One World Festival: Screening of 19 Schaffarick Street

This blog was contributed by Bojana Nikolic, MA Arts Policy and Management student at Birkbeck and a 2019/20 Chevening Scholar.

International students at the Birkbeck cinema

On December 11, 2019 as part of Birkbeck One World Festival I organized a screening of 19 Schaffarik Street. This event was initiated and supported by La Young Jackson, International Liaison Officer.

19 Schaffarik Street is a short movie, made almost entirely by students. It premiered in February 2019 at the Belgrade Film Festival and has since travelled to many festivals. The screening at Gordon Square Cinema can be considered its British premier.

The film was followed by a Q&ADuring the Q & A afterwards, the audience was able to share their thoughts and talk to the director Lana Pavkov, writer Dejan Prćić, and myself, as the production manager of the film. Some interesting questions were related to the storyline, such as Why are the kids left outside in the cold? How personal is the story? Some were more practically oriented, How did you get the sponsors on board? How did you manage to get those actors? And even a crew to crew question was asked, How did you manage to make me give up on the idea of having a dog in the movie? And our favorite question that says about the quality, but also the recognition of the effort put into this movie was, Is this really a student film?

The event was imagined as a peer to peer talk; the idea was to watch a movie in a relaxed atmosphere and have a good talk after it, and the expectations were met. The audience was engaged and we as the crew were open to answer all the questions, and the conversations even continued outside the cinema.

The director and writer flew in from Serbia to England just for this event and their overall impression was that it was worth the trip!

I am very thankful to La Young and Birkbeck for making this happen and I am looking forward to new projects!

Further Information:

Share
. Reply . Category: Business Economics and Informatics, College . Tags: , , , , , , , , ,

And Again With Feeling: Thoughts on Different from the Others

This post was contributed by Dr Heike Bauer, a senior Lecturer in English Literature and Gender Studies in Birkbeck’s Department of English and Humanities. It originally appeared on her blog A Violent World of Difference.

On 13 February, to mark LGBT History Month, I organised a screening of Anders als die Andern/ Different from the Others (dir. Richard Oswald), a film about homosexual blackmail produced in collaboration with Magnus Hirschfeld who also stars in it. The event was a great success, attracting a large audience which – perhaps prompted by an unexpected fair turn in the weather – occupied almost all the seats in the Birkbeck cinema.

A quick survey revealed that the majority of people in the audience were not professional academics. This was very welcome information, for a main aim of the evening was to bring sexuality scholars into dialogue with people from a wide range of backgrounds.

To kick-start debate after the screening, three wonderful Birkbeck panellists – Silke Arnold-de Simine (European Literatures and Cultures), Justin Bengry (History) and Daniel Monk (Law) – shared their insights into the film and its contexts. Together, we discussed a wide range of topics including, for example, the relationship between law and the everyday, the somewhat surprising cultural visibility of various gender and sexual identities in the early Weimar Republic, and the similarities as well as differences between British and German sexual politics.

As the discussion opened up to the audience, two questions were asked with particular frequency albeit in a range of guises: one focused on how the historical material relates to our understanding of gender and sexuality in the twenty-first century; and the other reflected on the extent to which any approach to this past is shaped by our own personal experiences and sense of self.

In some cases, the questioner’s focus was firmly on Magnus Hirschfeld himself, reminding me that for some gay men and transgender people in particular Hirschfeld occupies an iconic position in the struggle for rights, equality and a liveable life. While I am critically suspicious of such elevations – not least because I find them hard to reconcile with the more problematic aspects of Hirschfeld’s work such as his support for eugenics – I am nevertheless interested in what one might call ‘the felt impact’ of his work: his role in the construction of affirmative imaginaries that allow nonormative existence to be conceptualised in collective terms, terms that can be, but are not necessarily, tied to political action.

Screen Shot 2014-02-18 at 15.23.07

Our discussion at the event showed that neither the biographical minutiae of Hirschfeld’s life nor ‘official’ narratives about sexuality, such as the ones told by law, can fully tell us what it felt like to live a queer life in the early twentieth century. But reading such narratives alongside cultural representations – such as Anders als die Andern – allows us to critique the ‘truths’ that are assigned by and about Hirschfeld across time. For, to adapt Virginia Woolf’s observation in A Room of One’s Own, such representations are ‘likely to contain more truth than fact’.

Anders als die Andern and the discussion that followed interrogated many ‘truths’ and ‘facts’ about bodies and desires. In so doing, the event also revealed the critical importance of feelings in discussions about gender and sexuality.

The next Fellowship event will be an academic symposium, Homophobia Rewritten. Click here for further details. The call for papers closes on 31 March 2014.

Share
. Reply . Category: Arts . Tags: , ,