This post was contributed by Éimear Doherty, a student on Birkbeck’s Arts Policy and Management.
BBKtalks was the result of a competition being held by the Centre for Media, Culture and Creative Practice. This three-part series of talks was organised by two MA students of Arts Policy and Management and funded by the Film, Media and Cultural Studies Department, Birkbeck. The talks took place over three weeks in February and March 2014 and introduced six Birkbeck alumni to staff and students at Birkbeck University, as well as very welcome attendees from UCL, King’s College and Goldsmiths.
The overall aim of the series was to engage with a topic which preoccupies many Film, Media and Cultural Studies postgraduates: working in the Arts.
A piece of advice offered at ‘SU Employability: Elevator pitch & Networking Guide’, a workshop organised by the Birkbeck Career Services on 5 November 2013 became the first and crucial step on the way to producing BBKtalks. The guest speaker recommended the audience to “do something every day that will bring you closer to where you wish to be”. BBKtalks aimed to be one of those steps, for all involved.
The following is a summary of the guests’ comments from across the three nights, in response to the topic at the core of BBKtalks: the challenges and potentials of working in today’s Arts sector.
The guidance referenced is a mixture of that provided by guests’ during their presentations and interviews, as well as during post-talk discourse.
1. What rules?
There are none.
Something which rang clear each week was the fact that there is no pre-established path into the Arts.
“There are no rules, officially, when it comes to the arts. London is wide open. You need to create your own rules.” Virginie Peurtolas Syn revealed to the BBKtalks attendees on 6 March. The accounts were provided by Leslie Primo and Lucy Taylor, who have forged careers from two very different directions, availing of postgraduate education at varying points in their professional lives.
However, there are some qualities which are essential. Before you decide what your rules will be, “you need to do your homework and be informed”.
2. “Do Your Homework”
Preparation is key.
The importance of staying informed is crucial. From researching key players in the Arts, to examining the key events and discussions taking place on various platforms. Without the right information, effective networking and successful interviews are not an option.
Two BBKtalks guests, Virginie Puertolas-Syn and Aser El Saqqa, began working in the Arts after over 15 years working in the business sector. Their advice to those making a career change or in the early stages of climbing their chosen ladder, was to make time to do some personal homework by considering their own skillset and finding effective ways of communicating their transferable skills.
3. Experience, Education and Transferable skills
Practical forms of engagement need to go hand-in-hand with knowledge and information.
Both Lucy Taylor and Hannah Cross acknowledged the benefits of interning and how work placements in various institutions acted as stepping stones as well as networking tools during the early stages of their career. Experience is key. They encouraged the audience to engage with the Arts in a professional capacity as much as possible and as soon as possible. Caro also emphasised this point and found that her internship gave her the freedom to engage with the work and ask questions, without the kind of pressure you would have felt in other roles.
Caro Skyrme enrolled at Birkbeck years into a well-established and successful career. However, for her, much like Virginie, the MA gave confidence, underpinning her expertise. For Caro, the MA was a change to stand back from her working practice and consider issues she could not see or put aside time to engage with from within.
4. Be Pro-active
If the opportunity is not presenting itself, you have to make the break for yourself.
After getting to know some artists, Caro Skyrme created her own role and became a visual arts consultant. “Just do it”. This could mean moving to a new city and leaving all that you know behind but you need to take a risk and invest in yourself before you can expect anyone else to. For Caro, the key to being pro-active lies in being able to make decisions and follow through. She advised the audience that one take consensus and be prepared to take the slack and the praise. Good planning and preparation (‘do your homework’) is also key, ensuring that solutions and alternative routes should never be far from reach.
Creativity is sometimes about making your own opportunities. Once you make a start, opportunities, offers and openings will follow. However, this “snowball effect” depends on your reputation. “People talk”, said Virginie Peurtolas Syn, making the Arts “a very transparent industry”. Lucy Taylor also emphasised one’s reputation as their most valuable commodity and reminding the audience how the London Arts scene is much smaller than it was first appear.
5. The 30 second Pitch
It is important to know your key skills and how to make the most of them.
Something which was emphasised over the series of talks, in various ways, was the importance of being able pitch; either yourself or an idea. Ideally, according to Virginie, in less than 30 seconds. The speakers suggested that the audience ask themselves ‘what makes you different?’.
Effective pitching links back to the importance of networking and maintaining a good reputation. Human relationships are key and can determine a lot. One speaker stated how “you need to engage yourself with the sector of the arts who wish to become a part of. Go to people and introduce yourself.” Those among the guests who had experience working abroad championed London for its “flow”, explaining that unlike many other cities they had worked, London was a place where you could network with ease and build genuine contacts and working relationships.
6. Perseverance and Passion
“People have asked me, ‘why do you do it?’”, admitted Aser to the audience on 6 March
His response? “Because I love it“.
Know what you wish to do and be prepared for the long haul. “Working in the Arts is a lifestyle choice”, remarked Hannah Cross on the second night. This is something that was also discussed by Lucy Taylor and Leslie Primo, who spoke candidly to members of the audience about how they spent their free time. Both emphasised how their work never left like ‘work’; an attitude shared by each of the BBKtalks speakers. Their passion for what they do was unmistakeable.
Finally,
Some words of advice, imparted by our generous guests.
- “Don’t waste your time worrying”
- “Don’t be ashamed to ask for help”
It is a challenge to summarise the range of discussions which took place over the three part series of talks and the value advice provided by our six speakers was enough to fill a book. Should anyone want more information on the talks, please contact Éimear Doherty and Stefania Donini at bbktalks@gmail.com or visit facebook.com/bbktalks2014 and @bbktalks.
Last term our MA group was based at Shakespeare’s Globe, and in a session on Tudor music workshop leader Keith McGowan explained that John Cage’s idea of silent music would have been old hat to the early moderns and the ancient Greeks. They took their cue from Pythagoras who had identified that the pitch of a musical note is in proportion to the length of string that produces it, and thereby understood that mathematical relationships will express ‘musical’ tones – whether you are able to hear the music or not. So it is that the movement of celestial bodies creates the music of the spheres, and Tudor dancers moving in proportion, to the Galliard or the Pavane, created their own harmonies.
