Birkbeck Institute for the Moving Image: Winter term 2016

Kelli Weston, MA Film, Television and Media Studies graduate, reports on the Birkbeck Institute for the Moving Image’s (BIMI) recent events. 

This season the Birkbeck Institute for the Moving Image (BIMI) has hosted a variety of collaborative events, from special screenings to horror film-inspired lectures. From its inception, BIMI has aimed to address a broad range of issues within an interdisciplinary context. Here are just a few highlights from the past year:

  • On October 14, BIMI hosted the annual University of Pittsburgh lecture with Adam Lowenstein, who spoke to guests about the urban spaces of Detroit, Michigan and all its implications in the recent horror film It Follows (2014). The discussion touched on the film’s framing of scarcity within an unconventional landscape and contemporary connotations. Listen to Lowenstein’s talk and the following conversation.

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  • BIMI partnered with Birkbeck’s Sci/Film on October 28 to present a special Halloween screening of Alfred Hitchcock’s The Birds (1963) followed by a talk from Professor Alex Kacelnick of Oxford University on the nature of birds, complete with recordings.
  • On November 4, in collaboration with the Birkbeck Institute for Social Research and Dogwoof Pictures, BIMI presented The End of the Line (2009), a documentary based on Charles Clover’s 2006 book of the same title about the widespread decline in fish stocks around the world. After the screening of the film, Clover was in conversation with the BISR Guilt Group’s James Brown. You can find more information about the Guilt Group on their website.
  • On November 7, with the London Korean Film Festival, BIMI presented ‘Detours through the History of Korean Cinema’ a focus on essay films – My Korean Cinema (2006) by Kim Hong-Jun and Cinema on the Road: A Personal Essay on Cinema in Korea (1995) by Jang Sun-woo –  which both explore and interrogate the history of Korean cinema.
  • On November 11, just in time for filmmaker John Berger’s 90th birthday, BIMI and the Derek Jarman Lab presented Seasons of Quincy: The Four Portraits of John Berger followed by a symposium the next day where a group of panellists discussed Berger’s legacy as a broadcaster, activist, artist and art critic while showing clips of his work over the years.

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  • On December 2, BIMI and Dogwoof Pictures presented The Age of Stupid (2009), Franny Armstrong’s drama-documentary-animation hybrid film starring Pete Postlethwaite about the last man on earth pondering the consequences of human apathy toward climate change.
  • On December 10, as part of the Children’s Film Club and the Irish Film Festival, BIMI screened Song of the Sea (2014) followed by a free shadow puppet theatre.
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Shoulder to Shoulder: Female Suffrage, Second-Wave Feminism and Feminist TV Drama in the 1970s

This post was contributed by Charlotte Knowles, an intern at the Birkbeck Institute for the Humanities.

Thursday 15th May 2014, Birkbeck Cinema.

This film screening and Q&A, held at the Birkbeck cinema, was the first part of a two day event celebrating Shoulder to Shoulder, a BBC mini series first aired in 1974, which told the story of the early women’s suffrage movement in Britain (1890s-1919). The event began with some reflections from the event organisers on the enduring importance of the series, and a screening of the second episode entitled ‘Annie Kenny’. The episode explored the involvement of northern mill girl Annie Kenny in the suffrage movement, reflecting on the central part the working classes played in obtaining women’s suffrage.

The event enabled reflection on the representation of the historical imagination in the media, as well as considerations of the way in which women’s voices still remain unheard today. The event sought to reconnect women’s voices from across history, exploring the way in which the suffrage movement resonated with issues of second wave feminism in the 1970s when the programme was aired, as well as questions of feminist liberation still alive today.

The episode screening was followed by a Q&A with cast and crew from the original series, chaired by Joan Bakewell. The discussion explored the changing face of the BBC, as well as developments in film and production technique – not all positive. There was keen agreement about the enduring importance of this series, celebrating Shoulder to Shoulder as a key text made for and by women. The fact it has only been aired twice on British television (both screenings taking place in 1974) was lamented, and a rallying cry for the BBC to issue and distribute this landmark series on DVD was endorsed by all.

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Age Spots and Spotlights: Celebrity, Ageing and Performance

One-day symposium on Friday 9 December 2011

This post was provided by Kim Akass, Senior Research Fellow at the University of Hertfordshire.

According to Dr Janet McCabe (Birkbeck) and Dr Deborah Jermyn (Roehampton), co-organisers of Friday’s Age Spots and Spotlights one-day research symposium: ‘We live in a culture where youth is revered and envied, while ageing remains feared, even repugnant.’ One thing is clear, living your life in the glare of the media may bring its rewards, but once the glow of youth begins to fade, living those autumn years under the media’s microscope isn’t always so pretty.

Chaired by Dr James Bennett (Royal Holloway) the first panel of the day, ‘Celebrity, Ageing and Performance’, comprised Birkbeck academics on a variety of topics. First up was Dr Tim Markham, whose paper, based on interviews with BBC war correspondents, looked at the careers of Martin Bell, Jon Simpson and Kate Adie, and their younger colleagues’ opinions of their aged and gendered (in)appropriate behaviour. Concluding that age both undermines and supports war journalism, Markham’s paper argued that, in the end, Simpson, Adie and Bell function as repositories of our own projections. Prof. Mary Wood looked at the life and career of Franco Zeffirelli and pondered whether, in the twilight years of his long career, he could be considered an auteur or merely a celebrity.

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