Reading Group: Psychoanalysis and Visual Culture in Historical Perspective 9th July 2018

Reading Group: Psychoanalysis and Visual Culture in Historical Perspective

Monday 9th July, 6.30-8pm

Room G01, 43 Gordon Square

This series of reading groups looks at key texts in the history of psychoanalysis, exploring their connections to visual culture. Readings are intended for anyone interested in delving into this literature with a like minded group of non-experts from disciplines across art history, film and media studies etc.

For the second session on Monday 9th July, 6.30pm in room G01, 43 Gordon Square, we’re returning to some classics by Freud:

1) Freud & Josef Breuer, ‘On the Psychical Mechanism of Hysterical Phenomena: Preliminary Communication’, in Studies on Hysteria (1893)

2) Freud, ‘A Dream is the Fulfilment of a Wish’, in The Interpretation of Dreams (1900)

3) Freud, ‘Fragment of an analysis of a case: Dora’ (1905)

Note – this is a fairly long text, so you might want to just read some of the beginning and end parts of it.

4) Freud, ‘Mourning and Melancholia’ (1917)

Readings available to download via google drive:

https://drive.google.com/drive/folders/1I5SBj_5Zb_V-wEbH4dddpd00zzsK5ynT?usp=sharing

If you’re only able to read two or three of the texts, please do still come along. We’re also inviting people to bring a few images that they’re working on – to help spark our visual thinking and draw out any potential connections, applications, tangents etc.

Assuming there’s an appetite to continue the readings, we’ll pick the texts and date for the next session following on from this second one. Please bring suggestions for readings if you have them!

To RSVP and for more information contact:

Alistair Cartwright (Birkbeck, History of Art) — alistaircartwright@gmail.com

Christy Slobogin (Birkbeck, History of Art) — cslobo01@mail.bbk.ac.uk

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Psychoanalysis and Visual Culture in Historical Perspective Reading Group – 30 May 2018

Reading Group: Psychoanalysis and Visual Culture in Historical Perspective

30 May, 6.30pm

Keynes Library, 43 Gordon Square

This open reading group will look at key texts in the history of psychoanalysis, exploring their potential connections to visual culture.

Readings are intended for anyone who’s interested in delving into this literature with a like minded group of non-experts from disciplines across art history, visual culture, film and media studies etc.

For the first session on Wednesday 30 May6.30pm in the Keynes Library, 43 Gordon Square, we’ve picked three texts from the mid-twentieth century related to British Object Relations:

Ronald Fairbairn, ‘The War Neuroses – their Nature and Signifcance’ (1943)

Donald Winnicott, ‘Playing: Its Theoretical Status in the Clinical Situation’ (1968)

and… not directly associated with object relations but a key point of reference…

Melanie Klein, ‘On the Sense of Loneliness’ (1963) 

Readings in links above, or available to download via google drive here:

https://drive.google.com/drive/folders/1I5SBj_5Zb_V-wEbH4dddpd00zzsK5ynT?usp=sharing

If you’re only able to read one or two of the texts, please do still come along. We’re also inviting people to bring 2-3 images that they’re working on – to help spark our visual thinking and draw out any potential connections, applications, tangents etc.

Assuming there’s an appetite to continue the readings, we’ll pick the texts and date for the next session following on from this first one. Please bring suggestions for readings if you have them!

To RSVP and for more information, please contact:

Alistair Cartwright (Birkbeck, History of Art) — alistaircartwright@gmail.com

Christy Slobogin (Birkbeck, History of Art) — cslobo01@mail.bbk.ac.uk

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CFP: Visualising Asia: Deciphering ‘Otherness’ in Visual and Material Cultures – deadline 3 June 2018

Visualising Asia: Deciphering ‘Otherness’ in Visual and Material Cultures

SOAS, University of London

21st September 2018

Confirmed Keynote: Dr Anne Witchard

Historically, Asia has been a contended space of exploration and domination, where both Asian and non-Asian agents sought to define themselves against others. Within this broad historical and geographical context, this international and interdisciplinary conference brings together various forms of visuals, such as films, cartoons, and objects, in their interaction with discourses of ‘other’.  The platforms of visualising Asia were assimilated into daily life and practices, feeding into narratives that transcend any single medium. Due to their visual impact, they became lasting repositories of imagined identities and thus have critical implications for those representing and those being represented. This conference invites discussions on the differing ways ‘otherness’ has been used in both Asian and non-Asian societies through visuals. We encourage the participation from postgraduates, career researchers, scholars, curators, practitioners, and archivists.  The aim is to bring together an array of visualities from across various disciplines in order to reflect on the importance of visuals in knowledge production and circulation within and across cultures and societies.

Wider themes include: empire, multiculturalism, identity, nation, ethnic and cultural minorities, integration, ‘othering’, inclusion, exclusion, power dynamics, representation.

Papers or panels are invited on any topic related to the themes and questions explored in the conference that include but are limited to the following:

  • Representations of Asia by non-Asian cultures across different historical eras.
  • Representations of Asian societies by their neighbouring Asian countries.
  • Representations of minorities within hegemonic discourses in Asia.
  • Gender, ethnicity and class in visual othering of Asia.
  • How and why did representation occur, and the significance and impact for those being represented and those representing.
  • The development of concepts of identity through the use of visual and/or material culture.
  • The politics involved in visual knowledge production.
  • Long-term effects and consequences of visual representations of Asia.
  • The relationship between power and representation. The limits of ‘othering’ and representation.
  • Images of Asia and the development of visual and material industries.
  • Approaches and/or practices in cataloguing images of Asia in archives..

Panels and individual submissions are welcomed.  Please send queries and abstracts of 250-350 words, along with a brief bio of no more than 100 words, to visualisingasia@gmail.com by 3 June 2018.

The conference convenors are Amy Matthewson (SOAS, University of London), and Dr Irene González-López (Kingston University).

 

 

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Tate Britain Conference 1790-present day: 25 and 26 November 2015

Dr Emily Senior (English and Humanities) and Sarah Thomas (History of Art) would like to invite you to a conference next week on Artist and Empire next week at Tate Britain.

The conference may be of interest to research students working on

  • colonialism
  • postcolonialism
  • visual culture
  • related fields

It covers the period 1790-the present day. At short notice we have some free student tickets available and would like to invite you on a first come first served basis to take these up.

If you would like to attend the conference, the main two days of which are next week 25 and 26 November, please email the conference administrator Jessica Knights jessica.knights@tate.org.uk stating your Birkbeck affiliation and mentioning this invitation.

She will then let you know if there are still spare free student tickets.

Please email asap if you’re interested.

The conference web page is below.

http://www.tate.org.uk/whats-on/tate-britain/conference/artist-and-empire-new-dynamics

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