Twitter Facebook

Tag: writing

Ulrike Ottinger: Director’s Statement on Chamisso’s Shadow

Across the weekend of July 20th-22nd we will be presenting the UK premiere of Chamisso's Shadow in partnership with The Centre for Research and Education in Arts and Media (CREAM), the Goethe-Institut and LUX and with support from the Open City Documentary Film Festival, and in association with the German Screen Studies Network. Below, reproduced from the director's website, is Ulrike Ottinger's statement on the film:  "Despite all their differences, the native groups living along the coast have one thing in common: they live from and with the ocean. I would like to observe their current living conditions, get to know and talk to them and…

Read more

BIMI Children’s Film Club: Lotte Reiniger

by Billy Stanton Saturday 9th June saw the return of the Children’s Film Club to Birkbeck Cinema with a special presentation of six fairytale animations from German film-maker Lotte Reiniger, hosted and presented by Esther Leslie. Screened were Puss in Boots (1954), Aladdin and the Magic Lamp (1954), Cinderella (1954), The Sleeping Beauty (1954), Hansel and Gretel (1955) and Jack and The Beanstalk (1956). The last of these was the only film made in colour (however the colour only stretches as far as background paintings, Reiniger’s familiar silhouetted characters remaining steadfastly black and shadowy). As Esther Leslie explained, the films were chosen specifically to offer…

Read more

Tragedy and Sexuality: L’Éternel Retour

By Billy Stanton May 26th saw a rare screening of Jean Delannoy’s  L'Éternel Retour at the Birkbeck Cinema as part of the ongoing ‘Tragedy and Sexuality’ season. Written by Jean Cocteau, the film serves as a sort of a predecessor to his famous La Belle et La Bete (1946), drawing upon similar fairy-tale elements and medieval myth in its retelling of the Tristan and Isolde tale. But this film is more ambivalent and more troubling than the Villeneuve adaptation, its ambiguities teased out by Dr Ruth Austin of UCL in her introduction. L'Éternel Retour was made during the German occupation, but may immediately seem to…

Read more

Interview with film programmer and freelance writer Jonathan Ali

Ahead of the screenings of  The House on Coco Road (Damani Baker, 2016) and  Memories of a Penitent Heart(Cecilia Aldarondo, 2016)  on June 22nd and 23rd we speak with the Jonathan Ali, the programme's curator. The title of this programme, 'Of Great Events and Ordinary People', comes from a Raul Ruiz documentary, why did you chose it as the title for your programme? As a title, I think Of Great Events and Ordinary People touches on a potent idea that runs through both of the films in the programme, The House on Coco Road and Memories of a Penitent Heart. The two films attempt to explore the lives…

Read more