and writer in his spare time, Nicholas had no trouble adapting to the rigorous reading schedule, however he did struggle slightly with punctuation and grammar which he was able to address quickly after his tutors pointed him towards the Study Skills support available at the College.

Nicholas enjoyed delving into discussions about colonialisation and what effect it has had around the globe in his seminars and being able to share his opinions and views with his fellow students who were diverse and brought “a whole range of ideas” to the table. One aspect he particularly enjoyed was the Healing, Health and Modernity in African History module and the perspectives it offered on the effects of western medicine being imposed on indigenous cultures Dr Hilary Sapire, Reader in Modern History in the Department of History, Classics & Archaeology, who he says, “made the subject very interesting as she brought her own life experiences as a South African to her teaching of the subject.”

In his final year, Nick was able to explore his interest in social history and wrote his dissertation on the impact of Jamaican music on British culture from 1962-1983. He hopes that topics like these will become more commonplace in discussions of British history and that the subject will become more accessible in the media.

In the future Nick is open to further study, but in the short term he is hoping to begin a career in teaching at a secondary school where he can hopefully inspire young people to engage with the past.

When Nick reflects on how he achieved his academic ambition he boils it down to “time management and tenacity” and would say to someone doing the same to “not be too shy to speak in class, it’s the hardest thing to express what you want to say but it’s what you are there to do. Ultimately, if you don’t try, you will never know.”

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Crossing borders to explore new horizons

Carolyn Stillman travelled to the UK from the USA to complete a degree in Language Teaching/ Teaching English to Speakers of other Languages (TESOL) (MA) at Birkbeck, and used her time to travel and throw herself into a different way of life. This is her #BBKgrad story.

Carolyn Stillman After having completed a Bachelor’s degree in elementary education in the USA, Carolyn decided that she wanted to expand her horizons and take on a Master’s in the UK. When looking around for options of where she could study, Birkbeck stood out as an ideal choice for what she needed because of the flexibility that evening study gave her.

“One of my room mates mostly worked nights so we would leave at the same time so I had time to see her during the day. I did not have classes on Fridays so I had more time if I wanted to travel over the weekend – one time we took a weekend trip to Ireland.

“Also, if I wanted to work on assignments, it was really helpful when I had the big essays due to have time during the day to research and get those finished.”

During her time in the UK, Carolyn faced the challenge of homesickness. “I was there with barely anybody, I had my boyfriend, but I had met him before I came to London and he lived in Newcastle, which is three hours away. If I wanted to see him, he would have to come down during the weekend or I would have to go up there. So, at first, when I came to London, I didn’t have anyone, I didn’t have my mum obviously, I didn’t have any of my friends and it was such a time difference so homesickness was my biggest challenge because it was just me by myself for the most part.”

Despite the difficulty she first had to adjusting to a new country, Carolyn was able to overcome her homesickness through a mix of time and building connections with people. “I met people on my course at Birkbeck that I was pretty close to and we would hang out, and I had my boyfriend. I had to get over the initial shock of being on my own in another country but I loved it either way, it was hard at first but I still loved it.”

She fondly recalls the small class sizes at Birkbeck which differed from the 100 person classes she experienced during her undergraduate degree. “It was really intimate, so we all got to build off of each other and do different activities and those were my favourite classes.”

When the pandemic hit, Carolyn was finishing up her classes and she recalls it being hard going from in-person to online learning, but she was grateful that all the online videos were easy to access.

Having completed her Master’s, Carolyn is back in the US where she has resumed her teaching career, a job which she hopes to continue now that she has the knowledge she gained from her course. “I have a couple of students at the moment and English isn’t their first language. The course has helped me a lot with coming up with different modifications to lessons.”

Carolyn also hopes to be able to travel more once the pandemic subsides and hopefully, one day, return to the UK to teach. In the meantime, she’s telling everyone she knows about Birkbeck: “I really enjoyed Birkbeck, I talk about it all the time! People are really interested in hearing about it whenever I bring it up and I don’t regret it at all, I loved my time in London.”

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Arts Week 2017: “Doing and thinking: methods in practice-based research”

Dr Maria Kukhareva, Educational Developer at the University of Bedfordshire reflects on the interaction of creativity and academia following a workshop as part of Birkbeck Arts Week 2017.creativity-academiaAs an interdisciplinarian (both by background and by own curiosity) I seek opportunities to be amazed by the way different disciplines and approaches interact, the conflict and tension borne out of this process, and the turbulent energy and questions it has potential to generate.

I recently participated in the ‘Doing and Thinking’ workshop during Arts Week, which gathered an exciting and diverse crowd of practicing artists, researchers, and artist-researches – both Birkbeck’s own and external enthusiasts, like me.

Here, I broaden the focus of the workshop and turn to the discourse around creativity, rigour and scholarship in higher education – and what it means for the creative practitioners and researchers, as well as the wider academic community.

“Is it alive or is it ref-able?”

What the workshop discussion demonstrated very quickly and relatively clearly, is that there seems to be a vast and deep ocean between the mysterious continent inhabited by the creative practitioners, and the equally mysterious land of “this is how things are done in academia”.

The ocean was represented by a heap of colourful cards with research (and life?) related words on our tables. As we were shuffling through them, we realised we could not agree on the meanings, values and emotions of some seemingly common words, for example:

impact (think: theatre performance versus academic publication)
serendipity and intuition as a driving force (think: visual arts versus systematic research)
discomfort and doubt (think: open creative process versus evaluation outcomes)

In fact, words and language in general continued to be the cause of frustration, namely the incompatibility of creative output (a painting, a book, a film) and the academic language accompaniment (a thesis).

One could almost imagine how creativity and its magic, so necessary for any artist’s existence, breaks into pieces on encountering the academic expectation. As if to become an academic scholar, an artist needs to give up a part of their soul in exchange for the gifts of rigour, systematic inquiry and strictly formatted self-expression and self-representation. As if the fruits of your labour can either be ‘alive’ or ‘ref-able.’

But… is this really the only way to cross the ocean?

“Follow your nose”

Let’s view creative practice – whether you are a professional artist, early researcher or an educator in any given field – as something you NEED. Whether it’s where you experiment, or where your intuition, or some other undefined drive pushes you to create news things. It’s where a part of your soul lives; it’s something that fuels your daily activity. It’s what inspires your signature pedagogy, your authorial voice and what gives it life – as demonstrated effectively by Emma Bennett, Katherine Angel and Catherine Grant.

If this is what your creative practice does, then not only does it not go against the ‘traditional’ academic activity, with its rigour, systematic approach, structure, format and language – rather, creative practice makes the academic activity possible and interesting, from teaching to publishing.

The messy, unstructured creativity with a mind of its own, should be preserved and nurtured, rather than ‘re-trained’ when entering the world of traditional academic boundaries and standards. As Thomas Fisher has pointed out, creativity can be a rigorous process.

In other words – ‘it’ needs to be alive to be ref-able.

I would like to invite the reader to consider the following questions:

  • How and where do your practice and research activity co-exist?How disparate or how close are these two preoccupations? Do they fuel or hinder each other?
  • Which one of these (research or practice activity) offers more scope for creativity?
  • How does your creative and experimental activity drive your signature approach?
  • And lastly, how can we preserve and nurture our creativity, while we are developing our academic identities and careers?

On that note, I am off to read Katherine Angel’s book!

Contact Maria Kukhareva:
@maria_kukhareva
University of Bedfordshire profile

 

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