Monthly Archives: October 2018

Well-being for the needs of forced migrants

Birkbeck counsellors, Jo Myddleton and Aura Rico and counselling students Michael Darko and Ishiabah Kasonga write about the collaborative approach they took when tailoring a well-being workshop for the needs of forced migrants, who were starting their academic journey at the College, through the Compass Project.   

The Compass Project has welcomed its second cohort of students to study a university level qualification at Birkbeck, providing 17 fully funded places for those who have sought sanctuary in the UK. The project is unique within the sector, due to its focus on supporting mature forced migrants who may have missed out on accessing education and have faced difficulties in accessing educational opportunities owing to strict entry requirements and a lack of documentation to demonstrate academic ability.

This year, to support students in the start of their journey, the Access and Engagement department organised a two-day orientation, offering a space for students to get to know one another as well as raise awareness of the range of support available at Birkbeck and an introduction to the colleagues behind this.

Starting university can be an overwhelming experience for any student and with that in mind, running a session on mental health and well-being was a key topic to explore as part of the orientation. It was also important that we recognised that those from a forced migrant background are likely to present challenges that differ from the average student population. To ensure that the workshop on mental health was meaningful and in line with the needs of the students, the Counselling Service at Birkbeck partnered with two current students studying Counselling and Counselling Skills, and who had started their journey at Birkbeck through the Compass Project in 2017 – to ensure that the experiences and feelings of forced migrants were understood and addressed during the workshop.

On their experience of working collaboratively with Birkbeck students, Aura Rico and Jo Myddleton from the Counselling Service, said:

“When the Counselling Service was invited by the Compass Project to deliver a workshop on Culture Shock and Adjusting to University Life, we very much welcomed the opportunity to meet the new students and support them at the start of their journey through their courses at Birkbeck.

“We have been delivering these workshops for some time so the material was pretty much ready and we just needed to practise a bit and manage our public-speaking nerves. A few weeks before the event, however, Naureen got in touch: two of the current Compass Project students who are studying Counselling and Counselling Skills were keen to be involved in designing and delivering the workshop, to ensure that it particularly took into account the needs of those who have sought asylum.

“Looking back on it, we remember receiving this request with certain ambivalence: We know what we are doing and the workshop is ready to go, we thought. However, we also recognised that Michael and Kasonga would be particularly well-placed to add valuable insight for the benefit of the new intake of Compass Project students.  We got on immediately with Michael and Kasonga: they were full of ideas and very perceptive about the specific challenges that Compass Project Students face. We found the meeting enlightening.

“As a result we re-designed our workshop, opening spaces for discussion and hoping to challenge stereotypes. Michael and Kasonga both spoke eloquently and honestly to the group of their own experiences as students within the Compass Project, which modelled openness to the current intake.  This was then taken up in the group discussions, where experiences, feelings, assumptions and attitudes were shared and explored. It was a very enjoyable experience and thanks to this collaboration we feel we have a better understanding of the needs of our students and are better equipped to support them, and hope that should they need to, they will feel able to engage with the many different sources of support available at Birkbeck.”

Michael also talks about both his and Kasonga’s experience of working closely with the counselling team, both on a personal level and in bettering the support available to those who present with complex and different needs:

“I was in high spirits and full of excitement from passing my first year on the counselling course. Having navigated many ups and downs through my first year back at university. I was pleased to see an email from Naureen asking if any of us would like to be part of this workshop.

“I thought this was an excellent idea, so I jumped on board straight away. The chance of working alongside the counselling team at Birkbeck was very appealing but most importantly I felt that both the Counselling Service at Birkbeck and the College was genuinely interested in the value students could bring.

“I am a strong advocate for bolstering the voices of those who have gained insight and expertise through their experiences, so the decision to include students in this process showed me the level of commitment Birkbeck has to students’ well-being.

“I remember having a meeting with Kasonga and thinking to ourselves, ‘why do they want us to be involved?’ I mean the Counselling Service are the experts in this field and surely, they must have all the answers so why do they need us?

“Our first meeting with Aura proved to us just how much the Counselling Service here at Birkbeck is committed to student well-being. It became very clear that this was not about how good the Counselling Service is, rather, it was a genuine effort to better understand the needs of students and to become better equipped to support them.

“This was all about the students; we both felt valued, which gave us the confidence to open up and talk about our experiences as first-year students on the Compass Project, the challenges we faced and how we overcame those challenges.

“The Counselling Service team were very welcoming of our ideas and insight; the way both Aura and Jo designed the workshop was magnificent in the way that Kasonga and I could bring in our own experience as students within the compass project. Kasonga and I found it very easy and a real privilege to work with Aura and Jo.

“The workshop was structured brilliantly, the group discussions in which experiences, feelings, assumptions and attitudes were shared and explored worked well and I felt that everyone was engaged. The whole experience made me feel that I was in the best learning institution I could ever be and part of something.

“Thanks to this collaboration I feel there is a better understanding of the complex needs of the Compass Project students and the challenges that they face. I am confident that counselling and other available services here at Birkbeck are better equipped to support these students, and I hope that should they need to students will feel able to engage with the many different sources of support available at Birkbeck.

Special thanks to all those working hard behind the scenes to make sure that workshops and programmes such as these come to fruition, from Naureen and team to Aura and Jo, from the Counselling Service to all the donors of the Compass Project.”

The Counselling Services at Birkbeck is committed to improving the wellbeing and mental health of all Birkbeck students. They offer free, confidential, non-judgemental counselling to students – to support with their engagement and experience as a student at Birkbeck.

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The future of studying old art

Sarah McBryde, PhD student in History of Art, discusses a recent workshop considering the value of Art History as a discipline and why the study of ‘old’ art will continue to be important into the future.

‘The Future of Studying Old Art’ workshop, chaired by Dr Dorigen Caldwell (Senior Lecturer in History of Art, Birkbeck) kicked off another day of events celebrating the 50th anniversary of the History of Art Department at Birkbeck, by considering the current state of the discipline and the ways in which ideas about old art are taught and communicated to a wider audience via digital media and cultural institutions. The various speakers outlined their own experiences and perspectives, creating a lively debate on the reasons why the study and display of ‘old’ art continues to have relevance today.

Robert Maniura (Reader in History of Art, Birkbeck) asked why we still study historical objects, both artworks and architecture. Why should we care about something which has survived into the modern era, but was created hundreds of years ago in a society with different values and beliefs from our own? He began by posing some key questions for art historians: What is it? Why is it here? Why does it look like that? And importantly, why is it still here when other things have disappeared?  Maniura argued that in answering these questions art historical analysis can reveal the underlying functions of art in society; be that to impress, inspire, persuade, provoke, control or mislead. He challenged the view in the mass media that art history is somehow ephemeral, frequently framed as a ‘leisure activity’ unless vast sums of money are involved, and questioned why man-made objects should be any less deserving of rigorous study than objects from the natural world undergoing scientific investigation. He also addressed the shifting cultural meanings of artworks through history, citing as an example the Medieval Dečani Monastery located in modern day Kosovo. Prior to the 1990s conflict, this Orthodox Christian church was venerated across different local faiths, but now finds itself a symbol of Serbian nationalism in the Kosovo region, surrounded by armed guards and tank traps still under the control of NATO KFOR peacekeepers.

As Chief Curator of the V&A’s Medieval and Renaissance collections, Peta Motture discussed how the galleries were redesigned to incorporate new approaches to the display of objects and the views of museum visitors. The stated aims of the project were to ‘inspire, engage, preserve, connect and transform’ by reformatting the way objects were displayed to provide informative contexts for their production and use, while still maintaining a chronological sequence to the rooms, which the public preferred. Defying some criticisms that particular iconic items would lose their status when embedded in a wider context, the redesign has been highly successful since it opened to the public in 2009. Motture noted that art historical research formed a vital part of the project, which along with gallery design, enabled displays to reflect the historical reality of individual objects and bring them to life. For example, cassoni marriage chests are displayed at shoulder height, as they would have been seen carried in Renaissance bridal processions, and costumes are displayed on mannequins without plinths, so the viewer is directly confronted ‘face-to-face’ with a figure from the past.  She also commented on the continuing commitment of the V&A to engage new audiences, finding ways to display contentious objects, such as those with colonial origins, in contexts which reflect our modern and diverse culture and continue to give relevance to old art for future generations.

Peter Maniura (Head of Digital Development, BBC Arts) reflected on visual images as vehicles for storytelling, vital to broadcasters like the BBC. He discussed the recent reboot of Kenneth Clark’s Civilisation (1969), reformatted as Civilisations (2018) with Simon Schama, Mary Beard and David Olusoga. Maniura observed that the new series demonstrated the changing attitudes towards art history. Whereas Clark’s version conformed to rigid parameters of what belonged inside and outside the (western) ‘canon of great art’, the new BBC series brought together the distinct perspectives of three separate academic presenters and encompassed a diverse range of source material previously excluded, to both represent and engage a modern, multicultural audience. He also discussed the associated Civilisations Festival, launched by the BBC in tandem with the series to connect local communities with their museums via 280 free public events. He outlined BBC Digital’s continuing projects to develop technology to bring the arts to a wider audience, such as the release of an augmented reality app through which users can manipulate 3D images of museum objects to access information, and #OperaPassionDay, which made live streamed performances and events from opera houses across the UK available via an interactive website. Maniura made the important point that shaping the future for old art is an urgent task to ensure that in a blizzard of visual information, the next generation will choose to engage with our respected cultural institutions.

This concern was addressed by the final speaker, Rose Aidin, whose project Art History Link-up, provides ample proof of the appetite of young people for Art History. The charitable organisation, set up in 2016/17, offers a fast-track AS Level/ Extended Project Qualification in History of Art to students aged 16-18 from state schools where Art History is not available on the curriculum. This qualification is free and requires the student to attend Saturday courses held in various partner organisations including the Wallace Collection, National Gallery and Courtauld Institute. Advertised via social media, Aidin noted that the uptake has been phenomenal, to the extent that they do not currently have enough places to support all the applicants. This fantastic programme engages a wide range of students who would otherwise have little or no access to art history education, and takes young people into museums and galleries to experience art directly. She commented on the hugely positive feedback she has had from former students about the impact of the course in developing a wide range of skills, from visual analysis to critical thinking, while also providing an accredited qualification towards their future university applications. As well as benefiting the students, Aidin noted that the courses provide valuable teaching experience for art history graduates further down the line. Currently, the project is London-based, but one might hope that our national cultural institutions may support similar regional initiatives in future.

The workshop provided a highly positive view of the future for studying old art. It illustrated the continuing importance of Art History, as well as demonstrating the variety of ways in which the discipline is developing to welcome new and diverse audiences to all aspects of visual culture. As all the speakers demonstrated, in these times of fake news and social media manipulation, the role of Arts and Humanities is ever more important as a gateway to understanding the world around us and also to provoke us to think about and question the ‘facts’ we are presented with.

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Launching the new Birkbeck-SWUFE dual-degree programme

Birkbeck’s School of Business, Economics and Informatics launched a new dual-degree programme with the Southwestern University of Finance and Economics (SWUFE) in Chengdu, China. 

The new dual-degree undergraduate programme recently introduced by Birkbeck and Southwestern University of Finance and Economics (SWUFE) was formally inaugurated on Friday 28 September 2018, at the magnificent campus of SWUFE in Chengdu, China. The event organised by the School of International Business (SIB) and the SWUFE’s Office of International Exchange and Cooperation also doubled as an opening ceremony for the first two cohorts of the dual degree programme. Professor Kevin Ibeh, Pro-Vice-Master (International), Birkbeck, travelled from London to join the event, which was also graced by the Deputy Director of the Office of International Exchange and Cooperation, the Dean of School of International Business, and other staff and students of SWUFE.

In his welcome remarks, the Dean of SIB, Professor Jue Wang, an alumnus of Birkbeck, expressed delight at the Pro-Vice-Master’s visit and the continuing success of the academic partnership between SWUFE and Birkbeck, which has already produced several Doctoral and MSc graduates. He highlighted the strong appeal of the new dual degree Bachelor’s programme to prospective students and reaffirmed SIB’s commitment to a deeper and broader collaboration with Birkbeck in view of the two institutions’ shared interests in enhanced student learning, research excellence and societal relevance.

Professor Ibeh thanked his hosts for the invitation to be part of this important milestone in the development of Birkbeck-SWUFE collaboration and conveyed fraternal greetings from the Master of Birkbeck, the Executive Dean of the School of Business, Economics and Informatics, the Head of Department of Management, and the entire Birkbeck community. The Pro Vice Master congratulated the 100 students already enrolled on the Birkbeck-SWUFE dual degree programme on their selection and noted that he looked forward to welcoming them as they transition to Birkbeck’s Bloomsbury campus for the final year of their undergraduate studies. Professor Ibeh further congratulated the SIB’s leadership and staff, including some Birkbeck alumni, for their demonstrable commitment to developing mutually beneficial collaborative arrangements with world-class institutions such as Birkbeck. He assured them that Birkbeck shares their enthusiasm for high quality, win-win international collaborations.  

The event featured additional remarks, notably by the Deputy Director of the Office of International Exchange and Cooperation at SWUFE, Associate Professor Dr GU Xuan. Dr GU underlined her Office’s unflinching support for the SIB’s partnership with Birkbeck and noted its alignment with SWUFE’s overall international strategy. The event was finely compered by Dr Yuanyuan Liu, who successfully defended her doctoral thesis at Birkbeck this past summer.

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