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BIMI (Birkbeck Institute for the Moving Image) is a unique place. An exciting research forum housed in a beautiful cinema, BIMI pursues an imaginative public-engagement agenda that combines original and ambitious film curating with top-quality academic research and creative interaction with the artistic and cultural community of London, UK, and beyond.

We programme about 70 events per year, spread over three terms from October to July. These include screenings, discussions, conferences, study days, lectures, book launches and performances, plus our annual international Essay Film Festival (in collaboration with Institute of Contemporary Arts), which has already become a key reference in the film festival circuit (

All of our activities take place in the Birkbeck Cinema, Gordon Square, which features 16mm and twin 35mm projectors in addition to high-quality digital projection. The variety of formats and the quality of our facilities make BIMI an ideal location for research-led events focusing on the presentation of film, television and video materials from across the artistic and cultural spectrum, and drawing on the full historical range of moving image culture (including archival prints and even magic lantern shows).

We think of our Cinema as a laboratory for ideas, debate and experimentation, embodied by the projection of images and sounds that can move us, surprise us, and inspire us to thought and action.

Our programme is built principally around key thematic STRANDS, all of which involve collaboration with colleagues from across Birkbeck and beyond.

Some of these strands are termly: Guilt Group, Digital Animation, Cinephiles, LUX Artists Moving Image, Sci/Film, Urban Change, Fruitvale Film Club, Children’s Film Club. Others are annual, such as the Pittsburgh Lecture, Human Rights Cinema, and the AL Rees Lecture.

We also regularly programme Essay Film special events and preludes, in preparation for our annual Essay Film Festival.

In addition to these thematic strands, we organise many one-off events in response to proposals received from colleagues at Birkbeck and from the wider research community, as well as from cultural institutions and other creative partners.


Our events are open to everyone, and almost all of them are free.

As our programme addresses a variety of social, political and cultural issues related to academic research, we attract a broad range of people to our events, including academics, students, artists, curators, independent researchers, activists, and the general public.

Whilst we have a core audience of people interested in film and the moving image generally, and curious to see a variety of rarely screened films and other works, our public tends to change from event to event based on the topic. In some cases, the content of an event may attract a specific community, as occurred with events about pre-revolutionary popular Iranian cinema, the Senegalese historian Cheikh Anta Diop, the Brazilian works of Vivian Ostrowsky, and the essays films of Lebanese filmmaker Jocelyne Saab. In other cases, we may draw a crowd that is specifically interested in a political or social theme or an area of cultural practice, such as the Digital Animation strand, the Fruitvale Film Club, or our events around Urban Change.

3rd September 2020

The Caribbean, colonialism, celluloid: Screening the films of the Victor Jara Collective A 16mm projection of a documentary about Guyana’s anti-colonial struggles, an anecdote about footage from that film being smuggled in a cricketer’s kit bag, and the film’s score played live on the flute—these were a few of the highlights a packed Birkbeck Cinema experienced at a presentation of the films of the Victor Jara…

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17th April 2020

Professor Catherine Grant – Recording of 2020 Pittsburgh Film and Media Colloquium on Exploring Audiovisual Intertextuality in the Video Essay On February 20, 2020, Interim Director of Birkbeck Institute for the Moving Image, Professor Catherine Grant, gave an invited talk at the University of Pittsburgh, in its Film and Media Colloquium series. Talk Abstract According to Mikhail Iampolski, intertextuality is a helpful concept for understanding processes by which allusions to other films or texts…

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3rd February 2020

Video Recording of the Birkbeck Institute for the Moving Image Event “Repetition and Variation: Video Essays as Comparative Film and Television Studies Methodologies”

We are very happy to publish recordings of the five sessions that comprised the BIMI/Corkscrew: Birkbeck Practice-Research Doctoral Training Group event Repetition and Variation: Video Essays as Comparative Film and Television Studies Methodologies that took place on October 12, 2019. Part One features Catherine Grant (Birkbeck) delivering an introduction to the event Part Two features a…

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30th January 2020

21st Century Zilnik

Yugoslav-Serbian filmmaker Želimir Žilnik is one of the genuine legends of European cinema. Since his auspicious debut in 1969 with the film Early Works, which was awarded the Golden Bear at the Berlin International Film Festival, the enfant terrible of Yugoslav New film has created an impressive body of work, remaining committed to his project…

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16th December 2019

Emily Best – Limits of Cinema/Cinema Unlimited Conference, Pittsburgh, September 2019

Last June a call for papers went round the School of Arts from the Birkbeck Institute of Moving Image (BIMI) for Pittsburgh University’s annual Film and Media Studies Graduate Conference, taking place the following September. The theme of this year’s conference was Limits of Cinema/Cinema Unlimited? and of the suggested topics what stood out to…

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8th December 2019

In Memory of Thomas Elsaesser, film scholar and filmmaker extraordinaire

Everyone at Birkbeck Institute for the Moving Image was very shocked and saddened to hear the news that Professor Thomas Elsaesser had unexpectedly passed away on December 4 while visiting China as part of his guest professorship in Beijing. Most of us involved in BIMI and the Essay Film Festival team had known Thomas for…

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20th November 2019

Nina Danino: I Die Of Sadness Crying For You – Screening and study day

Screening Fri 6 Dec, 6pm - 9pm: FREE BOOK HERE Screening Sat 7 Dec, 10am - 3.30pm: FREE BOOK HERE Birkbeck Cinema, 43 Gordon Square, Bloomsbury, London WC1H 0PDBooking free via EventbriteBook online “Prepare for some heart-wrenchingly beautiful melodies from the greatest Spanish divas spilling their sorrow in the form of singing known as Copla”…

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7th November 2019

Remembering Channel 4’s Out on Tuesday

Remembering Channel 4's Out on Tuesday: Queer Spaces in Public Service Television  [Critical Studies in Television, 14.4, 2019: Stuart Marshall Dossier link] Book your free tickets: Friday 22nd November: 14.00-17.00 Screening of some programmes and films made for the series. Birkbeck Cinema Book hereFriday 22nd November: 18.00-21.00 Discussion and screening event featuring the programme's commissioner and some…

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2nd October 2019

Making Films in Times of Political and Financial Crises

When: 8 November 2019, 12:00 — 17:00Venue: Goldsmiths University, LGB Council Room, 1st Floor, Laurie Grove FREE, Book your place here Workshop: Making Films in Times of Political and Financial Crises, moderated by Želimir Žilnik Making films under financial and political constraints remains an urgent topic in the current social climate. There is perhaps no…

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14th June 2019

Personal Problems, dir. by Bill Gunn (USA, 1980)


By Russell Banfield Bill Gunn had little time for Hollywood. After achieving some success with the screenplay to The Landlord, dir. by Hal Ashby (USA, 1970), Gunn’s directorial debut, Stop (1970), so incensed Warner Brothers who claimed Gunn deviated far from his own script that the film was never released. His next film, Ganja and Hess (1973), fared…

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