books, jobs, parties

I’m beginning this post with an image of the beautiful cover of Sculptural Photographs, the new book by Patrizia Di Bello, Senior Lecturer in the department, just published by Bloomsbury. While there is a growing body of work examining how photography has contributed to the development of a Western ‘sculptural imagination’ by disseminating works, facilitating the investigation of the medium, or changing sculptural aesthetics, this study focuses on how sculpture has provided not only beautiful and convenient subject matter for photographs, or commercial and cultural opportunities for photographers in the market for art reproductions, but also an exemplar for thinking about photography as a medium based on mechanical means of production. Warm congratulations to Patrizia!

For those of you in the market for jobs in the visual arts, a message from a team you should know about, Birkbeck Talent:

Are you looking for a new job in History of Art? Birkbeck Talent is Birkbeck’s exclusive recruitment agency for Birkbeck Students & Graduates. We have a number of roles available, from Internships to Permanent positions, both part time and full time. We work with a number of organisations such as the V&A museum and the East India Company. You can access the jobs board through your MyBirkbeck Profile on the home-page – please take a look and let us know if any of the roles interest you. Please also follow us on Twitter and LinkedIn for all the latest information.

They have a particular job advertised now with a deadline of this Monday 28 May (there goes your bank holiday…). It’s a Catalogue Research Assistant post for an international art services business – more here: Catalogue Research Assistant role.

And the jobs board refered to above has another relevant role, this one with a bit more time before the deadline of 11 June:

Blythe House Decant: Head of Collections Moves Programme
£55,000 per annum
Fixed term contract until March 2023
More on the jobs board – accessible via your My Birkbeck profile…
I’ll continue to feature art history-related jobs in this blog as they come my way.
And on the topic of life-changing opportunities, do think about coming along to upcoming information evenings on MAs and PhDs in the department. These evenings are really worth attending if you’re considering further study – they’re an opportunity to hear the latest on what’s on offer, to speak to staff teaching on the programmes, find out about the application process, and, even more interesting, get a look at who else might be applying!
MPhil/PhD Information evening, Tuesday 11 June 6pm, 30 Russell Sq room 101 (this one will feature current PhD students to give you the student’s-eye-view of the transition from MA to PhD study.)
A couple of fascinating-sounding Renaissance talks coming up:

Murray seminars in Medieval and Renaissance Art: 5 June, 5pm, Keynes Library, Michelle O’Malley, the Warburg Institute, ‘Botticelli: A conundrum of production’

Rome Lecture Series, 8 June 6pm, Russell Sq 101: Architecture and the Construction of Authority
And finally, the end of term is coming up, which means parties! Two of them this year for your diary…
29 June 6-8pm, a Garden Party in Gordon Square, celebrating the Department of History of Art’s 50th anniversary (all current and former students should have received an invitation and a link and password for booking – please get in touch on if you haven’t)
6 July 6-8pm, the Staff & Student End of Term Party (please bring a bottle/food to this one), Gordon Sq G04
See you there!
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Arts Week! And more…

Hope you can find time amidst exams, dissertation research, etc, to come along to the rich offerings of this year’s Arts Week, beginning Monday. Arts Week was inaugurated in 2012 and has become a real institution, bringing Gordon Square alive with talks, walks, screenings and much more. As usual there are very rich offerings in art history, with architecture, museums and contemporary art as particular strengths this year. Take a look at these events in particular on the webpages:

Monday: Destruction of Memory; Cook’s Camden

Tuesday: Curating Sound for Difficult Histories; Paper Peepshow; Modernism in Bloomsbury; Visual Protest

Wednesday: The Archive Project; Renaissance Life of Things; Robin Hood Gardens

Thursday: Lubetkin’s Finsbury; Author and Illustrator; Raymond Williams; Art & Empathy

Friday: On Reflection; Floating Islands; Chris Dorley-Brown

A special mention for ‘Floating Islands in Contemporary Art‘ (Friday 6pm in the cinema) which promises to be an intriguing and exciting talk by Professor Gill Perry on her current research. We’re delighted to welcome Gill to the department as Visiting Professor for the next three years. Gill, who is Emeritus Professor of History of Art at Open University is a leading scholar of both 18th-century and contemporary British Art. You can read more about her here.

Some further dates for your diary:

The Murray seminars in Medieval and Renaissance Art have been announced for this term. They take place at 5pm in the Keynes Library – all welcome:

5 June, Michelle O’Malley, the Warburg Institute, ‘Botticelli: A conundrum of production’

Two versions of Botticelli’s Virgin and Child with an Adoring Angel suggest raise fundamental questions about the specifics of authorship in the workshop and how we, as art historians, understand Renaissance artistic practice and construct attribution. This paper looks again at the technical evidence and the value of connoisseurship in tracking the development of the use of reproductive technique in late fifteenth-century Florence.

27 June, Alison Wright, UCL ‘Gold against the Body:  gold surfaces and their limits, medieval to early modern’

The myth, famously invoked in Goldfinger, of the human body suffocated by being coated in gold exemplifies the fascination and danger attached to the idea of an ‘excess’ of gold, especially in respect to human skin. This paper explores the slippery boundaries of when, where and for whom gold surfaces might be deemed excessive in relation to European art, especially Italian, of the fourteenth to early sixteenth centuries.

And a lecture organised by colleagues in Applied Linguistics that will be of interest to fans of American (Post)Modernism: Professor Adam Jaworski (The University of Hong Kong) will be giving this year’s Michel Blanc Lecture in Applied Linguistics at Birkbeck. The talk will be followed by a drinks reception. The event is free and open to all, but for catering purposes, please book your ticket on Eventbrite: 

Title: EAT/DIE and other stories: Remediation and creativity in Robert Indiana’s word art

Date and Time: Thursday, 7 June 2018, 18:00 – 19:30

Location: B01, Clore Management Centre

 ‘Several decades ago, Robert Indiana (b. 1928) described himself as ‘an American painter of signs’. In this presentation, I make a case for considering Indiana as a painter of stories. Drawing on the ‘small stories’ model for narrative analysis (Georgakopoulou), I argue that his word pieces in the EAT, EAT/DIE and LOVE cycles constitute episodic narratives adding up to his own life story (or artist mythology). Indiana’s creative remediation (Bolter and Grusin) of his multimodal writing in different materials and formats, its emplacement as public art and widespread imitation allow members of the public to appropriate his artworks in episodic encounters and make them part of their own biographies.’



I mentioned in my last post the very successful (and sunny) Berlin field trip that happened over Easter. BA History of Art student Kathryn Hallam-Howard has written a ‘Birkbeck Blog’ post to tell you all about it – and with some great pics. Do have a read.


I’ll round off this week with a plug for an excellent small exhibition at the amazing Pitt Rivers Museum in Oxford, curated by and featuring the work of photographer, curator and MA History of Art graduate Sunil Shah. ‘Uganda Stories’ delves into poignant and troubling questions of exile, displacement and resettlement through Sunil’s family’s story of being expelled from Uganda in the early 1970s under Idi Amin. It’s on until 27 August, so do visit if you’re in Oxford over the summer.


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