The Turner Prize 2018: A Common Ground for Empathy, by Fernando Chaves Espinach
Perhaps it’s too much to ask from a work of art some sense of direction in the world, some kind of fail proof compass that will get you from door to door. But then again, a piece of art may hand one out to you even when you’re not asking for it. On a recent morning, visiting the Turner Prize exhibition at Tate Britain, Charlotte Prodger’s warm, textured 32-minute video BRIDGIT (2016), this year’s winner, seemed to speak from a…
