Flexible Working Space: Birkbeck Postgraduate Research Students

A new resource for 2018/19

During 2018/19 all Postgraduate Research Students at Birkbeck will have timetabled access to a flexible working space within the Birkbeck Main Building. The room provides space for desk based work for up to 30 people, seminar style events for up to 40 and side offices provide quiet working spaces/ meeting rooms.

Further details

Further information about this resource is available on the BGRS Moodle site, which provides details of how the space can be used including how Birkbeck postgraduate research students can book the space. Birkbeck PGR students of staff should contact the BGRS if they have any queries about access of usage.

Objects in Space, Subjects in Time: The Material Cultures of Postcolonial History

A place reserved is for a Birkbeck Arts or Humanities PhD student on this fully funded CHASE doctoral training opportunity: Objects in Space, Subjects in Time: The Material Cultures of Postcolonial History.

This is a series of six workshops across the year which explore global, transnational and postcolonial pasts by engaging with material collections and texts or objects in museums and exhibition spaces across London, as well as training in creating vlogs and media projects. For full details see below.

Travel costs, participation costs and refreshments are all included and funded by CHASE.

How to apply

To apply for this place, please send the following to Kat Hill (Katherine.hill@bbk.ac.uk) by Monday October 15th (Midnight).

  • Max. 1000 word statement explaining why you would be a suitable candidate and how it will enhance your research.
  • Short supporting statement from your supervisor

Persona Information required:

Name
Email
Programme of Study
Year of PhD
Title/Area of Research
Supervisor

Objects in Space, Subjects in Time: The Material Cultures of Postcolonial History
  • Kat Hill and Rebecca Darley (History, Classics and Archaeology – Birkbeck)
  • Suzanna Ivanic (Kent)
  • Luke Lavan (Kent)
  • Liz James (Sussex)

A series of six workshops across the year which explore global, transnational and postcolonial pasts by engaging with material collections and texts or objects in museums and exhibition spaces across London. The journeys of objects or the changing shape and use of spaces can offer a powerful means of unpicking, understanding and then conveying meaningfully and compellingly to a range of audiences the processes and legacies of empires. Encountering the objects and spaces proposed in these workshops emphasizes not only the intellectual perspectives of post-colonial theory upon the past, but also brings to light in the most concrete terms those shadows of empire in the present that post-colonial theory was developed to expose and challenge.

These workshops will include one international conference, four object-based sessions making use of London’s unparalleled collections, and two sessions dedicated to the processes of translating research into different arenas. You will have the chance to examine a range of material and objects in dedicated study sessions with curators and experts, and
over the course of the series, you will produce a video, blogpost or other public-facing reflection, drawing on your own research and the materials in these workshops. You will receive training from the Derek Jarman Lab, Birkbeck’s media department, on how to produce an effective media project and have the opportunity to contribute to a podcast with a top broadcaster, as well as present your ideas on the sessions to a non-academic audience.

The focus in all of the workshops will, therefore, be on the complex material histories of empires, as vehicles for migration, trade, translation and the imposition of political authority, and simultaneously on developing a constant awareness of the sub-structures of knowledge creation that underpin any approach to the past. They will combine to give you fresh ways to think with objects and to challenge categories and ideologies of colonialism, not only as they were historically constructed, but also as they continue to shape the world today.

For any questions please contact Kat Hill (katherine.hill@bbk.ac.uk) or Rebecca Darley (r.darley@bbk.ac.uk)

What will you get from these sessions?

  • Engage with materiality and object-based history
  • Engage with diachronic global and transnational histories
  • Think about place and space as historical concepts
  • Develop presentation and public engagement skills
  • Broaden knowledge of heritage spaces and public museums
  • Network with other researchers, senior scholars and other stakeholders

How to Break the Glass Ceiling?

How to Break the Glass Ceiling?

18:30 – 21:00, Thursday 27 September 2018

All Birkbeck PhD students are welcome to attend this event – if you would like to attend please register using the link above.

The event purpose organised by Birkbeck University in partnership with the IoD Central London branch, is to answer all those questions through a panel discussion from a diverse panel of Academics, Entrepreneurs and Directors. This event is aimed at women who want to meet like minded people as well as learn some new development tricks. Men are most welcome to attend.

Overview

Have you ever wondered why so many companies/universities heads were not representative of their own employee/customer/student mix? What is gender culture? What are the tools and tips which can be taken from the current business and academic environment?

The evening will consist of:

18.30
Arrival and networking

18.45
Leader panel: Short presentations from the panel on their ideas of breaking the glass ceiling

19.00
All panel discussion

19.30
Question and answer session with closing remarks

19.45
Networking reception

Shut Up and Write: Day Long Retreat

“Shut up and Write! turns writing from a solitary, to a social experience.

The concept is simple: meet up with others in a cafe (hopefully one with plenty of power points), and write. The concept originated in the San Francisco Bay Area, amongst creative writers, but, thanks to social media, has spread amongst research students around the world. The idea is to make the act of writing fun and relaxing” – The Thesis Whisperer

The Graduate Research School is offering Birkbeck research students the chance to take park in a Shut Up and Write Day Long Retreat!

This session is aimed at those who would like to set aside a whole day for writing up. The format will be based on the standard Shut up and Write sessions but provides writing opportunities in both the morning and the afternoon. Tea and coffee and a sandwich lunch will also be offered to those who take part.

Sign up and see event details here!

DATE AND TIME
Wed 12th September
LOCATION
MAL631

London Science Fiction Research Community (LSFRC) – Reading Groups for Research Students

Aren Roukema

Science Fiction is simply one of the most productive and stimulating areas available for research and discussion — encountering and discussing SF texts provides opportunity for thinking (and worrying!) about the future, for struggling with ecological, social and philosophical issues of the present — in addition, of course, to new technologies and scientific advancements — and even for enjoying the continued presence of the monsters, utopian visions, and other imaginaries that have always drawn us to the fantastic.

Birkbeck has a number of faculty members who are leading SF researchers (Roger Luckhurst, Caroline Edwards) and even authors (Mark Blacklock) and has thus attracted a number of students over the years who are specifically interested in SF, whether via the MA module or as PGRs supervised by the above. As researchers whose projects are centrally concerned with SF, Rhodri Davies and I felt that setting up a Research Community with reading group could benefit both ourselves and the Birkbeck Eng and Hums community. We started slowly but have built up our average attendance at reading groups to the point where we can expect 15-20 people per session, either from the community or from universities in London and surrounding areas. We were later joined as organisers by Francis Gene-Rowe of Royal Holloway (in 2015) and Katie Stone (in 2018), who started this past year at Birkbeck.

We also hold an annual conference and host evening lectures, in tandem with Birkbeck’s Centre for Contemporary Literature. The last evening lecture we held (in February) was with SF author and critic Brian Stableford. Thus far we’ve held three of these lectures, in which we try to bring in a well-known SF author either for a lecture or a panel discussion.

Organic Systems

Our last annual conference, Organic Systems: Bodies, Cultures, Environments dealt with ecocriticism in SF. Our next conference will be held on 14–15 September, and will feature keynotes from Roger Luckhurst (Birkbeck) and Helen de Cruz (Oxford Brookes), and a round table with SF authors Jeff Noon, Justina Robson and Fiona Moore (Royal Holloway).

I’ve had many positive reading group experiences. One highlight, though, was reading Frank Herbert’s Dune in tandem with a documentary about a film adaptation by Alejandro Jodorowsky that was never made, yet went on to influence a number of now high profile SF film directors, screenwriters and illustrators. A high profile example is Star Wars, made shortly after Jodorowsky’s seven hour film project was shopped to (but not bought by) Hollywood studios. As a number of critics/conspiracy theorists have observed, Star Wars has some inventions and scenarios that seem suspiciously similar to Jodorowsky’s storyboards. The surprise for me in all this was that I enjoyed the concept of Jodorowsky’s film—the imagining of its never-fulfilled conception—more than I’ve enjoyed completed films like Star Wars; indeed, more than I enjoyed Dune itself!

It is part of LSFRC’s wider mandate to create a space for established academic researchers, students, and non-academic members of the community to discuss science fiction. Interested PGR students can contact

Aren Roukema: arouke01@mail.bbk.ac.uk;
Katie Stone: kstone03@mail.bbk.ac.uk;
Rhodri Davies: mrrhodridavies@hotmail.com

Follow @LSFRC_ on Twitter

Join the London Science Fiction Research Community on Facebook

Birkbeck Intern Blog Post – Pauline Suwanban

Pauline Suwanban

My experience starting a PhD was certainly shaped by my internship with Birkbeck Institutes.

It gave me a rich introduction into academia and public engagement. The Birkbeck Institutes of Social Research, Gender and Sexuality, and Humanities are directed by Professors Jacqueline Rose, Slavoj Zizek, Esther Leslie, Felicity Callard and Kate Maclean. The institutes promote interdisciplinary research on critical issues through public debates, lectures and workshops. They also founded the London Critical Theory Summer School, which is a two-week course where graduate students engage with internationally acclaimed academics.

I joined a group with three other PhD students from different Schools across the university, trained and supervised by the manager of the Institutes. We provided basic assistance at events. This ranged from registration (which in other words meant crowd control when it came to the Slavoj Zizek and Judith Butler talks), AV support, to being on hand in case of any technical hitches. We also promoted the events through emails and social media. This involved reaching out to specific audiences who could be interested- quite tricky for some niche events, especially in the case of one interdisciplinary stem cell and nutrition lecture. We also sourced and wrote blog posts for the website about research topics and events supported by the Institutes.

As interns we were also responsible for organising the annual graduate conference; a two-day event which encouraged MA and PhD students to present their work within a supportive environment. This was a more challenging and rewarding experience than I had anticipated. The budget had been allocated and room was pre-booked; which left the rest to our management. This included the theme, call for papers, keynote speaker invitations and the programme. This year’s theme was ‘the Age of Distraction’. We interrogated the meanings and implications of distraction, its reputation in modern societies, its potential to disrupt and to create. We had a broad range of stimulating panels which explored the role of distraction within aesthetics, politics, psychology, digital media and education. Our keynote speakers were Prof. Carolin Duttlinger from the University of Oxford, who insightfully discussed the ‘Narratives of Distraction’ from Kant to modernism, and Dr. Sophie Jones from Birkbeck’s English department, whose provocative paper explored minimalist literature and attention deficit disorder.

We also presented a mini-exhibition of Dr. Kai Syng Tan’s photographic series (BADGE-WEARING MIND WANDERING IN ACTION 2017). Dr. Tan’s work, which explored the fusion of at and mental health, was complemented with energetic drawings from the public which interpreted the concept of mind-wandering. This display was curated by Alessandra Cianetti, who joined Dr. Jones and Prof. Callard in a discussion on mind-wandering, contemporary art and day-dreams. She also presented a very arresting film by Dr. Tan, which surrounded the audience with the visual and sensory impact of attention deficit disorder.

Credit: Dr. Kai Syng Tan

 

I easily underestimated the time that had to be spent for all the logistics and unexpected obstacles, which sometimes felt like an endless checklist! But there were certainly fulfilling moments, especially from noticing the pride in fellow students and the enriched thoughts of a public audience.

I would urge anyone to apply for this internship. It ticks all the boxes in building an academic career and is a wonderful way to meet new people who could inspire your research. Keep an eye on the BIH and BISR websites for recruitment and join the mailing lists to keep up to date with upcoming activities. If you are unsuccessful, there are still ways to get involved, such as volunteering at events, writing a blog post and joining the next graduate conference as a speaker or helper.

Pauline Suwanban is a second year English PhD candidate. Follow her on Twitter @paulinesuwanban 

The Other Side of the Story

Melanie Jones

I decided to take my Creative Writing MA at Birkbeck because of The Mechanics’ Institute Review, an annual collection of short fiction that showcased the best writing at the college. At that time, the Review was produced by MA students as part of a publishing module.

In the first few weeks of term, it became clear that everyone wanted their story to be selected. For some, including me, it represented the first ever chance to be published. Unfortunately, the module was cancelled in my first year because not enough people signed up. Everyone wanted to be in the book, but being an editor made you ineligible.

Julia Bell, the lecturer who set up the Review ten years earlier, wouldn’t let the project die. Instead she called for volunteer editors and built a team that included Birkbeck alumni as well as current students. MIR 11 was published that year and I was fortunate enough to have my story Sowing Seeds included.

I had only written one short story before I started my MA. I had never shown my writing to anyone else. I had never called myself a writer. Seeing my name in print, going to the launch party, holding a physical copy of book that included my work was a gamechanger. It legitimised a creative spark that had, up until that point, just been a hobby. When I was a little girl in the early 80s, I felt like having my name printed out in ‘computer writing’ on a piece of paper meant I was famous. MIR 11 allowed me to live out that dream as an adult.

Julia had a vision for MIR. She didn’t want it to be a university publication that just printed work from Birkbeck students. She wanted to open it up to all UK based authors and she wanted to combine the other extra-curricular activities (like the Writers’ Hub website and the Hubbub live reading event) offered at Birkbeck under one banner. I was about to start my PhD at Birkbeck and becoming the Managing Editor for the online counterpart to the Review was the perfect way to help with my fees and to share my experiences with other budding authors.

 

At MIROnline, I manage a team of about twenty volunteers. We have readers, copy editors, bloggers, features writers, and social media experts. We publish fiction and poetry from writers across the UK and provide an in-depth copy-editing experience for those writers. We run live reading events and free writing workshops that are open to all.

I am a secondary school teacher and sometimes the combined workload is overwhelming. In theory, my weekly schedule is Monday MIR, Tuesday teaching, Wednesday PhD study at home, Thursday PhD study in the Wellcome Library, Friday and Saturday teaching, and Sunday relaxing. It doesn’t always work out that way! My research focuses on anxiety and creativity, and sometimes the stress of a MIR deadline gives me some first-hand experience of this link. That being said, I have an amazing team of volunteers who always step up when I need them. I also have the support of Julia, Toby Litt, and Sue Tyley, the experts who give us a professional sheen.

In my research, I am looking at ways for writers to use the mental barriers they might face to fuel their creativity rather than block it, and this definitely comes in to play when mentoring new writers. Of course, we publish the work of experienced authors too and I learn a lot from their methodology and practice.

My aim as Managing Editor is to offer quality university and industry level experience for anyone who wants to engage with us. For the volunteers, I hope that they learn and develop as writers and editors. For the authors and participants in our events, I hope to pass on the feeling I had when I held the physical copy of MIR 11 in my hands. You are an author now. Legitimate and celebrated.

MIROnline

MIR Anthology info

Buy Mechanics Institute Review 2017 Edition

Melanie Jones is the Managing Editor of MIR Online and a PhD student at Birkbeck University where she researches the links between anxiety and creativity. Melanie teaches at a secondary school for pupils with anxiety and other emotional barriers, autism, dyslexia and school phobia. Melanie was long listed for the 2018 Bristol Prize and shortlisted for Poetic Republic’s Short Fiction Competition. Her work can be found in the following anthologies: Kissing Him Goodbye and Other Stories, and The Mechanics’ Institute Review issues 11 and 13. Melanie is currently working on a collection of semi-true short stories.

 

Avant-Garde Study Group – Reading Groups for Research Students

Evi Heinz

The Avant-Garde Study Group was set up in 2017 and is currently co-organised by Paul Ingram, Robyn Jakeman and myself. I was keen to get involved in the running of the group because I think it provides an important forum for postgraduate students working in the general field of experimental, modern literature and art to discuss their own research and learn about that of their peers. Working on your own, very specific research project can sometimes feel quite isolating and co-organising the Avant-Garde Study Group has been a great way for me to participate in a stimulating intellectual exchange.

We meet every other week during term time to discuss different manifestations of avant-gardism in the nineteenth and twentieth century, including but not limited to such movements as Expressionism, Cubism, Futurism, Vorticism, Constructivism, Dada and Surealism. All members of the study group are invited to suggest topics for discussion and lead individual sessions based on their personal interests. Reading or viewing materials are circulated in advance and each session begins with a brief introduction of the topic by the session leader, followed by an open discussion.

The open format of the study group, which is shaped by the research interests of the participants, means that it is a great way of meeting other researchers working in related fields and learning more about their work. I like the friendly and informal atmosphere at our meetings and that the group has attracted a good mix of participants, including PhD students, ECRs, independent researchers and Masters students from Birkbeck and beyond. Next academic year we hope to organise some one-off events and socials beyond the regular study group meetings. In particular, we’re planning a screening of rarely-seen avant-garde short films.

The study group has given me the opportunity to lead sessions on specific texts and topics closely related to my own research and has allowed me to interrogate my broader understanding of the (historical) avant-garde in incredibly fruitful ways. Being able to practice presenting aspects of my research and discussing them in detail with a group of my peers has been an invaluable experience and I look forward to many more exciting sessions in 2018/19!

The Avant-Garde Study Group meets during term time on alternate Tuesdays from 7-9pm and are always keen to welcome new members. For more information please contact avantgardestudygroup@gmail.com or find us on Twitter (@agstudies).

Health and Safety Training Available for Research Projects

These courses require a password to sign up. See end of post for details.

Risk Assessment using Sevron

Thursday August 30th. 10.00 – 13.00 A half-day course on general health and safety risk assessment with an introduction to the Sevron online risk assessment system. Book here

COSHH Risk Assessment using Sevron

This course is for people needing to assess the risks of the use of hazardous substances under the Control of Substances Hazardous to Health Regulations (COSHH). The course introduces the Sevron online risk assessment system and its use for COSHH assessments. There are several opportunities to undertake this training.

Wednesday September 12 morning session 10.00 – 13.00.

Wednesday September 12 afternoon session 14.00 – 17.00.

Thursday September 20 morning session 10.00 – 13.00.

Thursday September afternoon session 27 14.00 – 17.00.

Level 2 Award in Fire Safety

A one-day course for persons with special responsibilities for fire safety such as fire wardens. Wednesday September 19. 9.30 – 17.00. Book here.

Level 2 Award in Health and Safety at Work

A one-day course for persons with special responsibilities for general health and safety such as Departmental Safety Coordinators. September 25. 9.30 – 17.00. Book here.

Level 2 Award in Manual Handling

A one-day course for staff undertaking manual handling tasks as a regular part of their work. Monday 10 September 09.30 – 17.00. Book here.

 

These courses require a password to sign up. Follow the links and enter “BBK” at the Eventbrite page.

Shut Up and Write: Double Day Retreat

“Shut up and Write! turns writing from a solitary, to a social experience.

The concept is simple: meet up with others in a cafe (hopefully one with plenty of power points), and write. The concept originated in the San Francisco Bay Area, amongst creative writers, but, thanks to social media, has spread amongst research students around the world. The idea is to make the act of writing fun and relaxing” – The Thesis Whisperer

The Graduate Research School is offering Birkbeck research students the chance to take park in a Shut Up and Write Double Day Retreat!

Aimed at those who would like to set aside two whole days for writing in the Summer Term, students can attend either or both days. The format will be based on the standard Shut up and Write sessions but provides writing opportunities in both the morning and the afternoon, across two days. Tea and coffee and a sandwich lunch will also be offered to those who take part.

Sign up and see event details here!

DATE AND TIME
Wed, 22 Aug 2018, 10:00 –Thu, 23 Aug 2018, 17:00 BST
LOCATION
MAL630