Tag Archives: history

The Bay of Bengal in Global History

This post was contributed by Dr Sunil S. Amrith a Reader in Birkbeck’s Department of History, Classics & Archaeology

Crossing the Bay of BengalMy recent book, Crossing the Bay of Bengal: The Furies of Nature and the Fortunes of Migrants (Harvard University Press, 2013) tells the story of a neglected region that was once at the heart of global history and which, today, is pivotal to Asia’s economic and ecological future.

For centuries the Bay of Bengal served as a maritime highway between India and China, and then as a battleground for European empires—the Portuguese were followed by the Dutch, the British, and the French—shaped by the monsoons and by human migration. In the nineteenth century the British Empire reconfigured the Bay in its quest for coffee, rice, and rubber. Millions of Indian migrants crossed the sea in one of the largest migrations in modern history, to work on the plantations of Malaysia and Sri Lanka, and on the docks and in the factories of Burma. Booming port cities like Singapore and Penang became the most culturally diverse societies of their time. By the 1930s, however, economic, political, and environmental pressures began to erode the Bay’s centuries-old patterns of interconnection, and these were broken by the Second World War.

The Bay fragmented as a coherent region in the second half of the twentieth century: it was carved up by the boundaries of nation-states; its histories were parceled out into separate national compartments. The postwar organization of academic knowledge drew a sharp distinction between the study of “South Asia” and “Southeast Asia.” But the recent resurgence of inter-Asian economic connections has seen the reinvigoration of the Bay of Bengal as a regional arena; and the force of the region’s environmental challenges calls our attention to the interdependence of its people.

Oceans of History

Historians have long been fascinated by seas and oceans, going back to the classic work of Fernand Braudel on the Mediterannean, the long tradition of scholarship on the trading links of Indian Ocean, and the thriving field of Atlantic history. Bodies of water can connect where land divides; putting the sea at the heart of our histories tends to emphasize mobility and interaction across the dividing lines of national or imperial borders. So often, the port cities of an ocean’s littorals are more closely connected to one another than to their own rural hinterlands.

By foregrounding the region of the Bay of Bengal—linked by journeys, stories, and cultural traffic, and of course by the power of empires—we can see beyond the borders of today’s nation-states, beyond the borders imposed by imperial map-makers and immigration officials, to a more fluid, more uncertain world. But Crossing the Bay of Bengal shows that these connections were often coerced, often violent. Many experienced the fragmentation of the region in the twentieth century as a liberation, while at the same time, many minorities and migrant groups found themselves stranded, excluded and out of place in the new nation-states of the region.

The research for this book took me all the way around the Bay of Bengal’s rim, from South India to Singapore, by way of Burma (Myanmar) and Malaysia, in a series of journeys made possible by the generous support of the British Academy and—in the last stages of the research for the book—a Starting Grant from the European Research Council.

One of the key aims in my research was to tell the stories of those whose lives had been shaped by migration across the Bay, but who left little written trace of their experiences—the rubber tappers and dockworkers, the sailors and rickshaw pullers, whose labour made the Bay one of the most economically vibrant regions of the world in the early twentieth century. Finding an echo of their voices required a flexibility of approach, and a wide range of sources: my research took me to the archives of Singapore’s coroner’s courts, where the stories of very ordinary migrants emerged in testimony when things had gone horribly wrong; it took me to state archives in India, Malaysia, Singapore, and Burma, and—closer to Bloomsbury—to the invaluable collections of the India Office Records at the British Library. Oral history was essential to the research: over many years, conversations with elderly people in Malaysia and India about their memories of migration, their family histories, and their experiences of labour, helped to cast archival material in a different light.

The Past in the Present

Two key forces have shaped the Bay of Bengal’s history, and they will be central to its future. The first is environmental. From the earliest times, the pattern of regularly-reversing monsoons made possible the Bay of Bengal’s trading routes: they were a source of life, and also of periodic disaster. In the nineteenth century, technological innovations including steam power promised to conquer the monsoons; but the monsoons asserted their enduring power over life and death in the great droughts that brought famine to the region in the 1870s and 1890s. Mass migration around the Bay of Bengal brought new sorts of environmental change to the Bay’s coasts, and made the region more interdependent.

Today, the Bay of Bengal is a region at the forefront of Asia’s experience of climate change. The monsoons are less predictable than they were. Sea level rise threatens the Bay’s densely-populated coasts, home to more than half a billion people. While the scale and nature of these changes is unprecedented—and their causes are planetary in scale, rather than localized—history tells us that the Bay’s peoples have long coped with the furies of nature.

One way they have done so is through migration over long and short distance, for short periods or more permanently. Migration is not, and never has been, an automatic or predictable response to natural disaster or to slow-onset environmental change: only where other factors are in place—government policies, the availability of credit, the presence of family or social networks in the places of migration—has it emerged as a viable strategy for family survival.

Its long history of migration gives the Bay one of its most distinctive features—its astonishing cultural diversity, the mixture of peoples and languages that are evident to even a casual visitor. Migration around the bay is on the rise again, in a part of the world where mobility has not been exceptional but quite normal. The peoples of the bay are not strangers to one another. The triumph of narrow nationalism over more inclusive political visions need not be permanent. Notwithstanding conflicts over land and resources, the region’s past is animated by common spiritual traditions and expressions of solidarity across cultures. The bay’s history, as much as its ecology, spills across national frontiers.

For more information, you can read two op-eds I recently published in the New York Times. ‘The Bay of Bengal, in peril from climate change‘, published on 13 October 2013 and ‘Snapshots of Globalization’s First Wave‘, published on 10 January  2014.

Website: sunilamrith.wordpress.com

Twitter: @sunilamrith


Touching the Book

This post was contributed by Dr Heather Tilley, Exhibition Curator of the Touching the Book exhibition which launches today (18 July 2013) and runs until 31 October 2013 in the Peltz Gallery in Birkbeck’s School of Arts. Dr Tilley will be blogging at blogs.bbk.ac.uk/touchingthebook throughout the exhibition.

Front cover to James Gall’s ‘The First Class Book for the Blind’, 1840. Credit: RNIB

Front cover to James Gall’s ‘The First Class Book for the Blind’, 1840. Credit: RNIB

I first started working on nineteenth-century embossed books for blind people about six years ago, as part of my PhD research into the relationship between blindness and writing in the nineteenth century. It is a research process that has been underpinned by two, overlapping, concerns: firstly, the question of academic ownership and secondly, the relationship between touch and sight. These books, as the exhibition draws attention to, were initially produced within the realm of the visual: often produced by people with sight, and designed to be read simultaneously by people with sight.

As a sighted researcher, I was conscious of the fact that much of the discourse around these books – the guides, codes, statements and reports that detailed their production and use – was in printed text, difficult to access by blind people (the sources have largely not been digitised in a meaningful way). The embossed alphabet systems themselves – many of them long obsolete – might have little tactual meaning to a blind person in the twenty-first century. The content of much of the early embossed literature also raises a further set of problems as it belongs very much to mid-nineteenth century evangelical culture, with an emphasis on biblical texts and spiritual guides. To what extent is it helpful or desirable to transcribe the content of these embossed books into other formats (for example braille)? As my researches unfolded, the question of form and media became more central to my analysis than content (although there are correlations between all three), as the point at which the important issue of blind peoples’ reading experiences began to emerge.

First page of the St John’s Gospel embossed in Frere type, 1843. Credit: RNIB

First page of the St John’s Gospel embossed in Frere type, 1843. Credit: RNIB

What then, do we do with these books? How do we read them, and what histories can we draw from them? We need, first of all, a critical practice that more clearly attends to the experience of touch, and its relationship to vision in this period. As my post on James Gall’s first book details, and the exhibition explores, touch was frequently theorised as a useful but often inferior tool for cognitive understanding in early discourses on embossed reading practices. This is where the history of embossed literature intersects with the history of the senses, as shifting ideas of both touch (as well as the literary sign) open up the way for experiments and innovations in this area. We might also explore how these experiments in turn affected wider cultural understanding of both blindness and the sense of touch (interest in the hypothetical blind man restored to sight, a key figure in Enlightenment philosophy, shifts to the tactile intelligence of the feeling blind person in texts such as Alexander Bain’s The Senses and the Intellect, 1855). These are the questions that underpin the exhibition, and that I, and other colleagues – not least the exciting work being done by Vanessa Warne and Jan-Eric Olsén – are exploring in other research forums.

Most significantly, what was it like for blind and partially-sighted people to touch and handle these books? How successful and enriching was their reading experience, from both a perceptual and educational/entertainment point of view? Archives recording traces of reading experiences by blind people are notoriously scanty, as it is mainly institutional perspectives (such as correspondence between institution directors and teachers) that were deemed worthy of recording for posterity.

Unknown photographer, Ann Whiting, ambrotype, c. 1850-60s. Private Collection

Unknown photographer, Ann Whiting, ambrotype, c. 1850-60s. Private Collection

It’s my point here that we can learn something about reading experiences from the form of the books themselves. These books invite an affective reading, impressing traces of previous readers in the dirt of the pages, and the worn surfaces of some of the embossed letters. There is a sense, then, of these books as things which have been used and handled. Indeed some books, such as the copy of St John’s Gospel in Lucas type on display in the exhibition that belonged to Harriet Curry, can be attributed to particular owners and readers. It is this that led to the development of an exhibition proposal that would explore the physical and material qualities of the books themselves and invite reflection on the relationship between these books and their readers. Whilst the fragility of the books means that they will be presented in cases in the exhibition, relief images of some of the central alphabets and texts will allow visitors to get a sense of how these books felt to the touch.

Beyond the exhibition and in the UK, the Royal National Institute for Blind People (RNIB) is based nearby and has a rich collection of embossed literature available to consult. And part of the scope of the exhibition blog is to help build up a sense of where other materials are located, and to share information and knowledge about this history. Over the coming months, a series of guest contributors will post about other objects, materials, and collections relating to this history. There is a rise of interest in the history of visual disability. It’s my hope that this rise entails the recovery of more narratives and records about the people who read these books, beyond the hyperbolic – and silencing – accounts we often find in official discourses.


Alexander Bain, The Senses and the Intellect (London: John W. Parker and Son, 1855), pp. 346-47.